SKU: AP.33688S
UPC: 038081376998. English.
From Book I of Bach's The Well-Tempered Klavier, this lively reworking of the Prelude and Fugue in B-flat minor, No. 22 provides students the wonderful experience of playing Baroque counterpoint in a minor key. Though rhythms are not complex, counting skills will be honed. The piece remains mainly in first position, yet also includes melodic augmented seconds. In the five-part fugue, the double basses have their own independent line, so let them shine.
SKU: HL.14026060
ISBN 9788759878866. Danish.
J.S. Bach's Prelude and Fugue No. 8 from Das Wohltemperierte Klavier Vol.1 expertly arranged for Chamber Ensemble by Karsten Fundal . Parts are available: KP01004.
SKU: HL.14026061
ISBN 9788759856840. Danish.
Set of parts for J.S. Bach's Prelude and Fugue No. 8 from Das Wohltemperierte Klavier Vol.1. Arranged for Chamber Ensemble by Karsten Fundal .
SKU: HL.48180908
UPC: 888680984274. 9.0x12.0x0.15 inches.
This first volume of Twelve Pieces by Gaston Litaize is a set of six pieces for organ. With a difficulty that would fit the skills of upper intermediate players, these pieces require the use of pedals. This first tome includes: 1. Prelude, dedicated to Lauret Bolli, his friend 2. Double Fugue 3. Lied, dedicated to Guy Lambert 4. Intermezzo Pastoral, dedicated to Miss Line Zilgien 5. Final, dedicated to his professor Marcel Dupre 6. Lamento, dedicated to his friend Maurice Dalphin. And the second tome consists of: 7. Scherzo 8. Toccata sur le veni creator 9. Priere 10. Jeux de rythmes 11. Interlude 12. Variations sur un Noel angevin. This piece is quite famous among Gaston Litaize's compositions. Gaston Litaize (1909-1991) was a French organist and composer, blind since his youth. Considered as one of the organ masters of his times, he toured and worked on many recordings. He was also a good professor, and composed many pieces for solo organ and for organ with other instruments.
SKU: PR.144405660
UPC: 680160609765.
Martin discusses his childhood fascination with composition, and eventual discovery of counterpoint, fugues, and canons. He was brought up short, upon learning that such composition was so out of favor at 1970-era Peabody. Even so, he created his third quartet, Canons, from his journals of those previous efforts. These movements are titled Prelude, Episode I, Interlude, Aria, Episode II, and Meditation. There are canons, fugue-like pieces, and even some double canons. Other sections are strict in pitch but free in rhythm. One piece is imitative, but freely so. For advanced performers. Duration: 11'30.
SKU: PR.14440566S
UPC: 680160609789.