Manuel Ponce: Ponce: Concierto Del Sur: Guitar Solo: Instrumental Album

Miguel Alcdzar was born in Mexico City on April 26 1942. He followed a professional career which involved activities in the fields of performance, pedagogy, musicology and composition. He gave the first performances of the Concertino by Blas Galindo, with the composer himself conducting the National Symphony Orchestra of Mexico, the Concierto of Manuel Ponce, in its original version, the Concerto of Michael Horvit, which was dedicated to Alcázar, the Concierto of Enrique Santos, with the American Wind Symphony Orchestra, and the 24 Preludios of Ponce. His recorded output includes music for baroque guitar of music in the manuscript 1560 in the Biblioteca Nacional, works by Bach and Weiss for lute, as well as unpublished music by Ponce and other Latin-American composers. Alcázar has been a faculty member of the Cleveland Institute of Music, the Conservatorio Nacional de Música, where he received his degree with honors in 1972, and later at the University of Veracruz. His publications of Mexican music were published by the Liga de Compositores de Mexico, the University of Veracruz, Tecla Editions of London and Editions Orphée. miguel.jpg (6157 bytes)The 12 Preludios were written by Miguel Alcázar as the result of his first two trips to the Soviet Union. During the first trip, in November-December of 1983, he met Nikita Koshkin during the presentation of Alcázar's work at the Union of Composers in Moscow. A few days later, he promised to write something for him, as a way of commemorating the beginning of their friendship, if Alcázar would write also something for Koshkin. Both agreed upon this and when Alcázar went back to the Soviet Union, for the International Music Festival held in May of 1984, Koshkin gave him The Elves, a suite in five movements. The composition of the 12 Preludios was started during the Christmas vacation of 1984 and terminated by mid-January of 1985. Both works, The Elves and the 12 Preludios were premiered by Alcázar at the Ponce Hall of the Fine Arts Palace in Mexico City on March 15 of 1988.

Agustin Pio Barrios Ferreyra, a Paraguayan composer and guitarist, is nowadays known as the creator of the Mangorean or Indo-American school of the Guitar. ?The name, Mangoré, was adopted in honor of the great chieftain Mangoré, an important personage of the Paraguayan jungles?.Mangoré used for his works popular folkloristic themes of South America as well as sounds of nature (?the still waters of [?] the Amazon?, ?the song of the birds?). But Magnoré also was inspired by European music: He composed gavottes, minuets and waltzes: ?It was in J.S.Bach where Barrios discovered the source of his universality [?]?.Admired by many but despised by more was his way of stringing his guitar: ?[?] the way he attacked the strings with the fingers sideward, with very little use of the fingernails?. He also invented some kind of a muffler: He put ?small balls of rubber on the Pirastro steel string?. Jesus Benites R. who collected Magnoré?s works for this edition says about him: ?Magnore is the genius of South America?. He was a strong influence for many composers and musicians, such as Heitor Villa-Lobos, Manuel Ponce and Andres Segovia. Vol. 1 of this 4 book collection contains 23 pieces, including Chôro da saudade, Danza Paraguaya, La Catedral and Madrigal (Gavota).
Contenu
- El sueno de la muneca
- Estudio No. 2 und 3
- Minueto en La
- Arabescos
- Medallón antiguo
- Vals Estudio No. 1
- Oración
- Escala y Preludio
- Confesión
- London carapé
- Tú y yo
- Madrigal
- Vals No. 3
- Canción de la Hilandera
- Choro da saudade
- Jha, che valle
- Preludio en Do menor
- Estudio de Concierto No. 2
- Caazapá
- Danza paraguaya No. 1 (1. u. 2. versión)
- La Catedral / Partitions classique / Guitare - luth / Guitare / ZEN-ON