SKU: CA.3550348
ISBN 9790007213497. Language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and part available separately - see item CA.3550300.
SKU: BT.DHP-1094823-170
9x12 inches.
Part 1 Fl Ob Kl B S-Sax Trp Trp C Violin Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hn Trp C ViolinPart 3 Alt-Kl T-Sax Fg Hn Pos Euph Viola Part 4 B-Klar T-Sax B-Sax Fg Pos Euph Tuba Cello KbZus. Org Perc Missa Katharina is een mis die bestaat uit de gebruikelijke delen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus dei. Er zijn instrumentale delen toegevoegd: Preludium, Offertorium, Postludium, Alleluia en Amen. Het Preludium is bedoeld voor de aanvang van de mis, het Offertorium komt tussen de preek en de communieviering en het Postludium komt aan het eind van de mis. Het Alleluia wordt gezongen na het Gloria, het Amen volgt het Agnus dei. Voor koor (SATB) en vierstemmig variabel ensemble (incl. orgelpartij en optionele slagwerkpartij). De koorstemmen zijn separaat verkrijgbaar (DHP 1074421-050). MissaKatherina is tevens leverbaar voor koor en harmonieorkest.Part 1 fluit hobo kl Bb kl Eb trp Part 2 fluit kl Bb alt-kl a-sax trp hrn Part 3 alt-kl t-sax fagot hrn tromb euph Part 4 t-sax fagot tromb euph Part 5 bas-kl b-sax fagot tromb euph tuba con bas Opt. drum Missa Katharina ist eine originale Messe, bestehend aus den fünf Ordinariumsteilen Kyrie, Gloria, Credo, Sanctus-Benedictus und Agnus Dei, für Chor (SATB) und vierstimmig variables Bläserensemble (inklusive Orgel und optionalem Schlagzeug).Die Chorstimmen (SATB) sind separat erhältlich und nicht in diesem Set enthalten (Bestellnummer: DHP 1074421-050).Part 1 Fl Ob Kl B S-Sax Trp Trp C Violin Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hn Trp C ViolinPart 3 Alt-Kl T-Sax Fg Hn Pos Euph Viola Part 4 B-Klar T-Sax B-Sax Fg Pos Euph Tuba Cello KbZus. Org PercMissa Katharina, est une messe composée des six mouvements Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei, pour Chœur (SATB) et instrumentation variable quatre voix (avec partie d'orgue et percussions opt.). Le set choral est disponible séparément (DHP 1074421-050). Voix 1 Fl. Htb Cl. Si♭ Sax. S. Trp Violon Voix 2 Fl. Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Violon Voix 3 Cl. Alt. Sax. T. Basson Cor Trb Euph. Alto Voix 4 Cl. Basse Sax. T. Sax. B. Basson Trb Euph. Tuba Violoncelle. C. CordesOpt. Orgue Perc.Missa Katharina è una messa originale composta da sei movimenti dell’Ordinario della messa (Kyrie, Gloria, Credo, Sanctus, Benedictus e Agnus Dei), per coro (SATB) e strumentazione variabile a quattro voci (incl. organo e parti opzionali delle percussioni). Le parti per il coro sono disponibili separatamente (DHP 1074421-050).Voce 1 Flauto Obe Cl.Sib S-Sax Tromba Tromba Do Violino Voce 2 Flauto Cor. Ing Cl.Sib Cl. Alt Sax A. Tromba Corno Tromba Do ViolinoVoce 3 Cl. Alt. Sax T. Fagotto Corno Tbn Euf. Viola Voce 4 Cl. Bas. Sax T. Sax B. Fagotto Tbn Euf. Tuba Violonc. Cntbs.Opt. Org. Perc.
SKU: BT.DHP-1094823-070
ISBN 9789043144971. 9x12 inches.
