Mastering the Guitar Class Method Elementary to 8th Grade

Par BAY WILLIAM. La maîtrise de la méthode de classe de guitare est une nouvelle approche remarquablement novateur à l\'enseignement de la guitare dans les milieux de la classe. Ce volume commence par des examens approfondis des touches de C, G, H et Em présenté dans le Volume 1. Nouveau matériel comprend mineures 7 chords 7 et majeurs, triplets, swing rythmique, la diapositive, 6/8 temps, 6/8 et 12/8 Strum, harmoniques, suspension chords, mobiliers power chords et les clés des articles complets D, F et Dm. Contains sur des échelles pentatonique, improvisation, les techniques de la hammer-on et pull-off, le Travis fingerpicking style, barre chords, harmonie des deux parties, bloquent les accords, fingerpicking en 3/4et fingerpicking solos. Comme une caractéristique spéciale le livre comprend de nombreuses pièces d\'ensemble guitare appropriés pour la considérant ou interprétation de concert. Cette nouvelle méthode respecte les normes nationales actuelles MENC d\'éducation musicale. Ce volume peut être utilisé comme un suivi à chaque édition de maîtriser la guitare classe méthode niveau 1. / Niveau : Débutant à Intermédiaire / All Styles - Methods / Méthode / Guitare

Short Term Course-The Mastering the Guitar Class Method Short Course has been written for use in Guitar classes which last for nine weeks or less. Students will receive in a condensed form the same high quality sequential material containedin the Mastering the Guitar Class Method.Although designed for a shorter course great care has been taken to provide the students with a solid foundation in technique and the fundamentals of playing Guitar.Contentsinclude: holding position chords strum patterns tuning reading single note solos in tablature and standard notation and ensembles all in a variety of music styles. The book also contains a section on playing the blues andwriting original blues lyrics. This text is ideal for the exploratory course and will provide the perfect springboard for further study. Includes access to online audio and a PDF containing fifty-five lesson plans.

Workbook Level 1-This supplement works with either edition of the Mastering the Guitar: Class Method Level 1 to help give students a conceptual look at the guitar and a sense of familiarity with the instrument. It includes twelve exercises andquizzes which coincide with various points in the Class Method to reinforce key concepts. In addition there is a Teacher's Class Planner section which explains the objective of the exercises and describes learning activitieswhich can be implemented in the classroom setting.

With Online Audio-Complete in three volumes this widely used method series presents classical guitar instruction in a logical and clear manner. The student is thoroughly grounded in left and right hand technical studies and is acquainted withthe works of the masters. In this volume the student will be introduced to the Third Fourth Fifth Seventh and Ninth Positions. There is complete treatment for the development of these positions including etudes solos duets and chord studies. This book gives much attention to keys seldom presented in detail in other methods namely the keys of E flat C Minor A flat F Minor D flat B flat Minor G flat E flat Minor F sharp and D sharpMinor. This volume will be a valuable asset to the student desiring to master these more difficult positions and keys. Notation only. Includes access to online audio which demonstrates most of the exercises and solos in thebook at performance tempo.

A Beginner's Guide with Step-by-Step Instruction and Over 25 Pieces to Study and Play. The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use beginner's guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to teach you the basics of the classical style and technique. The accompanying audio features all the pieces in the book for demonstration and play along. Includes pieces by Beethoven Bach Mozart Schumann Giuliani Carcassi Bathioli Aguado Tarrega Purcell and more. Includesall the basics plus info on PIMA technique two- and three-part music time signatures key signatures articulation free stroke rest stroke composers and much more. Does NOT include tablature.

