Format : Sheet music + CD
The 14 Most Passionate Latin Songs. Par . Welcome to the Copacabana! Latin American music with its rousing rhythms and grooves, catchy melodies and emotional texts enriches our lives. Dirko Juchem and his easy-to-play and professional arrangements of great Latin hits like Besame Mucho or Girl from Ipanema open the dancefloor for flutists with rhythm in their blood! The accompanying audio tracks (full and playalong versions) recorded by the author himself are available for download and streaming. / Niveau : facile - moyen / Date parution : 2023-10-31/ Recueil / Flûte Traversière
SKU: HL.49033164
ISBN 9790001133791.
Leichte, gut klingende Arrangements Profi-Begleit-CD: Vollplayback mit 1. und 2. Stimme / Halbplayback zum Mitspielen und Improvisieren einstimmig oder zweistimmig spielbar C-, B- und Es-Stimmen konnen zusammen gespielt werden mit Akkordangaben fur Klavier, Keyboard, Gitarre oder BassDie beiliegende CD mit professionellen Playbacks ist ein musikalisches Feuerwerk und garantiert optimales Band-Feeling. Die Melodiefassungen wurden eingespielt von Jochen Brauer (Saxofon) und Sonny Koop (Trompete/ Flugelhorn).
SKU: BT.VOLMB87
ISBN 9788863880847. International.
A collection of 25 latin music hits, including Bossa Nova, Samba and standard compilations: Aguas de Marco, Amado mio, Amapola, Amor amor amor, Besame mucho, Brazil, Chan chan, Chega de saudade, Cuando calienta el sol, Desafinado and more.
SKU: HL.14046766
ISBN 9788850709878.
By Antonio Ongarello. Learn and play 12 Latin Standards arranged for jazz guitar.
SKU: M7.AHW-3020
English.
This second Volume by Diaz provides real Latin piano forms for comping and playing montunos. Voicings/rhythms/chords over 17 Standards including All The Things You Are, Green Dolphin Street, How High The Moon, On A Clear Day, and What Is This Thing Called Love.
SKU: HL.285375
UPC: 888680888930. 5.0x5.0x0.184 inches.
This jazz standard by the great Dizzy Gillespie is here arranged using an alternating Latin Swing and a straight swing style. There is lots of room to feature soloists along with an ensemble scat section. This is an important song from the Bebop era of jazz and a great arrangement by one of the great jazz educators.
