Organ Plus One: Organ: Score and Parts

Original Works and Arrangements for Church Service and Concert-Original Works and Arrangements for Church Service and Concert.The ?Organ plus? one series was conceived primarily with semi-professional church musicians and instrumentalists in mind.Based on the liturgical year the pieces can be readily performed in church services evening recitals or small concerts.Included are pieces which are freely-composed or based on chorales both original works and arrangements.Each edition includes solo parts for instruments in C B-flat E-flat and F which can be played by Violin Flute Oboe Clarinet Trumpet and Horn in F. The range of the solo instruments remains in the middle register.Among the piecesin this edition are John Alcock Fuga; Christlieb Siegmund Binder Prelude in F major; Jacques-Nicolas Lemmens Fanfare; Max Philipp Zeyhold Concerto in A major; Johann Sebastian Bach Was Gott tut das ist wohlgetan; Karl Hoyer Liebster Jesu wir sind hier; Carl Piutti Lobe den Herren den mächtigen König; and Carsten Klomp Grosser Gott wir loben dich.

The series ORGAN PLUS ONE contains pieces which are freely-composed or based on hymn tunes both original works as well as arrangements. The editions include solo parts in C Bb Eb and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo instrument parts is in the middle register making this series particularly appealing to non-professional church musicians and instrumentalists. The hallmark of this edition flexible instrumentation with easy playability ensures that the pieces can easily be tackled and fun to play for church services musical evenings and small concerts. Idiomatic instrumentalarrangements and the stylistic variety of the pieces guarantee instant success for both organists and instrumentalists. The contents of the volumes correspond to the seasons of the church year:Advent / Christmas Passion / EasterEpiphany / Whitsun / PentecostDeath and Eternity / FuneralsPraise and ThanksDivine ServiceCommunionSpecial Services (baptisms / weddings)The complete series will comprise eight volumes.

Titel: organ plus one Passion, Ostern / Easter Originalwerke und Bearbeitungen für Gottesdienst und Konzert Besetzung Detail: Orgel, Instrument(e) Herausgeber: Klomp, Carsten Vor- / Grußwort: Klomp, Carsten Produktart: Spielpartitur(en), Stimme(n), S

This series in which several volumes have been published has been developed specifically for amateur church musicians and instrumentalists and is well suited for use in liturgical services or small-scale concerts. Idiomatic instrumental arrangements and the stylistic variety of selected pieces offer organists and instrumentalists fast and impressive results. Included are pieces that are freely-composed or based on chorales both original works and arrangements.The editions include solo parts for instruments in C B-flat E-flat and F which can be played by violin flute oboe clarinet trumpet and horn in F. The range of the solo parts is in the middle register.The contents of the volumes correspond to the season of the church year.Advent / Christmas • Passion / Easter • Epiphany / Whitsun / Pentacost • Death and Eternity / Funeral Service • Praise and Thanks • Divine Service • Communion

Collection de Carrara Maison historique. Sont contenues dans les oeuvres des auteurs les plus importants de la première 900, une période désormais pleinement redécouvert et réévalué pour la consécration qu'il mérite. / Orgue

Modern and Contemporary Music. Par . Now finally in English too: The third part of the organ method Historical Performance Practice in Organ Playing follows on from part two with contributions by Guy Bovet (on Jehan Alain), Hans-Ola Ericsson, Anders Ekenberg, Markus Rupprecht (Olivier Messiaen), Hans Fagius (Maurice Duruflé), Jeremy Filsell (Marcel Dupré), Bernhard Haas (Arnold Schönberg, Ernst Krenek, John Cage, György Ligeti, and others, plus the latest developments) and Armin Schoof (neoclassicism). As in the first two parts of the organ method, here too a representative selection of composers is discussed. Alongside mainly personal recollections (e.g. from Hans Fagius) there are analytical essays (including by Jeremy Filsell). Bernhard Haas has organised one section of his text as an introduction to the playing techniques and aesthetics of new music, beginning with pieces which are easy to play. This English edition contains new chapters by Kevin Bowyer (The Development of New Organ Music in Britain / Contemporary Organ Music in North America). Laukvik?s organ method Historical Performance Practice in Organ Playing has now become established as a standard work. It is aimed at organists who want to incorporate the latest thinking on historical performance practice into their interpretations of works. The three volumes provide a practical introduction in a detailed, scholarly and comprehensible form, by giving organists as precise a picture of the interpretative traditions and aims of previous and modern/ contemporary eras as possible. The editions are aimed not only at organists, but also at organ teachers who are looking for a manual to use in their teaching. / Date parution : 2022-05-03/ Recueil / Orgue

The Oxford Book of Organ Music by Women Composers presents a comprehensive survey of historical organ pieces by women composers alongside six newly commissioned works. The music is stylistically varied and encompasses secular and sacred repertoire from a range of periods. In addition to original organ repertoire, the collection also contains several organ transcriptions in new arrangements for the instrument. ? 42 pieces for manuals and pedals, in a variety of musical forms, suitable for use at church services or as recital repertoire ? Original music for the instrument, spanning the sixteenth century to the present day, including compositions by Amy Beach, Clementine de Bourges, Nadia Boulanger, Jeanne Demessieux, Cecilia McDowall, Clara Schumann, and Ethyl Smyth, plus commissions from Kristina Arakelyan, Miriam Carpinetti, Ghislaine Reece-Trapp, Isabelle Ryder, Amy Summers, and Rebecca Groom te Velde ? Standalone miniatures, movements from organ sonatas and symphonies, transcriptions of piano, harpsichord, and flute pieces, and an orchestral opera overture ? A variety of difficulty levels, from ABRSM Grades 2-3 through to Diploma standard, with a graded index provided

SCORE AND PARTS-Repertoire for Brass Ensemble and Organ. Suitable for amateur ensembles and non-professional church musicians.A variety of instrumental parts allow many performance options.The Organ plus Brass series presents original works and arrangements for Organ and Brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of Brass Ensemble.Volume IV contains arrangements of church music by Charles Villiers Stanford both chorale-based and freely composed. The original works for Choir and Organ can be appropriately transferred to the festive scoring for Brass ensembleand Organ.Stanford (1852 - 1924) was an Irish born composer teacher and conductor. Following studies at the University of Cambridge he studied music in Leipzig and Berlin before returning to England where he was one of the founding professors of the Royal College of Music in London. He taught composition there until the end of his life.