SKU: HL.48023758
UPC: 888680607999. 10.5x14.0x0.113 inches.
All-Night Vigil (Vespers) is a setting of music for a night-long service on the eves of Russian Orthodox holy days, and became one of Rachmaninoff's favorite compositions. Basing the 15 movements of his choral setting on a combination of traditional Russian Orthodox chants, Latin hymns, and original chants by the composer, the work was completed in less than two weeks in 1915. This arrangement utilizes the 1st, 2nd, 7th, 10th, and 12th movements, along with the traditional Amens at the beginning of Movements 1 and 2. Unlike other settings of choral works for wind ensemble, this arrangement is constructed as a complete suite that is intended to allow the performers and audience to experience the power and beauty of the complete Vespers. Dur: c. 16:00 (Recorded by the Florida State University Wind Orchestra - Rick Clary, conductor).
SKU: CY.CC3015
These TWO SUITES were composed in response to a request form Heini Schneebeli, the musical director of 'TROMBONANZA 2017'. Santa Fe in Argentina is the backdrop for this exciting annual event involving many hundreds of student and professional players. The SECOND SUITE has five movements and is intended for a quartet of younger tenor trombonists working with a teacher on the fifth part on bass trombone who will add richness and depth to the ensemble sound.It is my hope that this piece will encourage, entertain and challenge student players and provide useful concert material for use in the promotion of this unique and versatile instrument. John Frith - 2017This work is appropriate for younger performers at an intermediate level all in bass clef. The five movements total about 9 minutes in length and have the following titles:1. Latin Dance2. Ballad3. Give Me a Break!4. Bass Waltz5. Cruisin' Along (swing)
SKU: HL.14031968
Contemporary British composer Brian Kelly has composed a series of place-inspired suites, including the Cuban Suite and the New Orleans Suite. The Suite Parisienne's four movements suggest the Paris of years gone by - Quartier Latin, Promenade, Memoire, Moulin Rouge - in music that shows a deep understanding of brass instruments and a lively, sophisticated setting of melodies that are almost, but not quite, French tunes. The solistic opportunities for each instrument are generously shared and the three livelier movements make a brilliant frame for the longing tone of the Memoire movement.
SKU: BT.DHP-1115009-120
9x12 inches. English-German-French-Dutch.
Latin ABC is a suite in three movements inspired by the music of the Caribbean. The first movement is a joyful Curaçaon waltz, the second movement a sensual, slow salsa: a style that is popular on the island of Bonaire. Finally, Latin ABC culminates with a rousing march that brings the listener to sunny Aruba. This work is suitable for Grade 3 players, and showcases the percussion section in particular. Vrolijk, sensueel en opzwepend… Wat wilt u nog meer? Dit nieuwe driedelige werk van Peter Kleine Schaars heeft het namelijk allemaal in zich! Het eerste deel is een vrolijke Curaçaose wals. Hierin klinken tegelijkertijd een 3/4-thema en een 6/8-thema. Deel twee is de op het eiland Bonaire zeer populaire en sensuele, langzame salsa. Ten slotte is er een opzwepende road march waarbij de luisteraar zich direct op het zonnige Aruba waant. En dat allemaal doorspekt met slagwerk. Latin ABC: feestelijk en zomers!Zu Latin ABC ließ sich Peter Kleine Schaars von karibischen Klängen inspirieren: Der erste Satz ist ein fröhlicher Walzer im Curaçao-Feeling, der zweite Satz ein sinnlicher, langsamer Salsa. Seinen Höhepunkt erreicht das Stück mit einem mitreißenden Straßenmarsch, das den Zuhörer auf die Insel Aruba entführt. Dies alles findet im Rahmen einer gut spielbaren Komposition im mittleren Schwierigkeitsgrad statt, in der das Schlagzeug eine wichtige Rolle spielt.Peter Kleine Schaars s’est inspiré de l’ambiance musicale de trois îles des Antilles néerlandaises - Aruba, Bonaire et Curaçao - pour écrire cette suite en trois mouvements. Latin ABC s’ouvre par une valse allègre, où s’entrelacent un thème en 3/4 et un autre en 6/8. Le second mouvement apportera une touche traditionnelle avec une salsa lente et sensuelle. La pièce culmine avec une marche entraînante qui emmène l’auditeur au soleil d’Aruba. Le tout se déroule dans les limites d’une composition de niveau 3 où les percussions jouent un rôle important.Per scrivere questa suite in tre movimenti, Peter Kleine Schaars si è ispirato all’atmosfera magica di tre isole delle Antille olandesi, Aruba, Bonaire e Curaçao. Latin ABC apre con un allegro valzer che intreccia sapientemente un tema in 3/4 e uno in 6/8. Il secondo movimento apporta un tocco tradizionale con una salsa lenta e sensuale. Il brano prosegue con una marcia coinvolgente che accompagna il pubblico al sole di Aruba. Un brano che regala un ruolo importante alle percussioni.
