Music for Three Treble Instruments, Collection No. 6 Wedding & Classical Favorites

from Trilogy of Dreams-A poem by Langston Hughes forms the lyric framework for this 3-part setting. Begnning with a joyous gospel opening with three layered vocal parts the work unfolds into a powerful affirmation of the human spirit.Availableseparately: 3-Part Treble Instrumental ePak (parts for Alto Sax Trumpet 1 & 2 Electric Bass Drums Violin 1 & 2 Viola and Cello) and VoiceTrax CD. Performance Time: Approx. 3:20

from Trilogy of Dreams-Featuring Langston Hughes poetry this work begins with a joyous gospel opening with three layered vocal parts and then unfolds into a powerful affirmation of the human spirit. Available separately: SATB 3-Part Treble VoiceTraxfor 3-Part Treble Instrumental parts available digitally (asx tpt 1 tpt 2 b dm vn 1 vn 2 va vc). Duration: ca. 3:20.

From the preface: The aim of the publication of these four-handed piano compositions is to fill a void within the sphere of sight-reading(and almost sight-reading) at the beginner and intermediate level. These three volumes together contain 36 Nordic folk songs from Denmark Norway Sweden Finland and theFaroe Islands. The selection is based first and foremost on their being well suited to the instrumental expressivepossibilities of the piano and being good representatives of the rich and atmospheric Nordic musical heritage.When one practises sight-reading on one’s own it is tempting to stop as onegoes along because the desire to playthe correct notes is often given priority at the expense of the rhythm and expression.Music without an organic pulse will leave the player with an unsatisfactory feeling of stress and failure and thestream of thought will not form part of a natural flow. Good sight-reading training is therefore ensemble playing where the teacher supports the pulse and rhythm.In many other publications of four-handed duets the secundo part is written in two bass clefs and the primo part in twotreble clefs. Reading this untrained combination of clefs along with the stressful fact that the music has never beenseen nor heard before can confuse the pupil.In volumes 1 and 2 the secundo part which is intended for the pupil is therefore notated in a treble clef and bassclef as piano music for two hands is usually notated. In volume 3 the degree of difficulty is more varied but in mostof the pieces improvisation is an interposed element in the primo part being therefore a good challenge for the pupil.In the improvisatory sections a chord or a scale is notated. These can form the tonal starting point but here too thepupil is encouraged to experiment with for example the shift between major and minor thirds and between the high andlow sixth and seventh

trumpet cornet flugelhorn E flat horn French horn trombone baritone euphonium tuba-Music Medals Mixed-Brass Ensemble Pieces are three volumes of repertoire for mixed-instrument groups including combinations of B flat E flat and F parts as well as bass and treble clef options for lower brass. Progressively graded Copper Bronze and Silver they contain original pieces and imaginative arrangements for mixed duets trios and quartets. Covering a wide range of styles the volumes provide excellent material for mixed-ability groups as well as being an exciting resource for the individual musician. Fun pieces and arrangements in various styles Ideal group-teaching material for the developing ensemble Suitable fortypical combinations of brass instruments All pieces selected for the Associated Board’s music medals.

Edited by Andrew AshbeeTwenty-eight pieces for treble two basses and organ and twenty-one for two trebles and a bass attest to the degree of mastery achieved by John Jenkins in the traditional fantasia form. His command of a fine lyric gift and wide-ranging tonal orbit are especially to be noted in the contents of this volume which fills an important gap in our knowledge of this distinctively English instrumental repertoire.First published in 1997.

One of Recital Music's best sellers! Three great pizzicato pieces which are useful as both educational or concert repertoire. Jazz Sonatine is a small three movement suite dedicated to three American jazz-greats - Paul Chambers Charles Mingus Scott LaFaro. Di-Ba-Dum is rhythmically exciting and inventive contrasting jazz idioms with easy contemporary styles and is dedicated to Richard Davis. Pizzicato Waltz combines classical and jazz styles with some treble clef work and was written for David Heyes and Bass-Fest.

A collection of seventy three short well known unaccompanied pieces for brass players of all ages arranged in progressive order of difficulty. This treble clef edition is for trumpet horn in Eb or F and the euphonium. The tunes ranges from popular themes including Monty Python and Emmerdale to timeless melodies by Mendelssohn and Strauss.

Three Airs for Treble Recorder or Flute with Piano accompaniment by Robin Milford.

Vioolsleutel In C-Treble Clef Version. Versatile music and very easy wherein each of the five short pieces sounds good in two three or four parts.Grade: 0 - 1

Students of any age will enjoy this lyrical prelude in 6/8 time. Written in C minor with both hands playing in the treble clef with the LH playing groups of three dotted quarter notes to eighth notes in the RH. Sure to be a favorite!

Extracted from the first movement this trombone solo has been built up from three separate passages spaced throughout the movement together forming one of the finest pieces of trombone writing in the entire symphonic repertoire.Arranged for trombone with piano reduction. Treble and Bass Clef parts included.

Piano duet score. 1st performance Ellesmere College January 1986 by Richard Markham and David Nettle. Duration c.24 minutes. The work is in three movements and the musical thought is symphonic. The first movement (based entirely on the opening motive) goes through a series of paragraphs which eventually culminate in an extended melodic line played entirely by the treble player. The middle movement is a playful Scherzo with a rather sardonic waltz for its Trio. The slow movement (which comes last) is much more relaxed and concentrates on a D major motive with sharpened fourths but the more intense moods of the first movement return in a suddenly impassioned middle section.

Part for Descant and Optional Treble Recorders. Rumba is for Three-Part Voices Recorders and Piano.

Leslie Winters. Words and music to 13 carols for Christmas and the rest of the year. For unison recorders two three or four part ensemble. Optional part for treble tenor bass recorders with or without piano.