SKU: HL.14043527
9.25x12.0x0.091 inches. English.
Richard Reed Parry 's Quartet For Heart And Breath is an innovative and original piece based on the performers' own bodily rhythms. This sheet music is for String Quartet (Violin/Violin/Viola/Cello). Richard Reed Parry is familiarto millions as the lead singer of rock band Arcade Fire, yet his foray into classical music is equally worthy of attention. Quartet For Heart And Breath is an experiment into using the performers' heartbeats and breathing to dictate the tempo. The performers are instructed to wear stethoscopes in order to listen to their heartbeats closely, while one complete breath corresponds to one bar and two heartbeats equal two crotchets. The result is a quiet and subtle piece, as each instrument has to play softly so as to be able to keep in time. The piece also has a naturally occurring dynamism in that the players' heart rates constantly change as the performance goes on, with each instrument falling in and out of sync sometimes culminating in a beautiful moment of all heartbeats matching each other. Interestingly, this unique aspect means that no performance will ever be the same, meaning to hear or play this composition will be a truly once in a lifetime experience. Quartet For Heart And Breath is a superbly one-of-a-kind composition by Richard Reed Parry . Commissioned by the Kronos Quartet, this piece makes for a wonderfully distinctive performance, with fascinating implications for the connection between the music and the body.
SKU: MN.90-70
Text: Marilyn Biery.
This collection of twenty-five original hymn texts flows from the writers years of experience as a practicing Church musician. The texts cover many aspects of the church year and includes texts for many particular needs such as confirmation and stewardship. Eleven new hymn tunes are also included in this collection. Complete tune, title, topic, meter, and scriptural indexes are included, making this a very useful collection of hymns. Hymns include: Break Forth in Joyous Song Christ is the Vine, We are the Branches Come To Us, O Holy Spirit Easter Dawn, Streaming Bright Embrace the Love that Makes Us One Emmanuel Comes! From the Word of God, Creation Jesus Walked Among the People Joined Together As One Body Lift Up Your Hearts, You Poor in Spirit Listen to the Voice of Gladness Lord God, The Source of Every Gracious Gift May Peace from Christ Come Dwell in You O Dearest Jesus O God of All Life, Now Hid from Our Sight O God of Love, Enable Us O God, Hear My Cry Our Gifts, O Lord, to You We Bring Radiant Light, Love Divine Rejoice, Rejoice, God's Kingdom is Coming Seek a Place of Breathless Beauty The Ancient Story Thrills Our Modern Ear The Frozen Earth Begins to Thaw The Spirit Makes Us One in Christ We Sing our Love for Jesus.
SKU: CF.CM9583
ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852).
Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
SKU: HL.49046965
UPC: 196288090816.
Do we breathe correctly? Do we breathe too high - meaning one-sided and insufficient chest breathing or misguided abdominal breathing - due to everyday stress or an incorrect teaching method? Breathing is an autonomous function, yet can also be influenced consciously and deliberately. 'Die Atemschule' enables everybody to recognize one's individual faults of breathing and find out whathas to be done to achieve a mental and physical balance and a higher performance capacity through correct diaphragmatic breathing, i.e. breathing in the middle. The book provides singers, wind instrument players, speakers and people with respiratory diseases withan exercise programme in order to change the incorrect breathing to correct breathing, posture and support. Revised and expanded 4th edition.
SKU: LO.20-1134L
UPC: 000308041354.
3, 4, or 5 octaves/Optional Handchimes (2 oct)/Level 3Based on the hymn tune Trentham, this sensitive setting will evoke a prayerful atmosphere for worship.
SKU: WD.080689422287
UPC: 073999098723. 9x12 inches.
Featuring this year's 30 top Christian artists and songs, the WOW 2002 Songbook is an incredible compilation of music, including hits like Welcome Home from new artist Shaun Groves and This Day from Dove Award-winner Steven Curtis Chapman. Other songs include: Adore * Back in His Arms Again * Breathe * Breathe on Me * Dismissed * Genuine * Hey, Hey * Joy * Jump, Jump, Jump * Psalm 112 * Wait for Me * Witness * Wonder Why * and more.
