Nutcracker Suite Selections

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Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5

SKU: CF.CAS110

Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+7+24 pages. Duration 5:57. Carl Fischer Music #CAS110. Published by Carl Fischer Music (CF.CAS110).

ISBN 9781491151297. UPC: 680160908790. 9 x 12 inches. Key: E minor.

Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble..
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.
This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
More comprehensive bowing techniques
Viola T.C. included
Careful selection of keys and degree of difficulty for advancing musicians

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Carl Fischer

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Details Details	Nutcracker Suite Selections Carl Fischer Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+) Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS110F Composed by Peter Ilyich Tchaikovsky. Arranged by Bud Caputo. Concert String Orchestra (CAS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CAS110F. Published by Carl Fischer Music (CF.CAS110F). ISBN 9781491151662. UPC: 680160909162. 9 x 12 inches. Bud Caputo presents Nutcracker Suite Selections for string orchestra featuring three abridged movements of?Tchaikovsky's Nutcracker Suite:?Dance of the Sugar Plum Fairy, March, and Trepak. These abridged movements are sure to be crowd-pleasers around the?winter holidays or a favorite for?any time of the year. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert.A Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm.A 16-19, in the Basses and m.A 34A in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandosA in this movement. March: A Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-restA figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement toA accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: A Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble.. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5. To the Director: Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. This arrangement will challenge students, while fostering rhythmic independence, execution of bowing and pizzicato, and the ability to balance the melody with the accompaniment throughout the arrangement. However, ranges remain primarily in first position with some optional 8va passages, allowing intermediate groups to perform this in time for the winter holiday concert. Suitable for Grades 3 through 5.To the Director:Dance of the Sugar Plum Fairy: A steady tempo is critical when performing this movement, as students may have a tendency to rush during the pizzicato sections. There is a regularly occurring descending sixteenth-note rhythmic figure that is transcribed form the bass clarinet part in the original. It is important to maintain clarity and balance in performing these passages as seen in mm. 16-19, in the Basses and m. 34 in the Cello and Bass. The balancing of the chords will be a challenge in the execution of the many sforzandos in this movement. March: Measures 2 and 4, and similar melodic patterns that follow, require the performers to carefully balance their forte/pianos on beats 3 and 4, along with the rapid diminuendo. The contrasting rhythmic patterns in mm. 5-8, and later throughout this movement must line up precisely. Strings playing the pizzicato eight note, walking bass line, must not rush, and the upper strings playing the eighth-note/eight-rest figure must follow their section leaders in executing this in a unified manner. While there is no formal tempo change from mm. 40 to 41, directors may need to relax the tempo at the beginning of the movement to accommodate the technical challenge of the double time feel that happens in m. 41. Trepak: Tchaikovsky was careful to notate the p, f and sf, requiring the performers to recognize the difference between all three markings that frame the chief melody. The upper strings must be careful to support the melody in the lower strings that begins in m. 33. Directors will challenge their students to have fun in the last twelve measures with the accelerando passage to the end. Care must be taken to use an accelerando that works for all the players in the particular ensemble. About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: Expanded use of rhythms, ranges and keys but technical demands are still carefully considered More comprehensive bowing techniques Viola T.C. included Careful selection of keys and degree of difficulty for advancing musicians $9.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Nutcracker Suite (EP) Piano solo Santorella Publications Nutcracker Suite Highlights * Easy Piano Series composed by Peter Ilyich Tchaiko...(+) Nutcracker Suite Highlights * Easy Piano Series composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Alexander Cole. For easy piano. This edition: Paperback. Collection. Easy Piano Series. Christmas. Book. Text Language: English. 12 pages. Published by Santorella Publications $7.95 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Flute - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16753 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16753. Published by Kendor Music Inc (KN.16753). UPC: 822795167535. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $7.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Horn in F - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16756 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16756. Published by Kendor Music Inc (KN.16756). UPC: 822795167566. