Pop For Trumpet Band 1: Trumpet

Transcriptions * Lessons * Bios * Photos-From Bix Beiderbecke and Louis Armstrong to Herb Alpert and Chuck Mangione take a look at the genesis of pop Trumpet. This book/Audio package provides solo transcriptions in standard notation lessons on how to play them biographies instrument information photos history and more. The accompanying online audio contains full-band demo tracks and accompaniment-only tracks for every trumpet solo in the book. Songs include: Cherokee (Indian Love Song) Cherry Pink and Apple Blossom White Does Anybody Really Know What Time It Is? Feels So Good Hello Dolly! Holding Back the Years MacArthur Park Misirlou Penny Lane Salt Peanuts So What Zanzibarand more.

Easy collection of 85 patriotic songs spirituals hymns and carols appropriate for most any setting. Individual part books are marching band size.HL04475997 ConductorHL04475999 FluteHL04476006OboeHL04476007 BassoonHL04476001 1st ClarinetHL04476002 2nd ClarinetHL04476003 3rd ClarinetHL04476037 4th ClarinetHL04476004 Alto ClarinetHL04476005 BassClarinetHL04476008 1st Alto SaxHL04476009 2nd Alto SaxHL04476010 Tenor SaxHL04476011 Baritone SaxHL04476012 1st TrumpetHL04476013 2nd TrumpetHL04476014 3rdTrumpetHL04476018 1st F HornHL04476019 2nd F HornHL04476020 3rd/4th F HornsHL04476021 1st TromboneHL04476022 2nd TromboneHL04476023 3rd TromboneHL04476024 BaritoneTCHL04476025 Baritone BCHL04476026 Bass/TubaHL04476027 DrumsHL04476028 BellsHL04476029 Timpani

As playing funk styles is a passion of Andrew?s he has written this instructional book ?100 Ultimate Soul Funk and R&B Grooves? based on the influences of the great Funk Soul and R&B artists such as: James Brown Herbie Hancock The Crusaders Average White Band Marvin Gaye Miles Davis Stevie Wonder Parliament Ramsey Lewis Booker T and The MG?s MFSB Billy Preston etc. Besides the afore-mentioned styles Andrew has also added a few grooves that are Afro-Caribbean such as: Latin Reggae and Calypso. Each of the 100 grooves have been recorded with the Trumpet part playing along with a rhythm section of guitar bass drums keyboards and in many of the grooves percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks. Percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three minute Play-A-Long track for each of the 100 grooves minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.minus the trumpetpart so that you can practice along with the rhythm tracks adding up to over 5 hours of Play-A-Long tracks.percussion. There is also a three mi

“I wrote The Nonantum Bulgar in response to a request for a klezmer-style piece for middle school band. Since my local middle school (F. A. Day) is located in close proximity to Nonantum the oldest area of Newton MA Idecided to imagine the dedication of the Adams St. Shul our city's oldest synagogue which took place around a hundred years ago (December 15 1912). According to the Yiddish and English poster announcing the dedication theevent featured the a prominent Boston cantor and choir and a klezmer orchestra leading a 'Grand March' down Adams St. The piece tries to re-create what the klezmer band might have played on that occasion.A Bulgar is aRomanian Jewish Dance that was very popular among Jewish immigrants at the beginning of the twentieth century. The trumpet solo that opens the piece is a typical rubato prelude with the trumpet playing 'cantorial-style' Jewishornaments and phrasing in the manner of Eastern-European Jewish prayer leaders. Once the dance starts the piece is underscored with a Romanian Jewish 'Bulgaresca' rhythm heard in the trombone snare drum and tympani. The'bulgar' section of the piece begins with a typical klezmer band orchestration of the time featuring solo clarinet (played with a somewhat nasal tone) trumpet (or even more ideally cornet) trombone saxophone tuba andpercussion. The percussion section is prominently featured in the third strain. In the final round of the opening melody the band slows down in the manner of a Russian 'Grand March ' bringing the piece to a proud and majesticconclusion.” --Hankus Netsky

This innovative trumpet feature gives you the unique option of using two groups of antiphonal trumpets set up on either side of the band. All instruments use just six notes in this excellent opener or trumpet feature for your next concert. The piece uses only two dynamic levels and helps you teach accents and staccatos. For added visual splendor consider having your ?trumpeteers? hang colorful pennants from their instruments. Very easy.

Par HANNICKEL MIKE. What a great way to feature that blossoming Trumpet soloist! The undeniably beautiful melody YE BANKS AND BRAES O’ BONNIE DOON is the foundation upon which this colorful and expressive Trumpet solo piece is crafted. A closer look at the orchestration of this classic Scottish air shows that the soloist is not the only one who gets to be expressive. Subtle contrapuntal motion and vividly contrasting colors resonate throughout. This arrangement is rich and deep. Let that soloist shine! / Niveau : 3 / Pièce de concert / Répertoire / Trompette et Concert Band ou Harmonie