Format : Set of Parts
SKU: MN.80-580B
UPC: 688670001147.
Instrumental Parts include: Flute Oboe Trumpets I and II in B-flat and C Trombones I and II Horn in F (Substitute for Trombone I).
SKU: KJ.8644X
SKU: MN.60-6600B
UPC: 688670008108.
SKU: HL.49032749
ISBN 9783795787189. German.
Presented in an updated new edition, this textbook establishes for the first time a general theory of instrumental teaching, describing aims, learning contents and teaching methods on interdisciplinary lines and providing a wealth of detailed practical suggestions. The reader gets essential information on the creation of the teacher-pupil relationship, body language behaviour in the lessons and the encouragement of learning processes. Instrumental group lessons are dealt with in a detailed chapter. The book thus presents the central aspects of educational professionalism in a comprehensive manner.
SKU: HP.C6114C
UPC: 763628961145. By Keith Getty, Kristyn Getty & Stuart Townend.
Familiar anthem by Keith Getty, Kristyn Getty & Stuart Townend This stirring anthem celebrates the wonders of God's creation and reminds us that all of creation sings Hallelujah! and that we must tell the wonders of creation's King. Compelling vocal parts are supported by a solid rhythmic accompaniment with options to add violin, cello and percussion. Instrumental parts: Conductor's Score, Violin, Cello, Acoustic Guitar, Upright Bass, Percussion & Piano.
SKU: HP.C6041C
UPC: 763628960414. Fred Pratt Green. Matthew 20:1, Matthew 20:2, Matthew 20:3, Matthew 20:4, Matthew 20:5, Matthew 20:6, Matthew 20:7, Matthew 20:8, Matthew 20:9, Matthew 20:10, Matthew 20:11, Matthew 20:12, Matthew 20:13, Matthew 20:14, Matthew 20:15, Matthew 20:16, Ma.
Classic hymn Appropriate for Thanksgiving or for any celebration on community, creation, growth, or gifts of the Spirit, this setting by Anne Krentz Organ is designed to include the congregation on the final verse, with a reproducible part included. The addition of a treble and bass instrument adds charm and interest to the piano accompaniment, which combine in a quasi-baroque style using the Welsh melody Ar hyd y nos. Instrumental parts: C Instrument (Treble), B-flat Instrument (Treble) and C Instrument (Bass).
SKU: CA.5199050
ISBN 9790007188481. Language: German/English. Text: van Swieten, Gottfried.
With this arrangement it is possible to present the work in a performance space of limited size. Haydn's original orchestration is filled with vivid tone painting and this reduced version represents Haydn's score using accurate colors for the obligato melodies and appropriate instrumental voices for the colla parte passages. It follows the format and content of the critical edition by Carus (ed. W. Gersthofer) and may be used together with the other materials from Carus 51.990 (choral and vocal scores, string parts). Modern performances of Creation use sometimes 50-60 players. It is hoped that the present reduction will make this beautiful work available to smaller groups, smaller performance venues, and groups with smaller budgets. Score available separately - see item CA.5199000.
SKU: CA.2705305
ISBN 9790007113520. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score available separately - see item CA.2705300.
SKU: CA.2705314
ISBN 9790007199593. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and part available separately - see item CA.2705300.
SKU: CA.2705319
ISBN 9790007133887. Key: A major. Language: Latin.
Since the days of Renaissance composers - beyond accusations of plagiarism - the admiration for a fellow composer has taken the form of quotations from his works or even new versions of his works. No less a work from the classical period than Joseph Haydn's oratorio The Creation (first performed in 1798), was the basis for the Schopfungsmesse (Creation Mass) by the Salzburg Court and Cathedral Music Director, Luigi Gatti. Gatti heard the oratorio in Salzburg performances conducted by Johann Michael Haydn in 1800. With great skill and sensitivity Gatti was able to underlay the choruses and arias of The Creation with the text of the Mass (at times he reduced and adapted the instrumentation), without doing harm to the admired original. Score and parts available separately - see item CA.2705300.
SKU: CA.2705349
ISBN 9790007199616. Key: A major. Language: Latin.
SKU: CA.2705309
ISBN 9790007199555. Key: A major. Language: Latin.
SKU: CA.2705313
ISBN 9790007199586. Key: A major. Language: Latin.
SKU: CA.2705315
ISBN 9790007199609. Key: A major. Language: Latin.
SKU: CA.2705311
ISBN 9790007199562. Key: A major. Language: Latin.
SKU: CA.2705312
ISBN 9790007199579. Key: A major. Language: Latin.
SKU: MN.60-6600
UPC: 688670666001. English.
An easy but striking congregational hymn setting of the tune RUSTINGTON to a text by Shirley Erena Murray. Stanzas one and three are in unison (three with descanting ahs). Stanza two invites the choir and even the congregation to sing in four parts! This can be as streamlined as you need it to be, but can also expand by use of the optional Brass Quintet, Handbells, Timpani, and Crash Cymbals.
