SKU: HL.35005444
UPC: 840126922325. 8.5x11.0x0.12 inches.
The Dylan Thomas poem Do Not Go Gentle into That Good Night was the motivation for this musical composition. While not a programmatic depiction of the poem, the work attempts to recreate the essence of the poem in sound. The opening motive, representative of the life force, permeates much of the work. The use of sound layers - in the form of polytonal hymns - calls to mind the struggles and persistence of the human spirit and its refusal to go gentle. A substantial and dramatic work for mature ensembles. Dur: 11:15 (Grade 5).
SKU: HL.1114688
ISBN 9781705179505. UPC: 196288105138. 6.75x10.5x0.029 inches.
Gilpin's joyful original will add a lilt to your holiday concert. Individual melodies weave and layer their way throughout the work shared by a homophonic chorus. A bright opening choral or processional that is easily prepared and joyful to perform.
SKU: CF.YAS216F
ISBN 9781491160763. UPC: 680160919369.
This elegant arrangement blends the familiar Christmas carols It Came Upon a Midnight Clear and The First Noel. The melody is passed to all sections of the orchestra with delicate pizzicato accompaniments, giving developing players the opportunity to work on slurs, dotted rhythms, legato phrasing, and tone production in the key of C major. A peaceful interlude builds toward a restatement of the opening First Noel theme that crescendos toward a triumphant finale. A wonderful selection sure to be a joy to perform in your winter concert.This elegant arrangement blends the familiar Christmas carols It Came Upon a Midnight Clear and The First Noel. The melody is passed to all sections of the orchestra with delicate pizzicato accompaniments, giving developing players the opportunity to work on slurs, dotted rhythms, legato phrasing, and tone production in the key of C major. A peaceful interlude builds toward a restatement of the opening First Noel theme that crescendos toward a triumphant finale. A wonderful selection sure to be a joy to perform in your winter concert.
About Carl Fischer Young String Orchestra Series
This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: CF.YAS216
ISBN 9781491160503. UPC: 680160919093.
SKU: CF.W2657
ISBN 9780825891120. UPC: 798408091125. 9 x 12 inches.
On May 29, 1913, an over-capacity audience in Paris’ Théâtre desChamps-Élysées witnessed an historical spectacle as they became a brutecatalyst in the most (in)famous opening night of the twentieth century.The Rite of Spring premiered that evening in the midst of a riot inspiredby the overwhelming primitivism both onstage and in the score.One-hundred plus years later, the music still incites the senses. The balletwas first published in 1914 in a reduction for two pianos, and serves asa basis for this arrangement. This edition is presented in honor of thecentennial of the ballet’s premiere, and is intended to give soloists andaccompanists a chance to perform this monumental work.On May 29, 1913, an over-capacity audience in Paris’ Théâtre des Champs-Élysées witnessedan historical spectacle as they became a brute catalyst in the most (in)famous opening nightof the twentieth century. The Rite of Spring premiered that evening in the midst of a riotinspired by the overwhelming primitivism both onstage and in the score. Subtitled “Picturesof Pagan Russia,” the ancient scenes were evoked using contemporary musical innovations,shattering expectations of a more traditional Ballet Russe production.How was an ancient ritual of sacrifice to the earth to be scored? The unevolved pesantecharacter of a village gathering was portrayed by odd time signatures and accents. Melodieswere geometrically woven as dissonant pastorales with grace-notes mimicking gutturalbreaks in primal voices. Instruments were orchestrated against the grain, straining soundsinto unrecognizable timbres. And just like the dancers on stage, musicians were organizedinto alternating groups often clashing with one another.One-hundred plus years later, the music still incites the senses. The ballet was first publishedin 1914 in a reduction for two pianos, and serves as a basis for this arrangement. This editionis presented in honor of the centennial of the ballet’s premiere, and is intended to give soloistsand accompanists a chance to perform this monumental work. Both movements may beplayed alone, and the first movement may also serve as a solo piece.
SKU: HL.14005410
'Acquainted with Night', is a cycle of six songs, for alto and strings, harp and timpani. The texts are all concerned with different aspects of night. The first song, 'Lullaby' to a poem by Beaumont and Fletcher, seeks to evoke the 'care-charming' powers of sleep. The second, a setting of Robert Frost's 'Acquainted with the night', is concerned with the lonely world of a strange city at night and the music is characterised by an insistently repeated figure in the accompaniment. The third song contrasts the calmness of the night with the turbulence in a lover's mind - the poem is by the Earl of Surrey. 'Out in the dark' a poem by Edward Thomas, is the text of the fourth song. It is in the form of a scherzo and deals with the mystery and strangeness of night, and, as the poet puts it, the 'might' of night. It is, as the poet says, a hymn to night and the chordal nature of the accompaniment suggests this quality. This song leads directly into the last, which is in fact a reprise of the opening 'Lullaby' so completing the cycle.
