Play Rachmaninoff

11 morceaux préférés de Rachmaninoff, tirées de la symphonies, des concertos, des préludes et des chansons, habilement simplifié et arrangé pour violon et piano (avec accompagnement CD) par Hywel Davies.Piano parties à ces pièces sont disponibles sur l'accompagnement CD/CD-CD-ROM comme fichiers PDF de haute qualité. / Violon Et Piano

Dramatic and lyrical by turns this work displays Rachmaninov's keyboard characteristics: intense Russian flavor rich and bold sonorities compelling rhythmic drive and brilliant virtuosity. Rachmaninov shows here a very fine grasp of the medium of two pianos his haunting sense of melody and his richly harmonic and rhythmic foundation. Altogether it ranks as a very important contribution to two-piano literature. Arranged for 2 Pianos 4 Hands this edition includes two complete copies of the work.

11 Well Known Works For Intermediate Players. Par RACHMANINOV SERGEI. 11 morceaux préférés de Rachmaninoff, tirées de la symphonies, des concertos, des préludes et des chansons, habilement simplifié et arrangé pour trompette et piano (avec accompagnement CD) par Hywel Davies.Piano parties à ces pièces sont disponibles sur l'accompagnement CD/CD-CD-ROM comme fichiers PDF de haute qualité./ Répertoire / Trompette et Piano

Nine of Rachmaninoff's greatest themes arranged for the intermediate standard pianist. Includes Piano Concerto No 3 (theme from Shine) Piano Concerto No. 2 (1st movt) Symphony No 2 (3rd movt theme) Vocalise and more.

Nine of Rachmaninoff's greatest themes beautifully arranged for intermediate-standard pianists. A superb collection from the maestro of melody - edited by Christopher Norton and Nicholas Hare! / Partition /

The Perfect Way To Rediscover The Piano-Did you used to play the piano? Would you like to play again? Play it again: Piano uses real pieces from the piano repertoire to teach specific techniques and tips getting you playing fluently once again. This is the second book which is for the more confident ?former? piano player or for those continuing their journey from Book 1. The level of pieces in this second book progresses from around UK grades 5 to 8 (intermediate to late advanced). ?I used to play the piano??Aimed at ?returning? players who have spent some time away from the keyboard Play it again: Piano gives you the confidence to revisit this fulfilling pastime and go beyond what you previously thoughtyou could achieve.Each of the 21 pieces in Book 2 is accompanied by two full pages of easy-to-understand practice tips all designed to get your fingers speeding comfortably across the keys once again! There are more comprehensive Piano Technique and Theory sections at the front and back of each book so you can also delve deeper to regain a fuller understanding of music and technique. A refresher course for all abilities each book is arranged in 4 progressive sections with Book 1 moving from ?Elementary? to ?Intermediate? and Book 2 taking you from ?Late Intermediate? to ?Late Advanced?. Dip in and out wherever your level of playing suits: this two-book course starts with simple and elegant miniatures and concludes with the famously showy Prelude in C-sharp minor by Rachmaninoff! Confident pianists could start with Book 2 but there is a wealth of delightful repertoire and valuable practice tips in Book 1 it?s always useful to go ?back to basics?. From Schumann to shuffles. Baroque Classical and Romantic works sit alongside Jazz Ragtime contemporary or traditional pieces at every level so each lesson brings something different and you?ll learn to play in a range of styles some of which may be new to your fingers. If you often find yourself saying ?I used to play the piano?? but wish you still did then Play it again:

Original key for high voice-Rachmaninoff composed his collection of 13 songs Op. 34 in 1912 but it was only three years later that he added a little closing piece without any text: the Vocalise which soonoutshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive melancholy piece has circulated in countless arrangements by others.Rachmaninoff himself made anarrangement for Orchestra and Voice as well as one for orchestra alone. Our Urtext edition contains the original version for High Voice and Piano and is based on the autograph sources in the Glinka Museum in Moscow. A particularhighlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.

