Mastering Jazz Keyboard - With Code

Available again here is Frank Mantooth's classic chart from 1987 as performed by the Ashley Alexander Big Band on Seems Like Old Times. Let your piano player show off with this stunning ballad arrangement by the recognized master of keyboard voicings and harmonic substitutions. The woodwind doubles on flute and clarinet are optional and the piano part is completed voiced out.

The conclusion to this jazz method starts with a review of concepts from Intermediate Jazz Keyboard and quickly moves on to more advanced concepts of chord voicings, modal soloing, substitution, reharmonization, modes of the minor scales, diminished and whole-tone scales, walking bass, stride piano technique, non-diatonic progressions and much more. The perfect launching pad for a lifetime of discovery and joy of playing music, this is an essential vehicle for any keyboardist\'s journey into jazz. The CD includes examples and opportunities to play along. / Méthode en anglais / Méthode / Piano ou Clavier

Keyboard Play-Along Volume 19-This volume of the Keyboard Play-Along series features expert arrangements of seven Jazz classics.This unique series features the actual keyboard parts transcribed as played on the artists' original recordings along with sound-alike CD backing tracks so you can master the keyboard part and then play-along like a pro! The audio CD is playable on any CD player and also enhanced so PC and Mac users can adjust the recording to any tempo without changing pitch.Songs Include: Blues Etude • (They Long to Be) Close to You • Freeway • and more!

Soloing is an important part of your playing, but practicing on your own doesn't always get the creative juices flowing---there is nothing like the experience of sitting in with a full band. Though playing with a group isn't possible every time you want to jam, Sitting In: Jazz Piano brings the band to you anytime so you can practice comping patterns and soloing with the same energy as playing live. The book offers tips and techniques from veteran jazz educators Noah Baerman and Jen Allen to give life to your practice sessions and inspire you to add new sounds to your jazz vocabulary. Features: * High-quality studio play-along recordings performed by a live band * Progressions in the most important jazz styles including standards, modern jazz, bebop, Latin jazz, ballads, and more * Recordings include sample solos, and the progressions are repeated so you can jam freely * Soloing tips feature scales, modes, comping patterns, and other ideas to develop your jazz vocabulary * Each tune includes an overview and listening suggestions About the Authors Noah Baerman earned his bachelor's and master's degrees in jazz studies from Rutgers University, studying under Kenny Barron. To date, Noah has released nine jazz albums under his own name. Noah is active as an educator, directing the Jazz Ensemble at Wesleyan University and teaching at numerous other institutions. He has written nine other instructional books for Alfred Music, including the three-volume Complete Jazz Keyboard Method and The Big Book of Jazz Piano Improvisation. Jen Allen received her bachelor's degree in 2000 from The Jackie McLean Institute of Jazz at the Hartt School, where she studied under McLean and other jazz luminaries, including Steve Davis, Nat Reeves, Andy Laverne, and Harold Danko. She regularly appears as a bandleader and sideman at major jazz venues throughout New York City and the Northeastern United States. Jen is a visiting lecturer at Trinity College and is also on the faculty of the University of Hartford. / Piano

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Jimmy Bruno is one of the finest jazz guitarists of our time. From the first note of every performance he captures audiences with his electricity and presence.This Volume 2 DVD of the most recent performance filmed live at Chris' Café in Philadelphia PA presents the unique opportunity to witness Jimmy in an intimate jazz setting while playing to a home town crowd.Volume 2 features seven jazz standards performed live byJimmy Bruno with a Tenor Sax/Drums/Organ quartet and includes an up-close and personal interview with the master himself.Featuring: Jimmy Bruno Guitar; Chris Farr Tenor sax; Daniel Monaghan Drums; Lucas Brown Organ and Keyboard Bass.

Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazz