Pavane for a Dead Princess

Description With the premiere in 1908 of Rapsodie Espagnole , Ravel’s first entirely orchestral composition, the French composer achieved renown as a highly original and imaginative composer. In 1911 he recast the Mother Goose Suite , his extremely successful work for piano four-hands as an orchestral work. Based on five fairy tales, among them 'Sleeping Beauty', 'Tom Thumb' and 'Beauty and the Beast', this collection continues to enchant listeners of all ages with its variety of moods. After a decade after its initial appearance as a piano work, Ravel transcribed his evocative Pavane For A Dead Princess for orchestra, now one of his best-known and most frequently performed compositions. These three rich orchestral settings are presented in full score in this authoritative edition. Songlist Mother Goose Suite Pavane For A Dead Princess Rapsodie Espagnole

The Pavane for a Dead Princess is considered to be one of Ravel's most popular works. The solemn and stately court dance strutting along in an even pulse turns into a melancholic, yet not sombre dirge.This Pavane is dedicated to the Princess of Polignac. Trying to put a stop to rampant poetic interpretations of the composition's title, Ravel made a point of stating that ?When I phrased the title, I was merely interested in having the fun of creating a pun. Pavane pour une Infante Défunte - the alliterations can hardly be ignored.' The arrangement on hand is in line with the orchestral version written by Ravel himself in 1910 and constitutes part of the series Ravel for Saxophone Quartet including publications of, among others, Ma Mère L'Oye (Mother Goose), Trois Chansons (Three Songs) and Le Tombeau de Couperin. / 4 Saxophones (SATBar)

Arrangeur: Bergler. Par RAVEL MAURICE / BERGLER. Pavane For A Dead Princess/ Répertoire / Brass Quintette

48 Pieces by Chaminade Couperin Debussy Fauré Ravel and Satie-This volume in Schirmer's Library Of Musical Classics contains 48 pieces by 6 French composers including Chaminade Couperin Debussy Faure Ravel and Satie. Pieces include: Chaminade:S?r?nade Op. 29 Scarf-Dance (Pas des ?charpes) from Cinq Airs de Ballet Calliro? Op. 37b No. 2 Lolita (Caprice Espagnol) Op. 54. Couperin: Soeur Monique from the eighteenth orderof the Third Book of Harpsichord Pieces Suite in C minor from the third order of the First Book of Harpsichord Pieces. Debussy: Children's Corner Deux Arabesques La plus que lente Le petit n?gre Pour lepiano Les sons et le parfums tournent dans l'air du soir from Pr?ludes Book I Des pas sur la neige from Pr?ludes Book I La fille aux cheveux de lin from Pr?ludes Book I La Cath?drale engloutie fromPr?ludes Book I Minstrels from Pr?ludes Book II La Puerta del vino from Pr?ludes Book II La terrasse des audiences du clair de lune from Pr?ludes Book II R?verie Suite bergamasque.Faure: Impromptu in A-flat Major Op. 34 No. 3 Nocturne in E-flat Major Op. 36 No. 4 Berceuse in E Major Op. 56 No. 1 Improvisation in C-sharp minor Op. 84 No. 5.? Ravel: Minuet on the Name ofHaydn Pavane for a Dead Princess (Pavane pour une infante d?funte) Sonatine. Satie: Three Gymnop?dies Three Gnossiennes.

Although the moods may vary throughout these evocative works, the elegance and subtly shifting energies of their musical language could only be those of Maurice Ravel. To study them in this full-score edition is to become more fully aware not only of his great originality but also of the constant striving for perfection of form and style that prompted Stravinsky to compare him admiringly to the most perfect of Swiss watchmakers. The Rapsodie Espagnole was Ravel's first entirely orchestral composition. A work whose exotic fantasy and subtle craftsmanship clearly express Ravel's distinctive musical personality, it was first performed publicly at the Théâtre du Châlet in Paris in 1908, confirming the young composer's reputation as an orchestral poet of scintillating originality. In 1911 Ravel re-created for orchestra his highly successful composition for two pianos, the Mother Goose Suite, a truly magical work whose moods range from haunting desolation to tender exaltation. Similarly, Ravel recast his brilliant 1911 piano composition Valses Nobles et Sentimentales as an orchestral score in 1912 (a ballet based on its premiere that year in Paris) and arranged his evocative 1899 piano work Pavane for a Dead Princess for orchestra in 1910. The rich orchestral settings of all four works have made them popular favorites on concert stages worldwide. This superbly prepared edition brings together in one volume authoritative full scores of these four works, reprinted from original French editions. Dover (1989) republication of Rapsodie Espagnole, Ma mère l'Oye, and Valses Nobles et Sentimentales, originally published by Durand, Paris, 1908, 1911, and 1912, respectively, and of Pavane pour une infante défunte, originally published by Max Eschig, Paris, 1910.

Outils pédagogique pour tous les jazzmen. Séléction de 10 classiques arrangés pour les instruments en Bb, Eb et C. Sur le CD vous trouverez deux versions de chaque thème : une avec tous les instruments et une autre sans la partie solo. / Tout Instrument