Piano Trios

Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century! Written in the composer's famously flowing Romantic style, these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Unabridged republication of the works originally published by Edition Peters, n.d Content : Piano Trio No. 1 in D minor, Op. 49 Molto allegro ed agitato Andante con moto tranquillo Scherzo. Leggiero e vivace Finale. Allegro assai appassionato Piano Trio No. 2 in C minor, Op. 66 Allegro energico e con fuoco Andante espressivo Scherzo. Molto allegro quasi presto Finale. Allegro appassionato

Piano Trios-Mozart’s Piano Trios have been available in an established Henle edition in parts for many years. They have now been extensively revised by the editor and include the latest musicological findings. Inparticular the autograph scores from the Library of the Jagiellonian University of Cracow which were not accessible for many years form the basis of this revision with its extensive commentary. On the occasion of this newedition Henle is proud to present a study edition of the Piano trios for the first time.

Par MOZART WOLFGANG AMADEUS. Since their publication in the New Mozart Edition, Mozart's sonatas K. 10–15 count as piano trios. Furthermore, the title of the first edition, published by father and son Mozart in 1765 reads 'Six Sonates pour le Clavecin qui puevent se jouer avec l'accompagnement de Violon ou Flaute Traversiere”. In other words, these pieces are harpsichord sonatas that may be accompanied at will by a violin or a transverse flute. In a partial press run of the first edition a cello part was included. Our new edition is the first to take these conflicting formats into account by presenting two separate versions, one being the unaltered harpsichord part, the other a full score with separateinstrumental parts for violin/flute and cello. The harpsichord part [CV 51. 010/10] is indeed capable of standing by itself and requires no instrumental expansion. The melody instrument, in contrast, merely function as an accompaniment or contribute brief interjections, or, in the case of the cello, reinforce the left hand of the keyboard. In other words, K. 10–15 are not only Mozart's earliest piano trios, they are also his earliest keyboard sonatas to survive intact./ Répertoire / Violon, Violoncelle et Piano

Felix Mendelssohn's Piano Trios In D Minor Op.49; C Minor Op.66. This work includes two of Felix Mendelssohn's works arranged for Piano trio inludes the works Piano Trio No. 1 in D minor Op. 49 and Piano Trio No. 2 in C minor Op. 66.

À l?époque classique et pendant une grande partie du 19e siècle les trios avec piano consti-tuaient pour ainsi dire des articles très tendance. Il n?est donc pas surprenant qu?après Haydn et Mozart Beethoven se soit lui aussi essayé à ce genre et ait laissé en tout 13 trios avec piano. Ce premier volume contient les trois trios avec piano op. 1 qui sont aussi les toutes premières ?uvres considérées par Beethoven comme dignes de porter un numéro d?opus. Ils sont ac-compagnés du trio op. 11 pour clarinette ou violon violoncelle et piano (dit «Gassenhauer»). Lorsque Beethoven présenta les trois trios op. 1 au public probablement lors d?une soirée chez le prince Lichnowsky en août1795 (à laquelle assistait aussi Joseph Haydn) il suscita une grande admiration. Ces trios restent jusqu?à ce jour des joyaux du genre.