Lute-Songs, vol. 2

Edited by Thurston Dart and Nigel Fortune 13 of the finest settings taken from John Dowland: Ayres for Four Voices, originally transcribed as Volume 6 of Musica Britannica by Edmund Fellowes. The Elizabethan and Jacobean lutesongs were often written with alternative versions for voices and lute. This volume is an introductory selection of these 聭airs聮, with accompaniment which may be played on guitar or keyboard as well as lute. SATB Table des mati猫res : Burst forth my tears By a fountain where I lay Can she excuse my wrongs Come again sweet love doth now invite Come away, come sweet love Come heavy sleep Fine knacks for ladies Go crystal tears If my complaints Now o now I needs must part Sleep wayward thoughts Sweet stay awhile Weep you no more sad fountains

The Original First and Second Books Including Dowland聮s Original Lute Tablature. THE FIRST BOOK OF SONGS I. Unquiet thoughts II. Who ever thinks or hopes of love III. My thoughts are wing'd with hopes IV. If my complaints could passions move V. Can she excuse my wrongs? VI. Now, O now, I needs must part VII. Dear, if you change VIII. Burst forth, my tears IX. Go crystal tears X. Think'st thou then by thy feigning XI. Come away, come sweet love XII. Rest awhile you cruel cares XIII. Sleep, wayward thoughts XIV. All ye, whom Love or Fortune XIVa. All ye, whom Love or Fortune XV. Wilt thou, unkind, thus reave me XVI. Would my conceit XVII. Come again XVIII. His golden locks XIX. Awake, sweet love, thou art return'd XX. Come, heavy Sleep XXI. Away with these self-loving lads ------ My Lord Chamberlain his Galliard (For two to play...) THE SECOND BOOK OF SONGS I. I saw my Lady weep II. Flow my tears III. Sorrow, stay IV. Die not before thy day V. Mourn, day is with darkness fled VI. Time's eldest son, Old Age (The first part) VII. Then sit thee down (The second part) VIII. When others sing Venite (The third part) IX. Praise blindness eyes X. O sweet woods XI. If floods of tears XII. Fine knacks for ladies XIII. Now cease my wand'ring eyes XIV. Come ye heavy states of night XV. White as lilies was her face XVI. Woeful heart XVII. A shepherd in a shade XVIII. Faction that ever dwells XIX. Shall I sue XX. Toss not my soul XXI. Clear or cloudy XXIa. Clear or cloudy XXII. Humour say what mak'st thou here (a Dialogue)

B茅la Bart贸k's series of piano pieces For Children, based on folk melodies, was written around the end of the first decade of the 20th century. The pieces were published shortly afterwards by the Hungarian publisher K谩roly Rozsnyai. That first publication was in four volumes, the first two containing a total of 42 pieces based on Hungarian folk tunes, the third and fourth containing 43 pieces based on Slovakian folk tunes.In 1943, whilst in the United States, Bart贸k prepared a revised version of the collection for the publishers Boosey and Hawkes. The revisions were minimal: two Hungarian and four Slovakian songs were eliminated, there were a few minor alterations incorporating new ideas, some of the pieces previously written with accidentals had key signatures added, a few pieces were rewritten with changed meters - some fingerings were added or changed.The composer prepared the revised 1943 edition by using copies of the first edition on which he marked minor changes - where the changes were more extensive, fresh manuscript was written and a new version engraved. However, much of the engraving of the first edition was preserved in the 1943 edition. Publication took place in 1946, after the composer's death - it is not known if he saw final proofs prior to printing.The revised edition was published in two volumes, which now have been published together as one volume for the first time. / Piano

Tenor (With Online Accompaniments)-The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song with some of the most often studied music in the genre. The Tenorand Baritone/Bass volumes have the same song list but in different keys. The same is true of the Soprano and Mezzo-Soprano/Alto song lists.

Bass (With Online Accompaniments)-The vocal and musical abilities of high school and college singers have guided the song choices in this series. These volumes introduce classical voice students to American art song with some of the most often studied music in the genre. The Tenorand Baritone/Bass volumes have the same song list but in different keys. The same is true of the Soprano and Mezzo-Soprano/Alto song lists.

Studio Ghibli Songs for Flute Vol.2/English. 8 arrangements for solo flute and piano from 7 Ghibli Cinemas.