SKU: BT.DHP-1115009-020
Latin ABC is a suite in three movements inspired by the music of the Caribbean. The first movement is a joyful Curaçaon waltz, the second movement a sensual, slow salsa: a style that is popular on the island of Bonaire. Finally, Latin ABC culminates with a rousing march that brings the listener to sunny Aruba. This work is suitable for Grade 3 players, and showcases the percussion section in particular. Vrolijk, sensueel en opzwependâ?¦ Wat wilt u nog meer? Dit nieuwe driedelige werk van Peter Kleine Schaars heeft het namelijk allemaal in zich! Het eerste deel is een vrolijke Curaçaose wals. Hierin klinken tegelijkertijd een 3/4-thema en een 6/8-thema. Deel twee is de op het eiland Bonaire zeer populaire en sensuele, langzame salsa. Ten slotte is er een opzwepende road march waarbij de luisteraar zich direct op het zonnige Aruba waant. En dat allemaal doorspekt met slagwerk. Latin ABC: feestelijk en zomers!Zu Latin ABC lieÃ? sich Peter Kleine Schaars von karibischen Klängen inspirieren: Der erste Satz ist ein fröhlicher Walzer im Curaçao-Feeling, der zweite Satz ein sinnlicher, langsamer Salsa. Seinen Höhepunkt erreicht das Stück mit einem mitreiÃ?enden StraÃ?enmarsch, das den Zuhörer auf die Insel Aruba entführt. Dies alles findet im Rahmen einer gut spielbaren Komposition im mittleren Schwierigkeitsgrad statt, in der das Schlagzeug eine wichtige Rolle spielt.Peter Kleine Schaars sâ??est inspiré de lâ??ambiance musicale de trois îles des Antilles néerlandaises - Aruba, Bonaire et Curaçao - pour écrire cette suite en trois mouvements. Latin ABC sâ??ouvre par une valse allègre, où sâ??entrelacent un thème en 3/4 et un autre en 6/8. Le second mouvement apportera une touche traditionnelle avec une salsa lente et sensuelle. La pièce culmine avec une marche entraînante qui emmène lâ??auditeur au soleil dâ??Aruba. Le tout se déroule dans les limites dâ??une composition de niveau 3 où les percussions jouent un rôle important.Per scrivere questa suite in tre movimenti, Peter Kleine Schaars si è ispirato allâ??atmosfera magica di tre isole delle Antille olandesi, Aruba, Bonaire e Curaçao. Latin ABC apre con un allegro valzer che intreccia sapientemente un tema in 3/4 e uno in 6/8. Il secondo movimento apporta un tocco tradizionale con una salsa lenta e sensuale. Il brano prosegue con una marcia coinvolgente che accompagna il pubblico al sole di Aruba. Un brano che regala un ruolo importante alle percussioni.
SKU: SU.80101422
Suite circulaire (2018) for organ is dedicated to Elisa Williams Bickers. The music takes a free, contemporary approach to the historical genre of circulating (or modulating) compositions, where the basic material moves through a variety of keys before returning home again. The goal is not simply to play a modulation game, but rather to construct a true musical discourse where the varied keys are an essential part of the concept. The first movement, Praeludium, is bright in character. Besides moving through varied keys, the movement is also animated with various looping patterns that provide another link to the circulating concept. The second movement, Ricercare, takes its content very literally from the title, which means to search out. Instead of being a proto-fugue, like many ricercares from the late Renaissance or early Baroque, the music searches through the keys by means of a wandering melody and a modulating accompaniment. The third movement, Toccata, is slightly manic in character. The syncopated theme heard at the start animates the movement as it moves through both tonal, modal, and bitonal/modal harmonies before reaching an excited conclusion. (When the suite is performed on an organ tuned in an unequal, circulating temperament, there is an additional circular effect provided by the quite varied key colors that are heard as the material moves through them.)Organ Duration: 14’ Composed: 2018 Published by: Zimbel Press.