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $7.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Bb Bass Clarinet (Opt. sub for Bassoon) - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16758 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16758. Published by Kendor Music Inc (KN.16758). UPC: 822795167580. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $7.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Bb Clarinet - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16755 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16755. Published by Kendor Music Inc (KN.16755). UPC: 822795167559. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $7.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Bassoon - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16757 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16757. Published by Kendor Music Inc (KN.16757). UPC: 822795167573. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $7.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Full Score - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16752 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16752. Published by Kendor Music Inc (KN.16752). UPC: 822795167528. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $13.95 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Classics For Woodwind Quintet - Oboe - Intermediate/advanced Kendor Music Inc. Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Gr...(+) Quintet Flute, Oboe, Clarinet, Horn in F, and Bassoon opt. Bb Bass Clarinet - Grade 4 SKU: KN.16754 Composed by Various. Arranged by Frank Halferty. Ensemble. Kendor Ensemble Series. Kendor Music Inc #16754. Published by Kendor Music Inc (KN.16754). UPC: 822795167542. This collection of treasured selections are arranged here for grade 3-3+ woodwind quintets. From Bach to Tschaikowsky, you'll find it to be a resource for practically any type of performance. Contents: Fantasy On Ode To Joy; In The Hall Of The Mountain King (Grieg); March (from The Nutcracker Suite) (Tschaikowsky); La Rejouissance (Handel); Prelude In E Minor (Chopin); March (from Anna Magdalena's Notebook) (Bach); Menuets (from Music For The Royal Fireworks) (Handel); Simple Gifts; Sheep May Safely Graze (Bach); Trepak (from The Nutcracker Suite) (Tschaikowsky); Wie Shon Leuchtet Der Morgenstern (Bach); Kind In Einschlummern (Schumann); and Habanera (from Carmen) (Bizet). $7.50 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Three Miniature Nutcrackers Concert band [Score and Parts] - Beginner Belwin I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Comp...(+) I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Michael Story. Concert Band; Masterworks; Part(s); Score. Belwin Beginning Band. Form: Suite. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. 272 pages. Published by Belwin Music (AP.44889). $56.00 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Selections From The Nutcracker Suite (Op. 71A) - Intermediate/advanced Kendor Music Inc. Quartet 2 Altos, Tenor and Baritone Saxes - Grade 4 SKU: KN.16266 (Op....(+) Quartet 2 Altos, Tenor and Baritone Saxes - Grade 4 SKU: KN.16266 (Op. 71A). Composed by Peter Ilyich Tchaikovsky. Arranged by Andrew Balent. Ensemble. Kendor Ensemble Series. Duration 3 minutes, 40 seconds. Kendor Music Inc #16266. Published by Kendor Music Inc (KN.16266). UPC: 822795162660. These three favorites from Peter Ilyich Tschaikowsky's Nutcracker Suite (Op. 71a) will be a great addition to any program during the holiday season. Movements in this grade 4 AATB saxophone quartet edition include: Marche, Waltz Of The Flowers, and Trepak. Duration ca. 3:40. $12.95 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Selections from ^The Nutcracker Suite} String Quartet: 2 violins, viola, cello [Score and Parts] Warner Brothers By Peter Ilyich Tchaikovsky. Edited by Thom Proctor. Arranged by Tony Esposito. ...(+) By Peter Ilyich Tchaikovsky. Edited by Thom Proctor. Arranged by Tony Esposito. Thom Proctor. String quartet: Full Score and Parts. Level: string quartet. 60 pages. Published by Warner Brothers. $40.00 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	The Nutcracker Suite Concert band Curnow Music Concert Band/Harmonie - Grade 1.5 SKU: BT.CMP-0414-00-010 Composed by Pet...(+) Concert Band/Harmonie - Grade 1.5 SKU: BT.CMP-0414-00-010 Composed by Peter Ilyich Tchaikovsky. Arranged by Mike Hannickel. Sinfonia Series. Set (Score & Parts). Composed 2000. Curnow Music #CMP 0414-00-010. Published by Curnow Music (BT.CMP-0414-00-010). Everyone loves the NUTCRACKER! The immense and unprecedented popularity of this ballet seems to be without limit. Now your Grade 1 band can experience the joy of playing the themes they know so well. This extremely flexible arrangement can be used in so many ways!! Play it all, or leave out selected movements. Use the optional tag ending, or skip it. Due to the flexibility of this arrangement, THE NUTCRACKER is great for programming early in the school year (while you're still discovering the capabilities of this year's band). Also, notice the suggested changes in the Notes to the Director, which make this arrangement more flexible yet! You just can't lose with MikeHannickel's arrangement of Tchaikowky's NUTCRACKER SUITE. $80.95 - See more - Buy online Pre-shipment lead time: 2 to 3 weeks Similar items