SKU: M7.AHW-412
English.
In the jazz tradition the Tuba was the bass in the rhythm section up until the mid-twenties. It was then the upright bass replaced the Tuba in many ensembles as the jazz music moved north and continued to develop. After this period the Tuba's roll, as bass in the rhythm section, was at a standstill and did not develop through Swing and Bebop. It wasn't until Cool Jazz of the 1950's when the Tuba was used by Miles Davis and Gil Evans in 'Birth of the Cool' as an ensemble horn. The Tuba, like swimming, is something you can't do any longer than you can hold your breath. In order to maintain a steady beat while playing in the rhythm section I have developed a system of breathing called Pant Breathing. Using this method, the player can maintain a steady beat within the rhythm section, without losing time while taking deep breaths.
SKU: GI.G-9337
UPC: 785147933700. English. Text Source: Edwin Hatch, 1835-1889, alt. Text by Edwin Hatch.
This lovely a cappella setting will be a welcome addition to your choir’s Holy Spirit and Pentecost repertoire and is also well suited to celebrations of confirmation or Communion. The piece gradually builds in intensity as it invokes the Breath of God to transform our lives. Rich four-part writing that is very accessible. Highly recommended!
SKU: HL.49045219
ISBN 9790001158695. 9.0x12.0x0.118 inches. Vocalise.
In this piece, the voice and the breath play an equal role in executing the musical text, as the breath is (at times) independent from the voice and equal to it in an almost contrapuntal relationship. This is not an expressive piece in the more standard way in which a singer employs all of his personality in an attempt to express emotions or other expressions of the ‘self’. It is rather a sketch using the voice and the breath like a small brush painting a line. Even though it is only a line made out of water (breath) with some color (voice), this line is actually transmitting a whole landscape.
SKU: HL.14043461
9.5x14.25x0.122 inches.
Richard Reed Parry 'S Heart And Breath Sextet For Piano Six-Hands, Violin, Viola And Violoncello. Heart And Breath Sextet Was Commissioned By The 2011 Musicnow Festival For Ymusic. ' This Piece Is Based Around The Idea Of Using The Widely Varying Internal Rhythms Of The Performers' Bodies As Performance Parameters. There Is No Actual Tempo Or Meter Built Into The Piece. The Breathing Rates Of The Players Are Used In Alternation With The Individualperformers' Heart Rates To Determine The Pace At Which All Of The Musical Material Is Played. This Requires That The Performers Generally Play Quietly And Delicately, So As To Be Able To Hear Their Heartbeats Adequately.This, In Combination With The Natural Variance Between The Different Heart Rates, Results In A Kind Of Delicate Musical Pointillism: Starts And Stops Which Are Somewhat Staggered, Parts Which Repeatedly Line Up And Fall Out Of Synch With Each Other, Different Individuals' Pulses Rising And Falling. The Piece Is Never Performed Exactly The Same Way Twice. In This Piece, The Pianists Wear Stethoscopes Positioned Over Their Hearts So That Each Can Follow His Or Her Own Heart Rate. Two Eighth Notes (Quavers) Correspond To The Two Sounds Of A Single Normal Heartbeat, And Performers Should Match As Closely As Possible The Staccato And Irregular Rhythm They Hear. The Strings Are Instructed To 'Play To Breath'; The Natural Cycle Of One Inhalation And One Exhalation, Or Vice Versa, Will Determine The Length Of The Bar (Two Quarter Notes/Crotchets) Without Any Attempt To Make It Metronomic. When One Instrument Is Designated The Leader, Their Breath Will Determine The Starts Of Phrases And The Procession From One Bar To The Next, Cuing Other Parts If Necessary. ' - Richard Reed Parry.
SKU: HL.49032743
ISBN 9783795787059. German.
