SKU: HL.50600593
ISBN 9789633307670. 8.25x11.75 inches. English.
The main objective of this book is to teach music theory through practical activity. Its aims at developing comprehensive musicianship by means of thorough understanding of the materials provided, providing guidance in stylistic analysis and authentic performance, and giving an opportunity for students to integrate what they learn into practice, improvisation, and composition. The material of this book can be used by students in any area of specialization (by singers, instrumentalists, educators, theorists, etc.). This book takes the student on an exciting musical journey following the path of music history from the birth of harmony through the late Baroque. The musical examples and excerpts included within are taken from the masterworks of the classical repertoire. These examples support practical work with exercises, dictation, worksheets for composition, analysis, bass figuration and realisation. In addition, all solutions are provided. Spiral bound.
SKU: HL.50606645
ISBN 9781705199770. UPC: 196288153528.
This book is to some extent a continuation of Dr. Kiss's 2015 textbook A Practical Approach to Harmony: From the Birth of Polyphony to the Baroque Era. The aim of this book is to support conservatory students (aged 14-22) and their teachers with a collection of carefully selected material from which to learn the necessary musical concepts and practical knowledge of music theory, form, and harmony. The target era is the Viennese Classical period, which spans just under one hundred years between around 1730 and 1830. The focus ison the greatest representatives of their time: Haydn, Mozart, and Beethoven. The book concentrates on the practical aspects of studying music theory, form, and harmony. This means that all musical concepts become practical knowledge and are integrated into skills that a cultured musician needs (score reading, writing, singing or playing, composing, memorizing, transposing, arranging, analyzing, and so on). The book consists of ten units grouped into three levels of difficulty: Basic (units 1 to 5), Intermediate (units 6 to 8), and Advanced (units 9 and 10). The structure of each unit is identical: 1. Listening and Analysis Analysis of selected compositions based on the following considerations: the structure of melody, rhythm, harmony, tonality, instrumentation, and form. 2. Theory and Practice Learning theoretical concepts from masterpieces, and applying them to singing, playing, transposing, piano reduction writing, improvising, composing, and analyzing. 3. Keyboard Harmony Creative activities such as: writing and realizing figured basses; harmonizing melodies; and playing, composing, and transposing chord progressions. 4. Ear Training Harmonic singing exercises and notating chords and complex musical excerpts after listening to them. 5. Appendix The Appendix of each unit contains the solutions to the tasks in that unit.
SKU: HL.1303101
UPC: 196288173007.
This revised 4th edition of Practice in Music Theory Grade 6 comes complete with detachable Model Answers! The success of its previous editions for the past two decades has prompted the need for more definitive solutions. Based on the ABRSM theory examination syllabus, it is the first of three comprehensive coursebooks leading to Grade 8 and beyond. Students are guided to achieve a high theoretical standard, with competent knowledge in harmony, counterpoint, melodic writing and score analysis. The J Koh's instructional approach is academic and systematic; yet musically conceived with graphical layouts and selective examples. There are 2 parts to this coursebook. Part I - Harmony The principles of harmony are introduced here: 4-part writing, 2-part counterpoint, concepts of traditional chord progression, use of inversions, principles of voice-leading, and the use of non-harmony notes. Harmonic guidelines and rules are clearly explained with relevant examples. Exercises are progressively structured to ensure a strong grasp of the theoretical concepts. Part II - Melodic Composition and Analysis Meloic composition is taught through an analytical approach. The concepts of phrasing, use of motifs, modulations and melodic contour are illustrated with authentic extracts. By taking students through the works of the great masters, their technical skills are sharpened, enhanced with useful tools for the creative compositional process. Skills in score analysis involve the acquisition of sound musical knowledge - the study of forms, genres, history of western music that spans 4 centuries, along with the composersÂ’ works and styles. Appendices II and III provide guidance for basic research needed at this level. The essential and highly recommended reference texts are: Musical Forms and Terms and Understanding Orchestration, The Orchestra and Its Instruments.
SKU: BT.9789082717488
ISBN 9789082717488. Dutch.
Harmony does not to be boring or difficult. This book shows that it can be both understandable and fun. The emphasis is on experimenting with sounds, though listening and improvisation. This way, the theory finds its way into your hands and heart – not just your head. This new method guides you step by step through all aspects of harmony, in a clear and engaging way.
Suitable for both classical musicians and fans of popular music. No prior knowledge is required.
With an understanding of harmony, you will find it easier to learn new pieces. Your musical imagination will grow. You will learn to transpose, compose and improvise. Playing by heart will become much easier. You will understand composers better, in a more intimate way. Ultimately, you will be able to grasp music on a deeper level, with greater awareness and freedom.
SKU: AP.1-ADV18012
ISBN 9783892211242. UPC: 805095180121. English.
This harmonic system complementary to traditional harmony aims at making the contemporary harmonic language effortlessly accessible to everyone interested. Unlike other harmonic systems or treatises on the same subject, the harmonic system proposed by Orlando Sánchez Cubajazz is made up of chords formed on the basis of one note (bass) plus a perfect major chord. Founded on this extraordinarily simple concept, not only the modes of occidental music---major and minor---can be determined but also seventh chord substitutions, other kinds of chord substitutions as well as inversions of perfect major chords. The harmonic system introduced in this book suggests a new theoretical as well as practical approach to this topic, offering an easily comprehensible system that provides straightforward and practical solutions. A valuable cultural exchange at a global level promotes cultural growth and development; mutual influences are inevitable. The author feels that jazz---on a world scale---represents popular music at its maximum expression; and for Cuba and artists such as Orlando Sánchez himself it does carry very special connotations. Titles: Acknowledgments * Prologue * Theoretical Exercises * Complementary Harmonic System * Exercises * Music: A Dani * Algo Más Para Ti * A Japón * Bachiana A Espirituana * Curiosa y Virtuosa * Danae * Glow * El Pilón de Atenas * Hondo * Kesmet * Nostradamus * Obrigado * Por Las Calles De La Aduana * Pointe Pa`Etio * Samborn de Los Azulejos * To Dexter Gordon * Very D * To Elis Regina * TodavÃa Tres Meses * Wayne And Zawinul * Redommendations * About the Author * CD Contents.