Let Us Walk in the White Snow

Toutes les chansons de ce spectacle passionnant. Présentation de couleur, avec des photographies de l'action du film. Comprend ' What I Did For Love ', 'Je peux faire que' et 'la musique et le miroir'. / Chant Et Guitare / 128 pages / Partition

Composer's Program Note Repertoire operas occationally have orchestral suites: Bits and pieces of overture interlude etc. tied upin a bouquet of 'schönste Tränen'. Contemporary opera usually wither after the first season so the focusis on getting people to come and have a sniff before it's too late. Consequently it seemed obvious to meto start making orchestral excerpts from my operas that are meant to be played before the premiere (andafter please); I call them 'opera trailers' when they're substantial enough to be considered independent works and 'opera demos' when they're relatively short and moreappetizer-ish. SNOW WHITE'S MIRROR is a full scale two act dramatic opera written for the Danish National Opera. The opera is a modern re-telling for grown-ups of the brothers Grimm's fairy tale: Snow White is a self-centered teenage narcissist and the villain of the opera; she ends up loosing everyone but herself either because she kills them or because they decide they can't stand being around her anymore. But apparently she's o.k. with that...The music is intended for a large audience: it's basically pop music done with all the craftmanship of aclassical composer who's equally at home with large scale symphonic form avantgarde technique opera singing - and modern pop. The Trailer is in three movements. It contains three sections of the opera; the prelude an interlude close to the beginning of the second act and the final scene but one. It's a gloomy sort of trailer starting out in grand title sequence style moving on to a decidedly odd piece where Snow White find her way to the dwarfs (who're creepy junkies doing pornography to get money to buy dope) and ending in kind of an eerie rejection mood: Everyone still alive walks out on Snow White singing 'skin as white as snow hands red with blood soul as black as ivory'.(NM 2010)

Plus de `Making The Grade 2`, avec `Walking In The Air`, `Tom Traubert's Blues`, `He Ain't Heavy, He's My Brother` et `Fiddler On The Roof`.

It's Never Too Late To Play Christmas gives players the chance to explore their favourite Christmas songs in jazzy easy-to-play arrangements. The pieces are suitable for those who have learnt for approximately one year or have reached Level 14 of the It's Never Too Late To Play Piano tutor by Pam Wedgwood. The pieces are gently progressive gradually extending players' technique through playing pieces they love!Contents: Let It Snow! Let It Snow! Let It Snow! (Cahn/Styne) We Wish You A Merry Christmas (Traditional) Past Three O'Clock (Traditional) In Dulci Jubilo (Traditional) White Christmas (Berlin) Il EstNe Le Divin Enfant (Traditional) Coventry Carol Traditional) Ding Dong Merrily On High (Arbeau) Walking In The Air (Blake) In The Bleak Midwinter (Holst) Santa Claus Is Comin' To Town (Coots/Gillespie) Quem Pastores Laudavere (Traditional) Christmas Song (Wells/Torme) The Virgin Mary Had A Baby Boy (Spiritual) Adeste Fideles (O Come All Ye Faithful) Silent Night (Gruber) Winter Wonderland (Duet) (Smith/Bernard)

‘Christmas Colours’ is a palette consisting of several Christmas songs. Bruce Fraser has mainly used the colours green (the colour of holly) and white (the colour of snow). This composition begins with the chiming of festive bells - if you listen well however you can already hear short fragments from 'The Holly and the Ivy' whose entire melody is finally played alternated with 'The Sussex Carol'. After this the pace slows down and the stately 'See amid the Winter Snow' sounds but parts from 'Jingle Bells' and 'Silent Night' can also be heard. Then after walking under 'The Holly and the Ivy' once again the celebration of Christmas may begin!

‘Christmas Colours’ is a palette consisting of several Christmas songs. Bruce Fraser has mainly used the colours green (the colour of holly) and white (the colour of snow). This composition begins with the chiming of festive bells - if you listen well however you can already hear short fragments from 'The Holly and the Ivy' whose entire melody is finally played alternated with 'The Sussex Carol'. After this the pace slows down and the stately 'See amid the Winter Snow' sounds but parts from 'Jingle Bells' and 'Silent Night' can also be heard. Then after walking under 'The Holly and the Ivy' once again the celebration of Christmas may begin!

‘Christmas Colours’ is a palette consisting of several Christmas songs. Bruce Fraser has mainly used the colours green (the colour of holly) and white (the colour of snow). This composition begins with the chiming of festive bells - if you listen well however you can already hear short fragments from 'The Holly and the Ivy' whose entire melody is finally played alternated with 'The Sussex Carol'. After this the pace slows down and the stately 'See amid the Winter Snow' sounds but parts from 'Jingle Bells' and 'Silent Night' can also be heard. Then after walking under 'The Holly and the Ivy' once again the celebration of Christmas may begin!

The ultimate resource for studying the work of Miles Davis! 50 note-for-note transcriptions of his recorded solos for: Ajouter au panier Aperçu de la page avant impression SpécificationsSonglist Airegin All Blues All Of You (from SILK STOCKINGS) Au Privave Bags' Groove Billie's Bounce (Bill's Bounce) Blue Haze Budo But Not For Me (from GIRL CRAZY) Bye Bye Blackbird (from PETE KELLY'S BLUES) Diane Dig Doxy E.S.P. Footprints Four Freddie Freeloader A Gal In Calico Green Haze I Waited For You I'll Remember April If I Were A Bell (from GUYS AND DOLLS) It Could Happen To You (from the Paramount Picture AND THE ANGELS SING) It's Only A Paper Moon (featured in the Motion Picture TAKE A CHANCE) Jeru K.C. Blues Love Me Or Leave Me (from LOVE ME OR LEAVE ME) Miles Miles Ahead My Funny Valentine (from BABES IN ARMS) Oleo On Green Dolphin Street The Serpent's Tooth Seven Steps To Heaven Sippin' At Bells So What Solar Some Day My Prince Will Come (from Walt Disney's SNOW WHITE AND THE SEVEN DWARFS) Stablemates Stella By Starlight (from the Paramount Picture THE UNINVITED) Stuff Summertime (from PORGY AND BESS(R)) The Surrey With The Fringe On Top (from OKLAHOMA!) The Theme Trane's Blues Tune Up Walkin' Well You Needn't (It's Over Now) Woodyn' You Yesterdays (from ROBERTA)

Un album de pare-chocs fantastique qui représentent le meilleur dans la musique actuelle. Abonde avec tous les coups plus récentes dans le format de l'onglet avec paroles complètes, des boîtes de la corde et des symboles. Grande valeur ! / Rép International / Tablatures / Guitare Tablatures

a collection of 30 pieces. Relax at the piano with these specially arranged Christmas pieces for solo piano. From classics to modern works, there is something for everyone to help celebrate the holiday spirit in joy and peace!

L'édition de livres et CD 2 de la collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Soprano 1

Solo Collection. This definitive volume of gospel music arranged for fingerstyle guitar is sure to become a classic. Duck Baker has applied his expertise as a guitarist and musicologist to produce a labor of love and scholarship that will delight performers and audiences alike. Various facets of religious folk music are presented with generous performance/historical notes and vintage photographs. More than 50 tunes are presented in both notation and tablature with the majority of arrangements in standard guitar tuning. The online audio consists of performances of 24 of the arrangements in the book. One song features guitar and voice and the rest are guitar solos. The tunes represent a cross-section of the different guitar styles covered in the book. Includes access to online audio.