Piano Works, Volume III (2 Concertos, Paganini Variations and Waltzes)

Complete Piano Works Volume II-Already our first volume of original piano works by Mozart?s youngest son made the music world take notice. The second volume now completes the collection of works by this composer who is often underestimated. At the time FranzXaver Mozart was described as follows: 'His playing is clear precise expressive and full of intellect and emotion'. Unlike masters of the keyboard such as Moscheles or Hummel he was not primarily a virtuoso which is why hisworks are also attractive for amateurs. Alongside numerous individual works this volume also contains several cadenzas for piano concertos by his famous father which we are able to publish for the first time thanks to theautographs.Contents Polonaises mélancoliques op. 17 Polonaises mélancoliques op. 22 Polonaises op. 26 Marche G major FXWM VII:9 Ländler F major FXWM VII:19 Deutscher Tanz dminor FXWM VII:23 Deutscher Tanz G major FXWM VII:24 Rondo F major FXWM VII:1 Rondeau F major op. 4 Rondo of Piano Concerto E flat major op. 25 (complete version) Rondo of Piano Concerto E flatmajor op. 25 (shorter version) Allegretto F major FXWM VII:39 Allegretto G major FXWM VII:40 Andantino A major FXWM VII:41 Cadence for the first movement to Piano Concerto K. 467 from W. A. Mozart FXWMIXb:1 Cadence for the last movement to Piano Concerto K. 467 from W. A. Mozart FXWM IXb:2 Cadence for the first movement to Piano Concerto K. 450 from W. A. Mozart FXWM IXb:6 Cadence for the last movement toPiano Concerto K. 466 from W. A. Mozart FXWM IXb:7 Fragment of a Cadence for the last movement to Piano Concerto K. 450 from W. A. Mozart FXWM IXb:8 Cadence for the first movement to Piano Concerto K. 503 from W. A.Mozart FXWM IXb:B Fragment of an ornamented version for the last movement to Piano Concerto K. 503 from W. A. Mozart FXWM IXb:C

This Rondo was written around the same time as the Piano Concertos in A major (K. 488) and c minor (K. 491). In the course of the work a theme from the third movement of the Piano Quartet in g minor (K. 478)is taken up and further developed. In spite of its considerable length and its musical depth the work was apparently not published during the composer?s lifetime. The dedication ?Pour Mad:selle Charlotte de W?? (the rest isindecipherable) is an enigma. No matter which lady Mozart had in mind this rondo is today one of his best loved and most played Piano works. Our single edition follows the musical text in the revised volume of his Pianoworks (HN 22) published in Mozart Year 2006.

BWV972-979-Volume XI from J. S. Bach's Complete Piano Works. This volume contains concertos after different Composers Nos. 1-8 BWV 972-979 edited by Bruno Mugellini.

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Moonlight-Designed for piano students and their teachers as well as professional pianists. Pedagogical in nature these editions offer insightful interpretive suggestions pertinent fingering and historical and stylistic commentary. Prepared by renowned artists and teachers these publications provide an accurate well-informed score resource for pianists. Ludwig van Beethoven is renowned for his large-scale innovative piano sonatas and concertos and these works hold a prominent and lasting place in the concert repertoire. Presented in this volume is the beloved 'Moonlight' Sonata (1801) edited and recorded by noted Beethoven scholar andconcert pianist Robert Taub.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano

In Full Score.-Outstanding in their variety and degree of innovation Mozart's piano concertos reflect his genius as a composer and demonstrate just why he has remained so popular. The first of the works was precociously written in 1767 when he was merely 11 years old and yet the pieces all possess his characteristic keyboard mastery experimentation with texture and a natural sensitivity to form and balance. The Concerto form most notably for piano continued to be a lifelong preoccupation for Mozart though it could be said that these formative pieces foreshadow the larger and greater works to come. This volume contains the full score for each of the Concertos and has been reproducedcomplete and unabridged from authoritative editions it offers a revealing look at the development of a budding master.

Seven concertos based on works by Vivaldi and others-About Keyboard Arrangements Of Works By Other Composers Volume II(Seven Concertos After Vivaldi And Others) By Johann Sebastian Bach (1685-1750) edited by Karl Heller. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 73 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5222) ISBN M006505418. With introductory text (does not include words to the songs). Baroque. 9x12 inches. Contents:Concerto In C Major BWV 984 composed by Jonhann Ernst Prinz von Sachsen-WeimarConcerto In G Minor BWV 983 composed by unknownConcerto In Bb Major BWV 982 composed by Jonhann Ernst Prinz von Sachsen-Weimar from Op. 1 No. 1.Concerto In C Minor BWV 981composed by Benedetto Marcello from Op. 1 No. 2.Concerto In F Major BWV 978 composed by Antonio Vivaldi from Op. 3 No. 3 (RV 310).Concerto In G Major BWV 980 composed by Antonio Vivaldi from RV 381.Concerto In B Minor BWV 979 composed by Giuseppe Torelli

40 Arrangements of Famous Classical Masterpieces-Following the success of the first volume of original compositions for piano in Best of Piano Classics (ED 9060) Schott now presents another collection with a selection of 40 arrangements of popular classical masterpieces for the discerning amateur pianist to use over the years. The contents include great works from Bach to Gershwin ranging from chamber music symphonies and concertos through to opera. This selection of musical favourites presents the best known and loveliest pieces of classical music from the Baroque era through to the 20th Century from ???Air??? to ???Rhapsody in Blue???. With fingerings tempo and pedal suggestions added these appealing arrangements for advancedplayers in modern printed scores that are easy to read are recommended not only for tuition purposes but for all those who enjoy playing the piano in their leisure time.

About Keyboard Arrangements Of Works By Other Composers Volume III(Five Concertos After Vivaldi And Others / Two Sonatas Fugue After Reinken) By Johann Sebastian Bach (1685-1750) edited by Karl Heller. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 77 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5223) ISBN M006505425. With introductory text (does not include words to the songs). Baroque. 9x12 inches. Contents:Concerto In G Minor BWV 985 composed by Georg Philipp Telemann from TVW 51: g 1.Concerto In G Major BWV 986 composed by unknownConcerto In D Minor BWV 987 composed by Jonhann Ernst Prinz von Sachsen-Weimar from Op.1 No. 4.Concerto In G Major BWV 592a composed by Jonhann Ernst Prinz von Sachsen-WeimarAppendix: Concerto In D Major BWV 972a composed by Antonio VivaldiSonata In A Minor BWV 965 composed by Johann Adam Reinkens from 'Hortus Musicus' - 1687.Sonata In C Major BWV 966 composed by Johann Adam Reinkens from 'Hortus Musicus' - 1687.Fugue In Bb Major BWV 954 composed by Johann Adam Reinkens from 'Sonata Sexta'.

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Piano Et Orchestre