Music All Over Me (Musical)

Music activities made simple - Early Years - 3-5 years-Pick up and play! Whether you want to spend 10 minutes or two hours on music Kickstart Music Early Years is a complete activity pack for under-fives. Bursting with inspiring music ideas it has practical instructions for engaging lessons covering the entire subject.Whatever your resources or previous music teaching knowledge Kickstart Music Early Years is a step-by-step no nonsense guide to confident effective music teaching. The book includes guidance and activities covering all musical elements such as rhythm composition listening playing and singing.Kickstart Music Early Years can be used in a variety of ways and suits holistic flexibleteaching. It is a fantastic 'dip-in' resource that practitioners can open at any page and try but it is also a comprehensive scheme of work which can be covered from beginning to end over the course of time.Other books in the new A

Solfège pour l'étude de l'harmonie classique. Par DESPORTES. Precise Harmonic Analysis intends to accompany and aid harmony and analysis classes at conservatoires and other musical institutions. Covering a wide range of aspects, Yvonne Desportes ''s book succeeds in its intentions. As a student of Paul Dukas, Desportes (1907-1993) won the Premier Grand Prix de Rome for harmony in 1932. She then went on to teach at the Paris Conservatoire, compose over 300 works, and publish many music textbooks. Compiled in 1948, Precise Harmonic Analysis addresses intervals, modulations, chords, suspensions, appoggiaturas and echappees, among many other aspects. Thisbook is essential to accompany all intermediate to advanced music studies./ Solfège/Formation Musicale / Formation Musicale

A fun way to kick-start music practice sessions and lessons Paul Harris' Simultaneous Learning Practice Starter Cards are designed to introduce young musicians to musical theory listening performing and more. Simply pull out a card follow the instructions and start making music. Based on the renowned Simultaneous Learning approach. Connects and develops all areas of musical learning. Covers scales aural theory listening performing and much more. These cards are suitable for age 7 / established beginners upwards. Pack of 52 cards.

Winner: Best Print Resource 2013 (Music Teacher Awards for Excellence).Here  for the first time is the definitive practical guide to setting up a choral or instrumental ensemble and running it effectively.Aimed at experienced solo musicians it illustrates how to harness individual skills to build an exciting and creative group dynamic.  Every aspect of performing together is covered from choosing repertoire and arranging the music to devising innovative rehearsal techniques all leading to that successful final performance.Both a step-by-step ?how to? book and a comprehensive reference resource How To Create a Successful Music Ensemble features the insights of several experienced musical directors and also covers topics like practicalities publicity and conducting techniques.With illuminating real-life case studies throughout How To Create a Successful Music Ensemble is the ultimate guide to every practical and artistic aspect of creating and maintaining one of music?s most rewarding collaborative forms.About the author.Patrick Gazard has over 20 years experience in music and music education during which he has run numerous youth and adult ensembles with several of his groups reaching the final stages of national competitions.Now a freelance teacher and conductor/ composer Patrick is also an arranger for Music Sales and Banks Music Publications.

Lesson Plans Recordings Activities and Photocopiables-Music Express is an outstanding new primary class teacher's resource needed to implement the QCA scheme for music in each year group. Written especially for classroom teachers it is user-friendly well planned fully resourced inspiring and fun. No music reading is required. Each book contains 36 lessons comprising over 100 teaching activities with photocopiables and includes a CD of all the recorded extracts to accompany the activities. Each book also includes a CD-Rom containing 6 medium term plans 36 fully prepared weekly lesson plans videoclips and extra resources.

CY014 - suivies de 22 applications. Par CALLIER YVES. Regles Du Jeu Musical - Level 1 Year 2 is a theory method for second year beginners by Yves Callier. Really complete, this theory method covers all the necessary basics and also contains 22 applications which will enable the young musician to learn and remember the basics quickly. This second volume follows the lessons of the first one and features the different keys, notes, tempo, scales, intervals and alterations, among other basics. Comments and explanations are given throughout the book and at the bottom of each application to remind what the music rules are./ Solfège/Formation Musicale / Pédagogie Musicale

This book provides a clear introduction to the musical forms and structures that have been used by composers from the 17th century onward. Dealing first with the terms phrase and cadence it extends from simple binary and ternary forms to cover all the principal classical forms - sonata from varied types of sonata form rondo form the concerto air with variations and so forth - with analyses of key works.

An All-School Holiday Revue for Young Voices-Here's the ultimate in ?reality? programming! Thanks to the exploits of a brave and curious group of young people you'll get a first-hand look at all the famous characters that make Christmas dreams come true: Santa'swell-trained volunteer reindeer corps the overworked elves snowmen who dream of a tropical vacation what Mrs. Claus really does on Christmas Eve and the true spirit of the season Santa Claus himself! This 40-minute musical isideal for young performers and will be a joy to present with clever dialog John Jacobson's choreography and staging suggestions and the professionally-produced ShowTrax CD.Available: Teacher's Manual Singer's 5-Pak Preview CD and ShowTrax CD. Performance Time: 40 minutes. For Gr. 4-8.

