Play Bass Today! Level 1: Bass Guitar Solo: Instrumental Tutor

Part two of the ultimate self-teaching method designed to offer quality instruction terrific songs and a professional CD with 69 full demo tracks. Includes sections on triplets sixteenth-notes glissandos chords and more.

Par SNIDERO JIM. Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book features 21 solo etudes based on chord changes to standards and blues.The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist.Play along with one of todays finest, swinging New York rhythm sections: Mike LeDonne on piano, Dennis Irwin on bass, and Kenny Washington on drums. Start out fairly easy, then get progressively more difficult.Use the etudes as a bridge to solos of the masters that are usually more complicated and involved.Learn melodies and lines that will give you a solid jazz vocabulary and musicality.Use the book for private lessons, for self-study, or in any combination up to a full jazz ensemble, including flute and clarinet.If you are more advanced you may want to use the book to develop your sight reading abilities, for transcribing the etudes or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study, learning how to construct a swinging, logical solo ? works especially well in combination with the Study Guide.The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude, along with practice assignments for each etude. / Jazz / Recueil / Trombone Basse

What do YOU want to PLAY today? The PLAY series has nailed down what today's musician really wants: lessons you can use anytime, anywhere. They're flat-out more convenient than private lessons, and just as valuable. The high-quality video of expert instructors will help players of all skill levels, from beginners and 'weekend warriors' to advanced students and pros. Whether you're into rock, jazz, blues, folk, country, or a little bit of everything, the PLAY series has all the resources you need at the click of a button. / Guitare Basse

The Unbeaten Tracks series has made a profound mark on the music world with its volumes of specially commissioned pieces for intermediate-level players. The eight pieces in this volume are written in a kaleidoscopic mix of styles by some of today's most talented composers and are undoubtedly destined to become standard repertoire. There are also small 'Biopics' about each composer. These give titbits of information about the composer's inspiration and intention for their piece and offer musicians a greater insight into the music.

Jazz Conception is a new and exciting way for players at all levels to learn the language of jazz! Each book/mp3 CD set features 21 solo etudes based on chord changes to standards and blues. The same 21 etudes transposed and adapted for the main jazz instruments. See and hear how a well known soloist phrases and articulates and play along with or without the soloist on the CD. Play along with one of today's finest swinging New York rhythm sections: Mike LeDonne on piano Dennis Irwin on bass and Kenny Washington on drums. Start out fairly easy then get progressively more difficult. Use the etudes as a bridge to solos of the masters that are usuallymore complicated and involved. Learn melodies and lines that will give you a solid jazz vocabulary and musicality. Use the book/CD sets for private lessons for self-study or in any combination up to a full jazz ensemble including flute and clarinet. If you are more advanced you may want to use the book to develop your sight reading abilities for transcribing the etudes off the CD (then check against the book) or for just having fun playing along with a great jazz rhythm section. Use as an improvisation study learning how to construct a swinging logical solo; works especially well in combination with the Study Guide. The Jazz Conception Series is also perfectly suited for the class room. It can be used to develop younger students'jazz style in a big band or small group. In an improvisation class the teacher can use the etudes as studies in improvisation. The Study Guide provides an analysis of each etude along with practice assignments for each etude.Please note that mp3 CDs may not work on some (older) CD players.

Here is the perfect study guide for today's jazz combo drummer. A professional for more than 30 years world renowned jazz drummer and educator Danny Gottlieb explains and demonstrates the main skills needed forperformance excellence. Assisted by a stellar group of master jazz musicians this DVD is a must for combo drummers of all levels.Featuring all-star special guests: Corey Christian on Guitar Per Danielsson on Piano andChristian Fabian on Bass.Covers: Time Keeping. Tips for playing with the Bass player and Rhythm section. Swing in four six and straight eighth notes. Combo performance demonstration and play along examples.

Media Type : Book/CD Set Level : Beginning-Intermediate Musical Genre : Ethnic Series : Complete Number of pages : 162 The balalaika is most often associated with Russian folklore. In this comprehensive method book, concert and recording artist Bibs Ekkel shares his extensive knowledge of the balalaika as taught in Russia today. This 160-page book is divided into four sections: an extensive Foreword, the Tutor, A Brief History of the Balalaika, and a Repertoire Section. Unlike many Mel Bay books, the Complete Balalaika Book does not begin with the rudiments of music notation. Rather, the 20-page Foreword offer insights on the tunings of all the instruments in the balalaika family, hand positions, string sources and height adjustment, and chord shapes. The author even describes how to make a bass balalaika pick from shoe leather. The Tutor or instruction segment is written for the 'prima balalaika' which is correctly played with the fingers only rather than with a pick. The Tutor jumps right in with exercises and tunes in quarter, eighth, and sixteenth-note values with occasional dotted notes and syncopation. Perhaps half of the music in this section is shown in both standard notation and tablature. A glossary of musical signs and Russian musical terns is included. A Brief History of the Balalaika is well written and nicely illustrated. Very few Mel Bay books contain such a comprehensive historical overview of the subject instrument. The Repertoire Section offers a valuable resource of Eastern European folk tunes. All but two selections in this section are written in both notation and tab with suggested guitar chords, the exceptions being an arrangement for balalaika and piano, and a balalaika orchestra score. More than simple melody chord leadsheets, these are the author's own arrangements of tunes for solo balalaika and balalaika orchestra. A companion CD with selections performed by the author completes this highly effective instructional package.