Format : Sheet music
SKU: ST.CLD145
ISBN 9790708113454.
SKU: HL.48000603
UPC: 073999255454. 8.25x11.75x0.179 inches.
Contents: Romance (Mielck) * Elegie (Sohlstrom) * Berceuse (Jarnefelt) * Romance (Merikanto) * Chanson sans paroles (Kuula) * Menuetto (Melartin) * Elegie (Sibelius) * Romance (Sibelius) * Consolation (Kuusisto) * Juvenalia (Sonninen) * Andante religioso (Marttinen) * Adagio (Salmenhaara) * Arioso (Saikkola) * Canzona (Johansson) * Menestrel (Johansson) * Metamorfora (Sallinen).
SKU: BR.OB-4953-23
Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius. Early modern; Late-romantic. Part. 4 pages. Duration 5'. Breitkopf and Haertel #OB 4953-23. Published by Breitkopf and Haertel (BR.OB-4953-23).
ISBN 9790004326497. 10 x 12.5 inches.
Sibelius composed this short (only five minutes long) Romance in C Op. 42 in 1903; the work was first performed in Turku in March 1904. The Romance is not a concerto movement in disguise, but features the dark, dense string writing typical of Sibelius.
SKU: HL.14027700
Violin or Cello with Piano Accompaniment.
Hakon Børresen's Romance Op. 4 for Cello and Orchestra (1903), arranged for Violin or Cello with Piano Accompaniment.
SKU: HL.50566000
ISBN 9781705150009. UPC: 196288016724. 9.0x12.0x0.115 inches.
“Musique française†is a series designed for students and teachers as well as professionals. These editions offer masterworks in French music, with performance suggestions and historical and stylistic commentary by noted scholars. The second half of the 19th century saw the growth in popularity of instrumental Romances. These, which one could categorise as morceaux de salon, continued the characteristics of the vocal Romance, which was born in the middle of the Age of Enlightenment and which, at the beginning of the Romantic period, had achieved great success among composers, performers and audience alike.