Arrangeur: Vilmos B谩ntai_脡va B. Sipos. Par BARTOK BELA. This book contains arrangements of piano pieces written by B茅la Bart贸k (1881-1945) in his youth for piano pupils (Ten Easy Piano Pieces, For Children, The First Term at the Piano). Most are arrangements of Hungarian or Slovak folk songs, while the rest are based on the composer's own melodies. The pieces appear in order of difficulty, but even the simplest can be used as effective performance pieces. The album is recommended for the first three years of flute learning, and the first four pieces are playable within the first year. A piano accompaniment for each piece and a full performance by noted Hungarian musicians is provided on the accompanying CD to facilitate practice at home and help in developing a suitably styled performance of Bart贸k's music. / Niveau : Facile / R茅pertoire / Fl没te Traversi猫re et Piano

Includes: Dichterliebe (16 Songs); Frauenliebe und Leben (8 Songs); Liederkreis (12 Songs); Myrten (26 Songs); 15 Selected Songs Complete Songlist: Widmung; Freisinn; Der Nussbaum; Jemand; Lieder (aus dem Schenkenbuch im Divan) No. 2; In der Fremde; Die Lotusblume; Talismane; Lied der Suleika; Die Hochlander-Witwe; Lieder (aus dem Schenkenbuch im Divan) No. 1; Im Rhein im heiligen Strome; Ich hab' im Traum geweinet; Am leuchtenden Sommermorgen; Ein Jungling liebt ein Madchen; Hor' ich das Liedchen klingen; Das ist ein Floten und Geigen;Schone Fremde; Ich grolle nicht; Die alten bosen Lieder; Ich will meine Seele tauchen; Wenn ich in deine Augen seh'; DieRose die Lillie die Taube;Aus meinen Tranen spriessen; Im wunderschonen Monat Mai; Nun hast du mir den ersten Schmerz getan; Und wussten's die Blumen die kleinen; Fruhlingsfahrt; Die Soldatenbraut; Marienwurmchen; Dein Angesicht; Flutenreicher Ebro; Blondels Lied; Ich wand're nicht; Allnachtlich im Traume; Die beiden Grenadiere; Aus alten Marchen; An den Sonnenschein; Sonntags am Rhein; Erstes Grun; Wanderlied; Mit Myrten und Rosen; Helft mir ihr Schwestern; Volksliedchen; Zwei Venetianische Lieder No. 2;An meinem Herzen an meiner Brust;Aus den ostlichen Rosen; Du bist wie eine Blume; Im Westen; Niemand; Was will die einsame Trane; In der Fremde; Hauptmanns Weib; Intermezzo; Zwei Venetianische Lieder No. 1; Ratsel; Aus den hebraischen Gesangen; Hochlandisches Wiegenlied; Hochlanders Abschied; Lied der Braut No. 2; Weit weit;Zwielicht; Lied der Braut No. 1; Du Ring an meinem Finger; Ich kann's nicht fassen nicht glauben; Er der Herrlichste von allen; Seit ich ihn gesehen; Fruhlingsnacht; Zum Schluss; Im Walde; Susser Freund du blickest; Wehmut; Auf einer Burg; Mondnacht; Die Stille; Waldesgesprach; Der arme Peter

Music through the Ages in Two Volumes-Time Pieces is an exciting series of repertoire which explores the wealth of music written from the sixteenth century to the present day. The pieces are presented chronologically within each volume and all include the year in which they were written too. This series allows the pupil to get a real feel for the different styles of music through time providing performance confidence and experience at the earliest stages. The book will prove an invaluable varied source of further study and recital repertoire.

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Andante (Fesch) * Evening Song (Snell) * The Filial Crow (Traditional) * Fughetta (Pachelbel) * Intrada (Haussman) * Little Minuet (Mozart) * Little Song (Beethoven) * Little Song (Mozart) * Lullaby (Snell) * March (Gurlitt) * March (Snell) * Minuet (Snell) * Rigaudon (Handel) * Sonatina in D (Andre) * Sonatina (Schmitt) * Ten Easy Duets For Flute (Snell) * Toccata (Snell).

A proven source of graded duets for both the student and teacher of brass and woodwind instruments. Each volume contains works from the Renaissance, Baroque and Classical periods, folk songs and traditional tunes, and a selection of original compositions by Keith Snell in a variety of styles. A useful source of repertoire. Contains: Capriccio (Hassler) * Chanson (de Sermisy) * Gigue A L'Angloise (Telemann) * Gigue (Purcell) * The Glendy Burk (Foster) * Intrada (Anonymous) * La Paix (Handel) * March (Bach) * Menuett (Mozart) * Mexican Folk Song (Traditional) * Minuet in C Minor (Bach) * Prelude & Fughetta (Snell) * Scherzino (Witthauer) * Scherzo (Haydn) * Serenade (Snell) * Swedish Folk Song (Traditional) * Three Dances for Two Flutes (Allegretto/Andante/Allegro) (Snell).