James Gibbon Huneker (1857-1921) was a distinguished American newspaper critic, an essayist, and a prolific author. His writing style is remarkable ? unrestrained, informal, full of brilliant insight ? and this style plus Huneker's wide knowledge of art and literature as well as music has kept his literacy work alive. Chopin: The Man and His Music reflects the intimate, thorough knowledge of Chopin's music that Huneker acquired while studying to be a concert pianist and his unusually keen insight into the character of the great Polish composer whose music he adored. The book is divided into two parts. The first treats Chopin's life ? his youth in Poland, his emigration to Paris, the famous George Sand episode, his sickness and death ? and comments on Chopin as a teacher and as a pianist and performer. The second part discusses the entire body of Chopin's music, piece by piece. Huneker notes his own overall impression of the individual compositions as well as the impressions of Schumann, George Sand, Chopin's biographer Frederick Niecks, many of the great pianists, and others. He directly compares differing editions of Chopin's Études, Preludes, Nocturnes, Mazurkas, Polonaises, Sonatas, and other works edited by von Bülow, Kullak, Riemann, Mikuli, and Godowsky in their detailed treatment of fingering, phrasing, pedaling, tempo indication, and so forth. Huneker's entire work is reprinted here unchanged, thoroughly edited in running footnotes by Herbert Weinstock to correct the exuberant Huneker's inaccuracies and to add information that modern musical scholarship has unearthed. Weinstock has also provided an engrossing introductory essay on Huneker, and has amplified the bibliography to include modern books and articles on Chopin. A classic in musical biography and commentary, this work is unsurpassed for sympathetic understanding and insight into Chopin's life and music. It will interest equally music students, pianists, and music lovers.

Among the most widely popular composer of light classical music ever, Johann Strauss, Jr., wrote over 150 waltzes and brought the form to perfection as an extended musical composition. By the 1860s the waltz had become the exhilarating symbol of an elegant way of life, its lively sophistication mirroring the sparkle and joie de vivre of imperial Vienna and charming the world into dancing in three-quarter time. Now musicians and music lovers can enjoy eight of Strauss's finest waltzes, reproduced from authoritative editions, in this sturdy, attractive collection. They include The Beautiful Blue Danube: Artist's Life: Tales of the Vienna Woods: Wine, Women and Song: Wiener Blut: Roses from the South: Voices of Spring: and Emperor Waltz. Replete with inspired melodic invention and harmonic felicities, most of the scores have been reprinted directly from excellent German and Russian editions. In this inexpensive treasury they offer a rich source of inspiration and delight for every waltz lover.

Unsurpassed in his day as a lute virtuoso, John Dowland (1563–1626) today continues to delight singers, musicians, and music lovers alike. This collection of 45 songs includes all the works in Dowland's original third and fourth books of lute songs, the composer's contributions to his son's anthology of 1610, and a dance for solo guitar. Content : THE THRID AND LAST BOOKE I. Farewell too fair II. Time stands still III. Behold a wonder here IV. Daphne was not so chaste V. Me, me and none but me VI. When Phoebus first did Daphne love VII. Say Love if ever thou didst find VIII. Flow not so fast ye fountains IX. What if I never speed? X. Love stood amaz'd XI. Lend your ears to my sorrow XII. By a fountain where I lay XIII. Oh what hath overwrought XIV. Farewell unkind farewell XV. Weep you no more, sad fountains XVI. Fie on this feigning XVII. I must complain XVIII It was a time when silly bees could speak XIX. The lowest trees have tops XX. What poor astronomers are they XXI. Come when I call (for two voices and two lutes) A PILGRIMES SOLACE I. Disdain me still II. Sweet stay awhile III. To ask for all thy love IV. Love those beams V. Shall I strive with words to move (Mignarda, a galliard is Dowland's title for the solo lute version of the lyre Shall I strive with words to move. VI. Were every thought an eye VII. Stay Time awhile thy flying VIII. Tel me true Love (with chorus) The next three with treble and bass viols ofr violin and cello: IX. Go nightly cares X. From silent night XI. Lasso vita mia XII. In this trembling shadow XIII. If that a sinner's sighs A three-part work: XIV. Thou mighty God XV. When David's life XVI. When the poor cripple XVII. Where sin sore wounding XVIII. My heart and tongue were twins The next with chorus: XIX. Up merry mates XX. Welcome black night XXI. Cease these false sports THREE AYRES FROM A MUSICALL BANQUET Far from triumphing Court Lady if you so spite me In darkness let me dwell GALLIART TO LACHRIMAE A lute solo from A Pilgrimes Solace, transcribed for guitar