Oriental Express

Twenty-four pieces from classic films including including Amelie Crouching Tiger Hidden Dragon Murder on the Orient Express and Titanic. These versions for Piano are well within the grasp of those of Grade 5-6standard.

Enregistreur Express est la voie pour devenir un joueur de grande enregistreur et s'amuser ! Plus de 120 chansons folkloriques, pop et originales et exercices sont inclus ainsi que des conseils technique et de la théorie de la musique début. Les niveaux 1 et 2 sont combinées dans cette un édition ! Notes sont enseignées dans cet ordre : faible de B, A, G, C, D, E, D faible, F #, C, F, faible élevé e. Cette méthode a été bien conçue et testée soigneusement par maître professeur clinicien et lecteur enregistreur professionnel Artie Almeida. Un CD-ROM distinct est disponibles 99 pistes branches. La plupart des pistes sont accompagnement seulement, mais certains en vedette un lecteur enregistreur professionnel afin que les étudiants peuvent s'efforcer de correspondre son ton beau et la musicalité. / Flûte A Bec / 48 pages / Partition

This book contains familiar motivational pieces for the holiday season using the same concepts introduced in the corresponding Premier Piano Express Book. It can also be used with any method as soon as students begin reading on the grand staff. Teacher duet accompaniments are included for an enhanced musical experience. / Niveau : 1 / Etude / Piano

Par RENOUVIN DIDIER. Les quatre pièces proposées ici pour une fin de premier cycle ont été écrites tout d'abord en tant qu'oeuvres musicales. Chacune a un climat particulier qu'il est important de ressentir pour en rendre l'esprit. L' ' Hommage à Atahualpa Yupanqui ' donnera, je l'espère, envie de (re)découvrir les oeuvres si chaleureuses de ce guitariste-chanteur. ' Chanson ' et ' Plouztochnitk-danse ' utilisent un langage atonal, mais néanmoins cohérent, un peu dans l'esprit de Leo Brouwer. Quant à ' Orient-Express ', il m'apparaît après coup comme un hommage a Bela Bartok. J'ai voulu donner à ' faire de la musique ' plutôt qu'un échantillonnage où l'apprenti guitatiste doit montrer qu'il sait faire tantôt des gammes, tantôt des arpèges, remettant à plus tard son implication en tant que musicien. / Niveau : Facile / Contemporain / Date parution : 2009-04-30/ Méthode / Guitare

Alba is one of Bennett’s serialism-tinged works that also touches on medieval rhythmic modes. He based the work on the Tema Seriale from Cantata Academica by Benjamin Britten to whom Alba is dedicated. It is a demanding and rewarding piece for performer and listener.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist. On his move to the United States the two sponsors for his green card(work permit) were Leonard Bernstein and Stephen Sondheim.

The playful side of versatile British composer conductor arranger and performer Richard Rodney Bennett comes to the fore with this delightful setting of seven nonsensical poems by Mervyn Peake. It was said of Peake during his lifetime that his serious work was full of humour while his nonsense verse was full of philosophy. This duality makes his lyrics a superb match for Bennett a composer who it is impossible to categorise. Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and many award-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religiouspieces. In addition this markedly versatile musician frequently performed as a jazz pianist and arranger. Nonsense works equally well for students Choruses as well as for adult groups.

However often Bennett may have employed serial techniques or introduced jazz and modern elements into his work his Choral compositions are always tonal and melodic. In A Farewell To Arms he displays an exquisite sensitivity to the poetry of Ralph Knevet (17th century) and George Peele (16th century) and their mediations on the homely life after years spent soldiering. The Cello can be heard to serve as the ‘Voice’ of the old soldier. The music combines the jaggedly Romantic Cello line with Choral writing that suggests early music motifs and harmonies.Composer performer and arranger Richard Rodney Bennett was internationally respected for his serious music and manyaward-winning film scores (Murder on the Orient Express Nicholas and Alexandra) as well as his works for children and his religious pieces. In addition this markedly versatile musician frequently performed as a jazz pianist.

Excerpted from What Sweeter Music this seasonal evergreen shines anew in a creative arrangement designed for success. Thoughtful directors will find this artfully rendered gem a splendid addition to their traditional Lessons and Carols services and holiday concerts. Each section of the choir will discover expressive interest and the accompaniment reflects the heart and hand of a pianist. A welcome addition to the Christmas canon!

Excerpted from What Sweeter Music this seasonal evergreen shines anew in a creative arrangement designed for success. Thoughtful directors will find this artfully rendered gem a splendid addition to their traditional Lessons and Carols services and holiday concerts. Each section of the choir will discover expressive interest and the accompaniment reflects the heart and hand of a pianist. A welcome addition to the Christmas canon! Score and Parts (fl 1-2 ob cl 1-2 bn perc 1-2 hp vn 1-2 va vc db) available as a digital download.