Do we breathe correctly? Do we breathe too high - meaning one-sided and insufficient chest breathing or misguided abdominal breathing - due to everyday stress or an incorrect teaching method? Breathing is an autonomous function, yet can also be influenced consciously and deliberately. 'Die Atemschule' enables everybody to recognize one's individual faults of breathing and find out what has to be done to achieve a mental and physical balance and a higher performance capacity through correct diaphragmatic breathing, i.e. breathing in the middle. The book provides singers, wind instrument players, speakers and people with respiratory diseases with an exercise programme in order to change the incorrect breathing to correct breathing, posture and support.Revised and expanded 4th edition.
SKU: WD.080689589232
UPC: 080689589232.
From the Easter musical Love Took His Breath Away, Bradley Knight presents a stunning arrangement and orchestration of this song by the same title, with images of nature and witnesses responding to the crucifixion of Christ. Love Took His Breath Away provides the opportunity to consider the depth of Christ’s sacrificial death; it wasn’t the cross or the nails, but His love for us that took His breath away.
SKU: BT.RSK200075
ISBN 9781789360110. English.
Learn to play rock and pop with Rockschool. These Specially written arrangements develop the skills and techniques you need to help you achieve your musical goals. Rockschool Classics Drums Grade 1 contains eight of the biggestrock tracks from the past five decades arranged for you to play in your Grade 1 exam. You can choose two pieces from Rockschool Classics to play in your Grade Exam or three to play in your Performance Certificate.
Featuring:
Plus:
SKU: HL.119313
ISBN 9781480342569. UPC: 884088907938. 9x12 inches.
A perfect programming choice for early college and late high school level percussion quartets. Elephant Breath employs readily-available untuned percussion, a basic trap set and no mallet instruments. Rock motives are bounced throughout the ensemble in an ever-increasing fury, punctuated by brief, quiet windows of high sounds (the breath of the elephant!).
SKU: HL.48016563
UPC: 073999165630. 8.5x11.0x0.035 inches.
Contents: Pastoral on The Voice that breathed o'er Eden * Prelude on Lead us, Heavenly Father * Bridal March (Wagner) * Wedding March (Mendelssohn) * O Rest in the Lord (Mendelssohn) * Dead March from Saul (Handel) * Postlude on Jesus, blessed Saviour * I know that my Redeemer liveth (Handel) * With verdure clad the fields appear (Haydn) * Improvisation on Away in a manger * Trumpet Voluntary (Clarke) * Festal March on Onward, Christian Soldiers.
SKU: HL.14043442
9.25x12.0x0.082 inches.
Bass Clef version for cello (or other instrument of suitable range) and piano (or other polyphonic instrument). Package includes two performing scores.
SKU: HL.282484
ISBN 9781540034410. UPC: 888680789282. 9.0x12.0x0.709 inches.
64 pop hits which have become modern-day standards are included in this collection for easy piano. Includes: Billie Jean (Michael Jackson) • Don't Stop Believin' (Journey) • Dream On (Aerosmith) • Every Breath You Take (The Police) • Free Bird (Lynyrd Skynyrd) • Free Fallin' (Tom Petty and the Heartbreakers) • Hallelujah (Jeff Buckley) • Imagine (John Lennon) • Landslide (Fleetwood Mac) • Purple Rain (Prince) • Ring of Fire (Johnny Cash) • Rolling in the Deep (Adele) • Tears in Heaven (Eric Clapton) • With or Without You (U2)• You Raise Me Up (Josh Groban) • and more.
SKU: HL.14043462
9.25x12.0x0.112 inches.
Quartet for combination of Flute, Clarinet, Trumpet, Violin, Viola, Cello or Double Bass. In this unique piece, the pianists wear stethoscopes positioned over their hearts so that each can follow his or her own heart rate and they play to match the staccato and irregular rhythm they hear. The strings are instructed to play to breath; the natural cycle of one inhalation and one exhalation, or vice versa, will determine the legnth of the bar without any attempt to make it metronomic.