Book With Online Audio and Video-Co-authored by William Bay and Michael Christiansen Mastering The Guitar is an innovative exciting new way to learn the Guitar. This extremely comprehensive method applies theinternationally acclaimed Mel Bay teaching concept to the vast array of musical styles and techniques found in today's music. Written in notation and tablature it covers Guitar solo and accompaniment styles ranging from Celtic toClassic to Cajun; from Flamenco to fiddle tunes to rock; from Baroque to blues to bluegrass; and from Latin to jazz to Reggae. A special feature of this method is that it teaches both flatpicking and fingerstyle solo andaccompaniment techniques.The two books in level 1 present essential foundational studies for contemporary Guitar performance. Book 1A covers the keys of C Am G and Em in great depth presenting over 155 solos andduets and more than 140 scale and picking studies chord etudes and accompaniment pieces. Book 1B covers the keys of D A E F Dm and Bf. In addition Book 1B has over 130 solos and duets and over 40 comprehensive scale andpicking studies. Numerous chord progression studies and chord accompaniment pieces and etudes are also included.A Technique Studies book is available which will bring an added level of flatpicking and fingerpickingexcellence to each key presented in Book 1A and Book 1B. The advanced levels of this method introduce a creative and unique approach to learning and mastering the higher positions on the Guitar fingerboard. Mastering The Guitar 1A comes with audio examples and videos to download online.

This is a collection of 26 duets drawn from the ground-breaking Mastering the Guitar Method. These duets are fun to play represent contemporary music genres and represent works by great classical composers like J. S. Bach Handel Vivaldi Telemann Corelli and more. The pieces are quite suitable as concert or recital selections and will supplement and enhance any guitar method. Includes access to online audio.

Mastering The Guitar Is An Innovative Exciting And Comprehensive Way To Learn The Guitar. Written In Notation And Tablature It Covers Guitar Solo And Accompaniment Styles Ranging From Celtic To Classic To Cajun; FromFlamenco To Fiddle Tunes; From Renaissance To Rock To Reggae; From Baroque To Blues To Bluegrass; And From Latin To Country To Jazz. A Special Feature Of This Method Is That It Teaches Both Flatpicking And Fingerstyle Solo AndAccompaniment Techniques.

Master Class-Develop your solo skills with this comprehensive method with online audio of 99 full demonstration tracks plus 16 video lessons available online for download or streaming. Topics covered include: common jazz phrases; applying scales and arpeggios; common jazz phrases; guide tones non-chordal tones fourths; and more. Includes standard notation and tablature. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right.

An Intermediate-Level Guide with Step-by-Step Instructions. Par HENRY PAUL. The Hal Leonard Classical Guitar Method is designed for anyone just learning to play classical guitar. This comprehensive and easy-to-use guide by renowned classical guitarist and teacher Paul Henry uses the music of the master composers to further develop your understanding of the classical style and technique. Book 2 includes: tone-coloring techniques; dynamics; dampening; sixth string tuned to D; notes above open position; left-hand shifting; grace notes, slides, and articulations; natural and artificial harmonics; natural and artificial harmonics; full and partial barres; trills and mordents; two-octave scales; vibrato; counterpoint; left- and right-hand technique review; slur exercises; and more! This book also includes access to more than 50 audio tracks for demonstration and play-along. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Date parution : 2022-07-23/ Méthode / Guitare

Do you want to develop greater fingerboard familiarity and improvisational fluency and learn a lot of licks at the same time? Then regardless of your level this book is for you. The goal of this book is to demonstrate howfingerings can be applied in a realistic jazz setting and to help players get a better handle on negotiating the guitar's fingerboard and improvisation in general while learning a hip solo over a cool background. This book hasa number of dynamic features including... - A methodical position by position look at improvisation. - A focus on phrasing. - Cool repetitious grooves that give the player a chance to develop skills without the addedcomplication of having to change to a new scale or key center. - Swinging solos that cover the range of a given fingering or position. - Formulas for the major modes and a variety of other scales. Each solo contains a number ofhip phrases licks and patterns that take advantage of the related scale position and fingering. In addition to developing fingerboard familiarity and improvisational skills the solos also provide good sight-reading material.

