Format : Score and Parts
Stephen Warbeck's Oscar-winning music from the hit film 'Shakespeare in Love' has been skillfully arranged by Tony Osbourne into a four-movement suite for intermediate string ensemble. The suite perfectly encapsulates all the passion romance and wit of this delightful love story which traces the footsteps of the young Shakespeare. With an exciting opening sighing love-themes and two rhythmic dances which capture the atmosphere of the vibrant Elizabethan court this contrasted suite will stir players' and audiences' imagination and take flight.
SKU: BT.DHP-1115218-010
9x12 inches. English-German-French-Dutch.
Romeo and Juliet is a sensitive adaptation of the unforgettable love theme from Nino Rota’s soundtrack to Franco Zeffirelli’s 1968 film, Romeo and Juliet. Retaining the tumultuous romance and tragedy of the story itself, Toshio Mashima’s arrangement is ideal for concert or competition performance. Nino Rota is vooral bekend geworden van zijn filmmuziek bij The Godfather, waarvoor hij een Oscar ontving. Voor de verfilming van Romeo en Julia van Franco Zeffirelli uit het jaar 1968 schreef hij eveneens de muziek.Van het liefdesthema uit deze film heeft Mashima een arrangement geschreven. Romeo en Juliet: een dramatische en prachtige verklanking die de romantiek maar ook de tragiek van het verhaal op onvergetelijke wijze weergeeftNino Rota, der vor allem für seine oscargekrönte Filmmusik zu Der Pate bekannt ist, schrieb auch die Musik zur Verfilmung von Romeo und Julia von Franco Zeffirelli aus dem Jahre 1968. Unvergessen aus diesem Soundtrack ist das Liebesthema“, welches die ganze Romantik und Tragik der Handlung widerspiegelt. Nino Rota, connu pour la musique de la saga Le Parrain et pour laquelle il a été récompensé par un Oscar, a également composé en 1968 la bande originale de la version cinématographique du film Roméo et Juliette de Franco Zeffirelli. Le thème lyrique arrangé par Toshio Mashima, extrêmement poignant, reflète tout le romantisme et l’intrigue de ce bouleversant drame shakespearien. Nino Rota, autore di indimenticabili colonne sonore tra le quali ricordiamo film di Fellini e la musica della saga de Il Padrino(che gli valse un Oscar), ha anche composto nell’ormai lontano1968 la colonna sonora originale della versione cinematografica del film Romeo e Giulietta di Franco Zeffirelli. Love Theme, una melodia molto coinvolgente, riflette tutto il romanticismo e intrigo del dramma di Shakespeare.
SKU: CF.CPS142F
ISBN 9780825892899. UPC: 798408092894. 9 x 12 inches. Key: Eb minor.
Sean O'Loughlin's The Ides of March is pulse-pounding and haunting; a dramatic composition for band. This work celebrates the composer's love of modern film music and is an exercise in economy of musical material while remaining wonderfully melodic and elegant.
SKU: HL.14023628
ISBN 9780711975729. 12.0x9.0x0.095 inches.
On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five, is a version of the Shakespeare song setting made for Prospero's Books (1990). The second Angelfish Decay, is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for two violins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For On The Fiddle a piano part has been added. The final piece Miserere Paraphrase, was written for use in The Cook, The Thief, His Wife And Her Lover (1989), and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus. This version for cello and piano written in 1997. Duration c.15 mins.
SKU: BR.CHB-5305-02
ISBN 9790004412183. 7.5 x 10.5 inches.
The new edition is based on the traditional piano score by the composer and organist Ernst Friedrich Richter (1845), published by Breitkopf & Hartel Leipzig. The publisher commissioned Richter in accordance with Mendelssohn. The new edition brought the Richter score into line as much as possible (including specific dynamics and articulation marks) with the score of the Leipzig Mendelssohn Edition (ed. by Christian Martin Schmidt), along with the performance material derived from it. Richter's piano score was critically examined by Hellmut Dohnert, who made emendations wherever there were subtantial discrepancies in the score.