Part 1 Fl Ob Kl B S-Sax Trp Trp C Violin Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hn Trp C ViolinPart 3 Alt-Kl T-Sax Fg Hn Pos Euph Viola Part 4 B-Klar T-Sax B-Sax Fg Pos Euph Tuba Cello KbZus. Org Perc Missa Katharina is een mis die bestaat uit de gebruikelijke delen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus dei. Er zijn instrumentale delen toegevoegd: Preludium, Offertorium, Postludium, Alleluia en Amen.Het Preludium is bedoeld voor de aanvang van de mis, het Offertorium komt tussen de preek en de communieviering en het Postludium komt aan het eind van de mis. Het Alleluia wordt gezongen na het Gloria, het Amen volgt het Agnus dei.Voor koor (SATB) en vierstemmig variabel ensemble (incl. orgelpartij en optionele slagwerkpartij). De koorstemmen zijn separaat verkrijgbaar. Missa Katherina is tevens leverbaar voor koor en harmonieorkest.Missa Katharina ist eine originale Messe, bestehend aus den fünf Ordinariumsteilen Kyrie, Gloria, Credo, Sanctus-Benedictus und Agnus Dei, für Chor (SATB) und vierstimmig variables Bläserensemble (inklusive Orgel und optionalem Schlagzeug).Die Chorstimmen (SATB) sind separat erhältlich und nicht in diesem Set enthalten (Bestellnummer: DHP 1074421-050).Instrumentierung: Part 1: Fl Ob Kl B S-Sax Trp Trp C Violin Part 2 Fl Cor Ang Kl B Alt-Kl A-Sax Trp Hn Trp C ViolinPart 3 Alt-Kl T-Sax Fg Hn Pos Euph Viola Part 4 B-Klar T-Sax B-Sax Fg Pos Euph Tuba Cello KbZus. Org Perc Missa Katharina, est une messe composée des six mouvements Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei, pour Chœur (SATB) et instrumentation variable quatre voix (avec partie d'orgue et percussions opt.). Le set choral est disponible séparément (DHP 1074421-050). Voix 1 Fl. Htb Cl. Si♭ Sax. S. Trp Violon Voix 2 Fl. Cor Angl. Cl. Si♭ Cl. Alto Sax. A. Trp Cor Violon Voix 3 Cl. Alt. Sax. T. Basson Cor Trb Euph. Alto Voix 4 Cl. Basse Sax. T. Sax. B. Basson Trb Euph. Tuba Violoncelle. C. CordesOpt. Orgue Perc. Missa Katharina è una messa originale composta da sei movimenti dell’Ordinario della messa (Kyrie, Gloria, Credo, Sanctus, Benedictus e Agnus Dei), per coro (SATB) e strumentazione variabile a quattro voci (incl. organo e parti opzionali delle percussioni). Le parti per il coro sono disponibili separatamente (DHP 1074421-050).
Voce 1 Flauto Obe Cl.Sib S-Sax Tromba Tromba Do Violino Voce 2 Flauto Cor. Ing Cl.Sib Cl. Alt Sax A. Tromba Corno Tromba Do ViolinoVoce 3 Cl. Alt. Sax T. Fagotto Corno Tbn Euf. Viola Voce 4 Cl. Bas. Sax T. Sax B. Fagotto Tbn Euf. Tuba Violonc. Cntbs.Opt. Org. Perc.
SKU: CA.3550311
ISBN 9790007213473. Text language: Latin.
SKU: CA.3550300
ISBN 9790007165161. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass.
SKU: CA.3550349
ISBN 9790007213503. Language: Latin.
SKU: CA.3550305
ISBN 9790007165222. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score available separately - see item CA.3550300.
SKU: CA.3550319
ISBN 9790007213480. Text language: Latin.
Particularly during the early 1740s, Johann Sebastian Bach concentrated intensely on studying the compositional technique of strict vocal polyphony. As an inspiration, he studied the works of older masters, copying them and, for the most part, performing them as well. A set of single parts for the Missa canonica by Francesco Gasparini in an instrumentation by Bach were recently discovered in the collection of the former Ephoralbibliothek Weissenfels; some of the parts are in Bach's own handwriting. Gasparini was esteemed in Germany particularly as a master of elaborate counterpoint and audacious harmonic writing. Bach amended the music text with a view to certain aspects of performance practice, clearly following a very specific concept of sound organization. His interest in strict counterpoint was paralleled by a tangible re-orientation in Bach's own compositional technique at the beginning of the 1740s. Francesco Gasparini's Missa canonica therefore served as a practical model for the highly developed art of canon writing and the strict polyphony in Bach's late works, as we encounter them, for example, in the B minor Mass. Score and parts available separately - see item CA.3550300.
SKU: FG.55009-333-1
ISBN 979-0-55009-333-1.
Published in the Chorus Series (Ch 26).