Cette Méthode de Luth Baroque peut vous donner les bases techniques et musicales nécessaires à l’obtention d’une structure assez solide et complète du jeu du luth baroque. Et c’est là tout l’enjeu et le défi de l’écriture de cet ouvrage : donner, au plus grand nombre de passionnés, l’opportunité de s’exprimer à travers le luth baroque, et ce, indépendamment de leur niveau d’apprentissage. Notre livre est destiné non seulement à celui qui n’a jamais joué d’un instrument de musique, mais aussi au guitariste avisé qui veut s’initier aux mystères du luth baroque ! Mode d’emploi Notre Méthode de Luth Baroque est divisée en trois parties. La première partie, plutôt théorique, aidera à mieux comprendre la façon de jouer la musique écrite pour le luth baroque. Nous avons jugé indispensable d’avoir des connaissances élémentaires de solfège occidental mais aussi de la tablature (forme de notation musicale spécifique au luth). Ces connaissances, insuffisantes si étudiées de manière isolée, ont été enrichies d’un lexique des pièces instrumentales ainsi que de biographies de la plupart des compositeurs de musique pour luth baroque à 11 et 13 chœurs. En deuxième partie, nous avons dédié tout un chapitre à l’étude de la technique et de la production sonore du luth. Riche en photos et détails de toutes les étapes techniques que nous devrons franchir, ce chapitre est, sans aucun doute, le plus important de toute notre Méthode pour bien comprendre l’univers sonore du luth baroque ! Ensuite, nous vous proposons 21 exercices, tous d’un niveau élémentaire, mais progressifs, accompagnés de plusieurs pièces de musique. Vous allez d’abord jouer des mélodies pour ensuite ajouter les basses, et seulement après commencer à jouer les ornements. En troisième partie, nous avons choisi près de 250 pièces pour luth baroque à 11 et 13 chœurs. Ces pièces, divisées en trois niveaux, sont d’un degré de difficulté qui s’échelonne du niveau « débutant », « moyen » à « avancé ». Nous avons, tout comme à l’époque baroque, séparé ces pièces selon leurs tonalités et leur nom. Aussi, nous n’avons choisi que très peu de tonalités différentes, afin que le luthiste débutant puisse travailler l’essentiel de son instrument, au lieu de perdre son temps à essayer de s’accorder tout le temps et de jouer des morceaux bien trop complexes pour son niveau. Il n’y a pas de mauvaise musique mais, parfois, il y a de mauvais musiciens ! Faire de la musique n’est simplement pas jouer des notes et réaliser quelques acrobaties, souvent sans intérêt. Un musicien « mûr » se plaît le plus souvent à jouer une simple mélodie et à jouir des merveilles sonores de son instrument ! Nous espérons que cette méthode pourra aider ceux qui n’ont pas accès à un professeur (même si nous leur conseillons d’aller en voir un le plus régulièrement possible), mais aussi tous les professeurs n’ayant pas suffisamment de matériel pour faire travailler, d’une manière systématique, leurs élèves. Bon courage à tous ! Miguel Yisrael - formerly Miguel Serdoura, now carrying the surname of his mother - was born in Lisbon, where he began his musical and artistic career, earning his Diploma in Classical Guitar in 1994. In 1995, he moved to Paris, where he studied the lute with Claire Antonini in the Early Music Department of the Conservatoire Supérieur de Paris - CNR. He also took part in several master classes in his discipline, with Rolf Lislevand and other prestigious artists. From 1999 to 2004, he completed his musical education at the Schola Cantorum Basiliensis in Basel, Switzerland with the grand maestro Hopkinson Smith. As a soloist, Miguel Yisrael has given recitals in France, Portugal, United-Kingdom, Germany, Belgium, Switzerland, China and USA. In 2000, he took part in a television documentary devoted to the lutenist Hopkinson Smith, broadcast by Arte, Mezzo, Classica, RTBF and TSR. He currently lives and teaches baroque and renaissance lute in Paris, where he gives frequent concerts/lectures in the framework of the “Musicien au Musée” program of the Musée de la Musique - Cité de la Musique in Paris. Miguel Yisrael performs on lutes built by Cezar Mateus, Princeton, USA, and with strings from Mimmo Peruffo, Vicenza, Italy. He recorded his first solo CD for the Dutch Label Brilliant Classics in 2008.

Guitar Play-Along Volume 24-Eric Clapton is without doubt one of the finest English guitarists ever. With the supergroup Cream and on many solo recordings he has played countless masterful solos licks and riffs many of which are popular favourites. This interactive and easy-to-follow method will have you playing your favourite Slowhand classics in no time! All you have to do is follow the Tablature notation listen to the demonstrations and then start playing along to the high-quality backing tracks.