Concerto no. 2 in c minor op. 18 for Piano and Orchestra-Rachmaninoff???s legendary Opus 18 often lovingly referred to as Rach 2 ??? is for many the epitome of the Romantic piano concerto. Following its acclaimed premiere in Moscow in 1901 it proved to be a show-stopper around the globe finally helping cement Rachmaninoff???s international reputation as a composer. To this day the concerto???s enchanting themes and elegiac melodies in the strings are considered the trademark of Rachmaninoff indeed of Russian music in general. For the first Urtext edition of this pivotal work we were able to examine the original autograph score in Moscow???s Glinka Museum. Rachmaninoff???s own sound recordings were also consulted. The newly prepared pianoreduction ensures good playability: it accords exactly with the also newly edited orchestral score and parts. Both of these are available from Breitkopf and H?rtel.

Easy Piano arrangements of 16 favourites by Rachmaninoff. Complete with song background notes and playing hints and tips.Sergei Vasilievich Rachmaninoff was a Russian composer pianist and conductor.Rachmaninoff is widely considered one of the finest pianists of his day and as a composer one of the last great representatives of Romanticism in Russian classical music.

Par RACHMANINOV SERGEI / GERSTEIN KIRILL (Arr.). In the Silence of the Secret Night is a piano arrangement of Sergei Rachmaninoff?s setting of Afanasy Fet, taken from the composer?s song cycle Six Romances, Op. 4 (1890-93). The poem describes a fitful lover?s nocturnal yearning. This three-minute piece draws on pianist Kirill Gerstein?s idiomatic grasp of the composer?s music, transcribing the song in a way that recalls Rachmaninoff?s writing from the early 1900s. It makes for an ideal vignette in a recital programme or elegant encore, suitable for advanced players. 'In the transcription of Rachmaninov?s song?[Gerstein?s] musicianship was at once liberated and liberating.' The Observer (Fiona Maddocks) / Date parution : 2023-06-01/ Répertoire / Piano

Si vous êtes prêt à mettre en pratique vos leçons de piano et à jouer quelques-uns des plus beaux morceaux de musique classique de tous les temps, ce recueil vous ouvrira les portes de l'apprentissage ! Il propose 50 solos de Bach, Beethoven, Chopin et bien d'autres, arrangés avec simplicité, sans aucun morceau en doublon dans le premier volume du recueil First 50 ! Titres inclus :Air on the G String (J.S. Bach) · Air from Water Music (Handel) · Also Sprach Zarathustra (Strauss) · Ave Maria (Bach/Gounod) · Cello Concerto in B Minor, Op. 104 (Dvorák) · Deliah's Aria (Mon coeur s'ouvre a ta voix) (Saint-Saëns) · The Entertainer (Joplin) · Jupiter (Holst) · Military Polonaise, Op. 40/1 (Chopin) · Piano Concerto No. 1 in B-flat Minor, 1st mvt (Tchaikovsky) · Piano Concerto No. 2 in C Minor, 1st mvt (Rachmaninoff) · Piano Concerto No. 21 in C Major, 1st mvt (Mozart) · Promenade from Pictures at an Exhibition (Moussorgsky) · Rhapsody in Blue (Gershwin) · Ride of the Valkyries (Wagner) · Sonata Pathétique, Op. 13, 2nd mvt (Beethoven) · The Sorcerer's Apprentice (Dukas) · Spring from the Four Seasons (Vivaldi) · Swan Lake (Tchaikovsky) · Symphony No. 5, 1st (Beethoven) · Toreador Song (Bizet) · Wedding March (Mendelssohn) · et bien d'autres encore. / Piano / Hal Leonard

Only few pieces have ever won over the audience and haunted their composer as much as Rachmaninoff's Prelude in C-sharp minor. The composer virtually complained that 'people want to have it played all the time'. The present new edition of this 'highlight' of the piano music repertoire considers the differences between autograph and first edition very carefully, comparing them with the composer's recordings. / Piano