Passacaglia in C minor

SKU: HL.14005623

8.25x11.75x0.082 inches.

Introduction and Passacaglia In A Minor is written for solo Organ. It  is dedicated to David Willcocks, who at the time of composition was organist at Worcester Cathedral.

Craig Seller Lang (1891-1971) was a British composer, organist and musical pedagogue, who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ's Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books, but he also created prolific volumes of material in both sacred and secular choral genres.

SKU: HL.4008644

ISBN 9798350115024. UPC: 196288189695.

The Passacaglia is a set of instrumental variations based on an ostinato bass. Bach's Passacaglia and Fugue in C-minor for organ represents the pinnacle of what had been achieved in this compositional form at that time. In Franco Cesarini’s arrangement for large wind orchestra, the particularly careful interpretation of the original piece enables him to exploit all the sound colors at his disposal, and in this sumptuous guise Bach's work also takes on a grandiose dimension, albeit tinged with late-Romanticism. The exposition of the beautiful theme begins in the bass part, immediately creating a solemn and serious atmosphere which is accentuated by the intensely pathetic character of the first variations. Up to the tenth variation it remains confined to the bass, but in subsequent ones it also passes to the soprano and alto register. The integrity of the theme is also embellished with elegant arpeggios, in whose lower and higher extensions the theme can be distinguished. Towards the end it returns to the bass in an impressive thickening of the polyphonic texture that swiftly re-establishes the key of C-minor. The “Thema fugatum” which follows immediately does not constitute a Fugue in its own right, rather it is nothing but the twenty-first and most extensive variation of the Passacaglia. This time Bach uses only the first half of the theme, superimposing a rhythmic countersubject that considerably enlivens the entire development of the composition. The polyphonic discourse becomes increasingly dense, until the building tension peaks in a powerful “Neapolitan sixth” chord, followed by a sudden pause. This culminating moment then leads to the coda and final cadence on a bright C-major chord.

SKU: BR.EB-8511

Breitkopf Urtext on the basis of the Reger Complete Edition ed. by Hans Klotz, critically examined by Martin Weyer with an introduction by Hans Haselbock

ISBN 9790004178041. 9 x 12 inches.

A key work in Reger's organ production from the time of its first publication in 1902 up to today, the famous F-minor Passacaglia from Op. 63 has cast its spell on generations of organ lovers. The dark bass strides quietly through the depths, persistently and secretly like time itself; a ghostly breath murmurs about the heights and rustles through light leaves; and from within emerges a voice which rises and falls in a seemingly aimless manner, and which speaks more than it sings... (Gustav-Robert Tornow on the 8th variation of the Passacaglia in his 1907 introduction to the work).

SKU: XC.HSO1903FS

UPC: 812598031072. 9 x 12 inches.

Passacaglia Variants is inspired by J.S. Bach’s iconic Passacaglia and Fugue in C minor, BWV 582. Composer Sean O’Loughlin brings a wealth of experience to the table. Young musicians will love the fresh take on an older style, and directors will love how much there is to teach in this piece.

SKU: XC.HSO1903

UPC: 812598030457. 9 x 12 inches.

Passacaglia Variants is inspired by J.S. Bach’s iconic Passacaglia and Fugue in C minor, BWV 582. Composer Sean O’Loughlin brings a wealth of experience to the table. Young musicians will love the fresh take on an older style, and directors will love how much there is to teach in this piece.