Format : Score
SKU: AP.12-0571538215
ISBN 9780571538218. English.
Neon has been described as a gloriously offbeat scherzo (The Times) and as a septet rooted in Zappaesque raucousness (New York Times). It has all the hallmarks of Tansy Davies' unique style: angular, fragmented melodies that fall somewhere between Stravinsky and Captain Beefheart; infectious, syncopated rhythms brought to life by strange junk-yard percussion; it jolts and heaves like some strange, machine-like creature.
SKU: RF.9506-WTCD
SKU: DZ.DZ-3786
ISBN 9782897957032.
SKU: HL.14004320
SKU: HL.49000580
ISBN 9790200101461.
SKU: CL.CTS-7952-00
Hang on! This is an art piece telling a story of driving through a big city with its main thoroughfares, dark alleys, and neon bright light districts. The challenges are intonation, rhythmic stability, finger technique, but mainly endurance! Watch out for the traffic!
SKU: YM.GTW01101332
ISBN 9784636109566. 9 x 12 inches.
This is a collection of 20 popular theme songs from Japanese anime, such as Neon Genesis Evangelion, Space Battleship Yamato, Galaxy Express 999, and Mobile Suit Gundam, arranged for a duet, trio, and quartet. The arrangements are designed to be played by the same type of instruments in the same key and are considerably flexible, allowing the trio to play as a duet and the quartet as a trio. Please refer to the guide in the score if full members are not available. Many of the pieces are arranged for beginners, so they can be enjoyed by anyone who has just picked up an instrument.
SKU: BR.EB-9205
World premiere: Donaueschingen, April 25, 2010
ISBN 9790004183632. 11 x 14 inches.
On the broadcast of the film From Dusk Till Dawn, the following note could be read in Gong (German radio and television programme guide) on 21 May: The gangsters Seth (George Clooney) and Richard Gecko (Quentin Tarantino) are on the run. On their way to Mexico, they take the apostate preacher Fuller and his children hostage. On their journey, they end up in Titty Twister Bar, not suspecting that it is peopled by vampires. Well, after deducting some film junk, some typical elements remain: what is past and over, constant new dramatic pair constellations, what is dead and constantly reawakening, the transformations, the troubles and destructions, the final annihilation teeming with destruction etc. Basically, it is a myth of ruin, in whose structure the elements are interchangeable. It could also be told with a coherent material concept, in a historically obsolete manner, in an old-fashioned way, with non-compensation, with flaring abolition yes, does everything always work??? It is good that it only takes place in a bar and that the bar invites us into Titty Twister in attractive neon writing. Restless nature and beauty are at home in the bar today. That facilitates for us the effortlessness of having fun in life. And today there is a special programme my piece Titty Twister for Accordion, Viola, Nepalese Singing Bowl, Pinballs and Mini Dramolettes. Its all expression, isnt it??? Nicolaus A. Huber (2009) CD: Anton Hubert (viola), Wolfgang Dimetrik (accordeon) CD Gramola 98922 Bibliography : Kampe , Gordon: Erinnern und Vergessen. Wechselwirkungen in der Kammermusik Nicolaus A. Hubers, in: Programmbuch ,,Wittener Tage fur neue Kammermusik 2017, S. 42-47, auch abgedruckt in: MusikTexte, Heft 154 (August 2017), pp. 37-39.World premiere: Donaueschingen, April 25, 2010.
SKU: DY.DO-1526
ISBN 9782897963064.
Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble.
SKU: SU.80200701
A set of small scale character studies; may be performed separately 20 page book Duration: 13'46 1. Neon (4'08); 2. Argon (2'54); 3. Krypton 4'32); 4. Xenon (2'12) Published by: Dunstan House.
SKU: YM.GTW01101309
ISBN 9784636109351. 9 x 12 inches.
SKU: PR.11441473S
UPC: 680160607600. 8.5 x 11 inches.
For this horn ensemble, Ewazen finds genesis in quite a different setting - Las Vegas and environs. The Valley of Fire reflects the color and intensity of its namesake; Those Who Came Before is more reflective, a sense of wonder at civilizations long gone; and Neon Eldorado captures the man-made wonder that is Vegas, through high energy jazzy joy. For advanced performers.
SKU: PR.111401290
UPC: 680160002672.
Throughout the work, the text continually confirms the relationship of time and death, and the colorful but terrifying environments that only too few have survived. There is also the sense of time that is found in growing up; the too soon conclusion of life as in Frozen Ceremony - the static going nowhere of the midnight ladies - the age old plea of the Neon Philosopher - the time is out of Starbright - the sudden awareness of getting older in Funeral Weather.
SKU: YM.GTW01101062
ISBN 9784636107463. 8.75 x 12 inches.
This is a collection of 20 popular theme songs from Japanese anime, such as Neon Genesis Evangelion, Space Battleship Yamato, Galaxy Express 999, and Mobile Suit Gundam, arranged for a duet, trio, and quartet. The arrangements are considerably flexible, allowing the trio to play as a duet and the quartet as a trio. Please refer to the guide in the score if full members are not available. Many of the pieces are arranged for beginners, so they can be enjoyed by anyone who has just picked up an instrument.