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

In this composition William Vean takes you on a journey through the fascinating and exciting world of animals. Apart from it being a composition filled with 'special effects' Animal Kingdom contains many educational elements such as playing inswing (triplets feeling) chromatics flutter tonguing gypsy tuning varying keys and of course dynamics and articulation. The melodic lines occur in all four voices as well as in all percussion parts providing each musician with theopportunity to play a solo or to accompany. Highly recommended for your youth band! William Vean is an educational composer. He knows how to musically shape the special elements from our daily lives. His music is therefore veryexpressive containing creative solutions to possible problems. Special ways of playing make his music particularly interesting for the winds but the percussion section is also featured in his special effects. The world of the animalsalways plays on ones imagination. In Animal Kingdom William Vean has portrayed a number of animals in a special manner: Kevin Kangaroo - The jumping character of this animal can be heard in different voices. The swing style alsoemphasizes the characteristic movements of the kangaroo. Playing in swing style can be practised by using scales. Eddy Elephant - For some of his smaller fellow fauna friends this can be quite an ordeal but for Eduard (Eddy for friendsand intimates) it is his daily walk. Baldrick Bat - Baldrick the Bat is a mysterious character. This can be heard in the fast moving valves and keys accompanied by special effects in the percussion section. Curtis Camel - Curtisthe Camel trudges across the desert feeling bored. The idea that the horizon will never change does not affect him anymore. He has accepted his fate. The distinctive tones from the gypsy scale provide the suitable oriental sounds. BettyButterfly - Butterfly Betty elegantly and without worries flutters from flower to flower in the garden. Her motto: Carpe Diem (Seize the Day). Betty is a one-day butterfly. Marvin Monkey - A 'swing' monkey stirs up the feelings. Evenmembers of the orchestra will look like real monkeys. How about your audience? Each part has its own difficulties and challenges. Important in the first part is playing 'in swing' (triplets feeling). This can be practised usingscales. In the second part ensemble playing and balance are important. In Baldrick additional information on the effects that have to be played might be useful. 'New' sounds are of course welcome. Curtis the Camel introduces thegypsy scale. Additional explanation of the use of the scale might be useful. Key changes are interesting in this part. A slight accent on the first beat of the bar will add to the charm of this part. Marvin the Monkey brings back the swingrhythm that was introduced in the first part altern

This book contains over 80 holiday songs arranged to be easily playable on ukulele. Ranging from classic carols such as 'Silent Night? and 'O Christmas Tree,? to popular tunes like 'Have Yourself a Merry Little Christmas? and 'Santa Claus Is Comin' to Town,? right on through music from yuletide movies such as How the Grinch Stole Christmas! and National Lampoon's Christmas Vacation, this book is perfect for holiday get-togethers and sing-alongs! Titles: Angels from the Realms of Glory * Angels We Have Heard on High * As Lately We Watched * Auld Lang Syne * Away in a Manger (Murray) * Away in a Manger (Cradle Song) * The Babe * A Babe Is Born in Bethlehem * Believe (from The Polar Express) * The Bells of Christmas * Boar's Head Carol * Born Is He, This Holy Child * Bright and Joyful Is the Morn * Bring a Torch, Jeannette, Isabella * Buon Natale (Means Merry Christmas to You) * Carol of the Birds * Celebrate Me Home * A Child This Day Is Born * Christ Was Born on Christmas Day * Christmas Comes Anew * Christmas Vacation (from National Lampoon's Christmas Vacation) * The Coventry Carol * Dance of the Sugar Plum Fairy * Deck the Halls * Emmanuel * The First Noel * The Friendly Beasts * Gesu Bambino (The Infant Jesus) * The Gift * Go Tell It on the Mountain * God Rest Ye Merry, Gentlemen * Good Christian Men, Rejoice * Good King Wenceslas * A Great and Mighty Wonder * Hallelujah Chorus (from The Messiah) * Happy Xmas (War Is Over) * Hark! The Herald Angels Sing * Have Yourself a Merry Little Christmas * Here We Come A-Wassailing * The Holly and the Ivy * Holy Night, Peaceful Night * Hush, My Babe, Lie Still and Slumber * I Heard the Bells on Christmas Day * I Saw Three Ships * I Wonder as I Wander * I'll Be Home for Christmas * In the Bleak Midwinter * It Came Upon the Midnight Clear * Jesu, Joy of Man's Desiring * Jingle Bells * Jolly Old Saint Nicholas * Joy to the World * The Little Drummer Boy * March of the Toys * Mary Had a Baby * Mele Kalikimaka * Noel! Noel! * O Christmas Tree (O Tannenbaum) * O Come All Ye Faithful (Adeste Fideles) * O Come, Little Children * O Come, O Come Emmanuel * O Holy Night (Cantique de Noel) * O Little Town of Bethlehem * On Christmas Night All Christians Sing * Once in Royal David's City * Patapan * Santa Claus Is Comin' to Town * Silent Night * Simple Gifts * Sleigh Ride * Stand Beneath the Mistletoe * Star of the East * The Twelve Days of Christmas * Ukrainian Carol (Carol of the Bells) * Up on the Housetop * We Three Kings of Orient Are * We Wish You a Merry Christmas * Welcome Christmas (from How the Grinch Stole Christmas!) * What Child Is This? * When Christmas Comes to Town (from The Polar Express) * You're a Mean One, Mr. Grinch (from How the Grinch Stole Christmas!). / Ukulélé

The composer writes: The piece is in three movements: the first movement present three different types of music juxtaposed meeting in the end in a chaotic brutal sound. The second movement is the longest consisting of an expressive opening and a gradual build-up of an exstatic motoric motion until a climax; the opening then comes back and the music dies away. The third movement is a very short pianissimo echo. The primary focus of the piece is the element of sound. Polyphony is absent and the instruments are always 'packed together' playing in a very narrow register merging into a dense monophonic or occasionally heterophonic sound. The harmony is based on dronesand the tonality is G# modulating only once (in the climax of the second movement) and all the motivic material is derived from a kind of G#-Phrygian scale. All in all this gives associations to the sound-world of oriental ethnic music.