Format : DVD
SKU: MB.31094M
ISBN 9781513473062. 8.75 x 11.75 inches.
This electric blues guitar approach to playing roots music dives deep into gear, right and left-hand technique, and advanced soloing and rhythm accompaniment concepts, including partial chords that can be used creatively while a bass guitarist supplies the missing primary chord tones.The author provides unique insights on harmonically intense chord voicings as well as a fresh look at phrasing and thematic soloing ideas. A pragmatic approach to comping includes custom-built voicings for blues and roots styles, a section dedicated to Freddie Green chord forms, 12-bar maps with various turnarounds, and an introduction to the concept of layered rhythm parts.The section on soloing delves into applying chord tones for more expansive ideas; it contains fretboard charts illustrating pentatonic scales, the blues scale and the Mixolydian mode and suggests opportunities for tension and release by applying diminished and altered dominant subterfuge.The books excellent play-along guitar, bass and drums companion recordings in jump and funk blues, rockabilly, Latin, and Cajun styles will be useful not only as rhythm guitar examples and backup tracks for lead playing, but also for songwriters who want something more than a metronome or drum track for lyric inspiration and phrasing accuracy.Musical examples are shown in standard notation and tab, extended fretboard diagrams plus the Nashville numbering system, making it easy to play chord backup in any key like a pro.
SKU: FG.55011-685-6
Mikko Heinio's Mot natten (Towards night), three nocturnes and two interludes for cello and guitar was composed in 2018. This suite found its inspiration and name in Finnish poet Bo Carpelan's (1926-2011) posthumous poetry collection Mot natten (2013), though the movements are not tied to specific poems. The first nocturne, Obscuro ('twilight'), dominated by pizzicatos, is followed by a more dynamic interlude, Spasimo ('spasm'). The fragile second nocturne, Sospiro ('sigh'), is coloured by delicate micro-interval chords plucked on the guitar between the left hand and the nut. The interlude Passi ('steps') leads with taps on the sound box straight into the third nocturne, Battito ('beat'), the way having been paved by the heartbeat of strong guitar pizzicatos. The duration is c. 11'30''. The product includes one full score and separate parts for guitar and violoncello.
SKU: HL.14001505
UPC: 884088433758. 9.0x12.0x0.048 inches.
The Spanish composer and pianist Isaac Albeniz (1860-1909) was one of the leading members of the Nationalist school that dominated Spanish music at the turn of the last century. Cordoba was the fourth in a collection of 5 songs for the Piano inspired by different places in Spain, published in 1898 as Cantos de Espana (Op. 232). The city of Cordoba is said to be Albeniz' favourite city, and is home to the famous Great Mosque. The music reflects the rich history of the city, both Christian and Moorish. Cordoba has been transcribed for Guitar by Miguel Angel. It has become one of the staples of the modern Guitar repertoire.