The Master of Funk Teaches You How to Thump! Book with Full-Length Video-For the first time the legendary Louis Johnson Star Licks bass instruction videos are being made available in book format with online access to all the classic video footage.This package compiles Volumes I and II of the original Star Licks Master Classes into one bundle giving you over an hour and a half of instruction while the book contains transcriptions of every example played!All music is written in both standard notation and tab. In these in-depth demonstrations Louis Thunder Thumbs Johnson teaches a dazzling array of techniques and styles. You'll learn: thumping basics slap
SKU: HL.148619
ISBN 9781495029684. UPC: 888680078515. 9.0x12.0x0.492 inches. With a Foreword by Thomas Riis.
Late in his life, composer J. Rosamond Johnson (Lift Ev'ry Voice and Sing) submitted to his longtime publisher, E.B. Marks, a list of songs that would comprise a volume of his best early popular songs written with his pre-1910 partner Bob Cole and his brother, James Weldon Johnson (Autobiography of an Ex-Colored Man). That list was never put into print...until now. Featuring an introductionby Dr. Thomas Riis (Just Before Jazz) and several rare photos, this new compilation is the latest legacy offering from the Marks archive, which contains a rich heritage of turn-of-the-century African-American, and thus distinctly American, pre-jazz-era popular song. Includes: Ain't Dat Scan'lous * Big Indian Chief * The Big Red Shawl * The Bleeding Moon * Congo Love Song * The Countess of Alagazam * Fishing * I Don't Want to Be No Actor Man No Mo' * I'll Always Love Old Dixie * I'll Keep a Warm Spot in My Heart for You * I've Got Troubles of My Own * The Katy-Did, the Cricket and the Frog * Lazy Moon * Lit'l Gal * Louisiana Lize * Lovely Daughter of Allah * Ma Mississippi Belle * The Maiden with the Dreamy Eyes * Mudder Knows * My Heart's Desiah is Miss Mariah * My Castle on the Nile * Nobody's Lookin' but de Owl an' de Moon * Oh, Didn't He Ramble * The Old Flag Never Touched the Ground * On the Road to Monterey * The Pathway of Love * Roll Them Cotton Bales * Save It for Me! * The Spirit of the Banjo! * Sugar Babe * Two Eyes * Under the Bamboo Tree * When de Jack O'Lantern Starts to Walk About * When It's All Goin' Out, and Nothin' Comin' In * Who Do You Love?
SKU: CF.CM9635
ISBN 9781491157077. UPC: 680160915637. 6.875 x 10.5 inches. Key: E major. English, English. Abram Joseph Ryan (1838-1886).
Victor Johnson captures the mystery and nuance of the bittersweet poem, Wake Me a Song, by American poet, Abram Joseph Ryan. Nuance, text, and Johnson's rich harmonies paired with intertwining textures make this a noteworthy addition to any program. Also available for SATB Voices (CM9561).About the Author Abram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states. Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky. About the Song Wake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment. To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections. One strategy that could be used to ensure proper phrasing is the idea of Painting the Phrase. The singer should make a motion as if they have a paintbrush in their hand and paint the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.About the AuthorAbram Joseph Ryan was born Matthew Abraham Ryan on February 5, 1838 in Hagerstown, Maryland. As a young man, Ryan and his family moved west St. Louis, Missouri, where he was educated at the Christian Brothers School. He studied for the priesthood at Niagra University in New York State and was ordained a priest in the Vincentian order on November 1, 1856. He taught theology, first at Niagra university and then at the diocesan seminary in Cape Girardeau, Missouri, until the beginning of the war between the states.Father Ryan enlisted in the army on September 1, 1862, and served as a chaplain throughout the conflict, carrying the wounded to safety and performing last rites on the battlefield. His first piece of poetry was inspired by the death of a younger brother while serving in the army. After the war, he established a weekly literary magazine in which most of his poetry was published. He also put out several volumes of poetry, including Father Ryan's Poems and A Crown for Our Queen. Father Ryan died on April 22, 1886 at a Franciscan monastery in Louisville, Kentucky.About the SongWake Me A Song is an inspired and sensitive setting of the 19th-century poem by Abram Joseph Ryan. It features sweeping melodic lines, rich harmonies, and a flowingly beautiful accompaniment.To master a performance of this selection, singers must perform very expressively, paying close attention to such musical aspects as phrase shaping, the rise and fall of the melodic line, blending and proper intonation between sections.One strategy that could be used to ensure proper phrasing is the idea of “Painting the Phrase.†The singer should make a motion as if they have a paintbrush in their hand and “paint†the melodic line and phrase shape as if they are painting with a nice, flowing brush stroke. One could think about painting a rainbow or an arch to show the rise and fall of the line and/or phrase. The director can also show this gesture while conducting to reinforce this concept.
SKU: BT.MUSAM981244
English.
Learn the techniques that every truly great bass player needs to know! From basic slapping and popping to machine-gun riffing, this program has something for bass players at every level. The one-on-one lessons withbassist/instructor Chris McCarvill show you how to apply the techniques popularized by Marcus Miller, Larry Graham and Louis Johnson. You'll learn the four elements of slap and pop as well as advanced techniques like octaves,fifths, muting, double slapping, sliding, the snap, bending notes and using effects. By the end of this program, you'll be the funkiest bass player around! DVD features include: iPod-ready video, follow-along tab book, freelifetime membership for online lesson support, authored for Zone 0 and more. 1 hour.
SKU: BT.MUSMI0345
Italian.
Con non meno di 50 grooves in slap, alla maniera dei più grandi “slappatori†di tutti i tempi (Marcus Miller, Alain Caron, Flea, Larry Graham, Jonas Hellborg, Victor Wooten, Stanley Clarke, Louis Johnson…), questo metodo appagher- di sicuro tutti i bassisti che hanno voglia di “groovare†senza fine... con l’aiuto di questa tecnica euforizzante! Tutti i gesti dello slap sono perciò rappresentati: thumb slap e popping ovviamente, ma anche left hand slap, double stops, ghost notes, hammer-on, pull-off, slide, double thumb slap... di che perfezionarvi e rendervi più creativi. Un capitolo preliminare vi presenta brevemente le diverse tecniche. Il DVD Video permette inoltre diascoltare e soprattutto visualizzare i 50 grooves così come devono essere suonati... a velocit- normale, poi ridotta. Il CD mp3 invece è composto da tante basi musicali quanti grooves, ossia 50 playalongs suonati a due velocit- diverse: la prima è quella normale cioè la velocit- da raggiungere, mentre la seconda è ridotta per aiutarvi nello studio. Questi playalongs hanno una durata volontariamente lunga (da 4 a 5 minuti ognuno, ossia più di 7 ore di musica in tutto!) per darvi il tempo di esercitarvi nelle migliori condizioni possibili.