Listen Details Listen Details	Dance of the Sugar-Plum Fairy (from The Nutcracker Suite) Choral SSAA SSAA A Cappella [Octavo] - Intermediate Alfred Publishing By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (SSAA, a cappell...(+) By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (SSAA, a cappella). Choral Octavo. Secular, Christmas. Level: Moderate (grade III). Choral Octavo. 12 pages. Published by Alfred Publishing. ~~$2.05~~ $1.9475 (5% off) See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Listen Details Listen Details	Dance of the Sugar-Plum Fairy (from The Nutcracker Suite) Choral TTBB TTBB A Cappella [Octavo] - Intermediate Alfred Publishing By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (TTBB, a cappell...(+) By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (TTBB, a cappella). Choral Octavo. Secular, Christmas. Level: Moderate (grade III). Choral Octavo. 12 pages. Published by Alfred Publishing. ~~$2.25~~ $2.1375 (5% off) See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Dance of the Sugar-Plum Fairy (from The Nutcracker Suite) Choral SATB SATB A Cappella [Octavo] Alfred Publishing By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (SATB, a cappell...(+) By Peter Ilyich Tchaikovsky. Arranged by Jeff Funk. For Choir. (SATB, a cappella). Choral Octavo. Secular, Christmas. Choral Octavo. 8 pages. Published by Alfred Publishing. (2) ~~$2.05~~ $1.9475 (5% off) See more - Buy online Pre-shipment lead time: 24 hours - In Stock Similar items

Details Details	Three Miniature Nutcrackers Concert band - Beginner Belwin Concert Band - Grade 1 SKU: AP.44889S I. March, II. Dance of the Reed ...(+) Concert Band - Grade 1 SKU: AP.44889S I. March, II. Dance of the Reed Flutes, III. Russian Dance (Trepak). Composed by Peter Ilyich Tchaikovsky. Arranged by Michael Story. Concert Band; Masterworks; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Form: Suite. Christmas; Masterwork Arrangement; Romantic; Secular; Winter. Score. 32 pages. Duration 3:45. Belwin Music #00-44889S. Published by Belwin Music (AP.44889S). UPC: 038081516080. English. Based on Alexander Dumas' adaptation of E. T. A. Hoffman's story The Nutcracker and the Mouse King, the ballet premiered in December of 1892 in St. Petersburg, Russia. Tchaikovsky selected eight pieces from the ballet and created The Nutcracker Suite, which became an immediate success and to this day remains one of the most popular ballets, and contains some of the best-loved Christmas music. This suite of three selected short movements scored especially for beginners includes March, Dance of the Reed Flutes, and Russian Dance (Trepak). The movements can be performed individually or together. A superb classical transcription for teaching and performance to be programmed during the holidays or any time of the year. (3:45). $10.00 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Details Details	Library of Christmas Music Piano, Vocal and Guitar - Intermediate Music Sales Compiled by Amy Appleby and Peter Pickow. Spiral-bound book. 240 pages. Publish...(+) Compiled by Amy Appleby and Peter Pickow. Spiral-bound book. 240 pages. Published by Music Sales. (AM948850) Pound for pound, one of the best deals around. 114 selections in piano/vocal/guitar chord format. A collection of the world's best lovedChristmas music for the holiday season. Songs are categorized into 11 sections-from night before Christmas through carols for the new year. (1) $21.99 - See more - Buy online Pre-shipment lead time: 2 to 3 weeks Similar items

Details Details	Simply Classic Nutcracker Duets 1 Piano, 4 hands [Sheet music] - Easy Alfred Publishing By Peter Ilyich Tchaikovsky. Arranged by Margaret Goldston. For Piano. Piano Due...(+) By Peter Ilyich Tchaikovsky. Arranged by Margaret Goldston. For Piano. Piano Duet (One Piano, Four Hands). Masterwork. Level: Late Elementary / Early Intermediate (grade 2/3). Book. 40 pages. Published by Alfred Publishing. (3) $7.95 - See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items

Listen Details Listen Details	Scenes from The Nutcracker Concert band [Score and Parts] - Intermediate Alfred Publishing By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Michael Story and Michael S...(+) By Peter Ilyich Tchaikovsky (1840-1893). Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s); Score. Belwin Concert Band. Form: Transcription. Christmas; Masterwork Arrangement; Romantic; Winter. Grade 3. 240 pages. Published by Alfred Music Publishing ~~$72.00~~ $68.4 (5% off) See more - Buy online Pre-shipment lead time: 1 to 2 weeks Similar items