SKU: BT.EMBZ627
Gyula Dávid (1913-1977) was one of the most important members of the generation of Hungarian composers who followed Bartók and Kodály. His ?uvre includes stage, orchestral, oratorial, chamber, and solo instrumental works. Although he rarely quoted folk material directly in his music, folksong, popular music and the spirit of the Hungarian musical tradition permeates his works. In the last two decades of his life he wrote atonal and twelve-tone compositions. With his Wind Quintet (composed 1949) he created a genre which plays an important role in the new Hungarian music. Gyula Dávid studied composition with Albert Siklós and Zoltán Kodály at the Academy of Music in Budapest,graduating in 1938. Between 1938 and 1945 he worked in several orchestras as viola player. From 1945 to 1949 he was conductor at Hungarian National Theatre, than he became leader of the Ensemble of the Hungarian Army. From 1961 to his retirement he was professor at the Teacher Training Faculty of the Academy of Music in Budapest. Between 1951 and 1960 he taught wind chamber music, music theory and wind orchestration at the Academy of Music. He was one of the founders of the Hungarian Artists' Union. He was awarded the Erkel Prize (1952, 1955) and the Kossuth Prize (1957).
SKU: VD.ED20211
ISBN 9790202042113. 12 x 9 inches.
SKU: VD.ED20218
ISBN 9790202042182. 12 x 9 inches.
SKU: VD.ED20215
ISBN 9790202042151. 12 x 9 inches.
SKU: VD.ED20212
ISBN 9790202042120. 12 x 9 inches.
SKU: HF.FH-7025
ISBN 9790203470250. 8.3 x 11.7 inches.
1. Matthauspassion, BWV 244, 2. Johannespassion, BWV 245, 3. Weihnachts-Oratorium, BWV 248, 4. Oster-Oratorium, BWV 249, 5. Messe in h-Moll, BWV 232, 6. Messe in A-Dur, BWV 234, 7. Messe in g-Moll, BWV 235, 8. Messe in G-Dur, BWV 236, 9. Sanctus in D-Dur, BWV 238, 10. Magnificat in D-Dur, BWV 243, 11. Violinkonzert a-Moll, BWV 1041, 12. Violinkonzert E-Dur, BWV 1042, 13. Konzert fur Flote, Violine und Klavier a-Moll, BWV 1044, 14. Klavierkonzert I d-Moll, BWV 1052, 15. Klavierkonzert E-Dur, BWV 1053, 16. Klavierkonzert g-Moll, BWV 1058, 17. Konzert in C-Dur fur zwei Klaviere, BWV 1061, 18. Konzert in c-Moll fur zwei Klaviere, BWV 1062, 19. Konzert in d-Moll fur drei Klaviere, BWV 1063, 20. Konzert in C-Dur fur drei Klaviere, BWV 1064, 21. Konzert in a-Moll fur vier Klaviere, BWV 1065, 22. Brandenburgisches Konzert Nr.1, BWV 1046, 23. Brandenburgisches Konzert Nr.2, BWV 1047, 24. Brandenburgisches Konzert Nr.3, BWV 1048, 25. Brandenburgisches Konzert Nr.4, BWV 1049, 26. Brandenburgisches Konzert Nr.5, BWV 1050, 27. Brandenburgisches Konzert Nr.6, BWV 1051, 28. Ouverture C-Dur, BWV 1066, 29. Ouverture D-Dur, BWV 1068.
SKU: VD.ED20214
ISBN 9790202042144. 12 x 9 inches.
SKU: VD.ED20217
ISBN 9790202042175. 12 x 9 inches.
SKU: VD.ED24144
ISBN 9790202011447. 11.69 x 8.26 inches.
SKU: HF.FH-3161
ISBN 9790203431619. 9 x 12 inches.
SKU: M7.DOHR-21763
ISBN 9790202047637.
Georg Philipp Telemanns Konzert für Viola d'amore, Oboe d'amore, Querflöte und Streichorchester TWV 53:E1 wird selten aufgeführt, wohl wegen der seltenen Kombination von Solo-Instrumenten. Die Viola d'amore war ein in der Barockzeit übliches Streichinstrument in der Größe einer Bratsche mit meist sechs oder sieben Saiten, oft noch mit zusätzlichen Resonanzsaiten. In der vorliegenden Ausgabe wurde die Stimme durch eine Viola ersetzt und im Altschlüssel notiert. Die für Oboe d'amore gedachte Stimme lässt sich ohne weiteres auch auf einer normalen Oboe spielen. Die Oboenstimme zweifach bei (auch transponiert für Oboe d'amore). Die von Telemann gesetzten Noten für das Streichorchester sind hauptsächlich Füllstimmen zum Basso continuo. Sie wurden meist auf die rechte Hand der Cembalostimme übertragen. (Eberhard Heymann).
SKU: BA.TP00422
ISBN 9790260107694. 22.5 x 16.5 cm inches. Key: A minor. Preface: Iacopo Cividini.
This study score is based on our recently published new scholarly-critical edition (BA 10422) of Dvorak's op. 53, his only violin concerto. Besides the original print, the edition takes into account Dvorak's autograph, which served as a model for the engraving. A fresh evaluation of the autograph has made it possible to reconstruct several variants ignored in the first and subsequent editions and to clarify ambiguities in notation and articulation.* Study score based on the new Barenreiter Urtext edition* Variants in the solo part as ossia passages* Foreword by the editor on the work's genesis (Ger/Cz/Eng)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: VD.ED20219
ISBN 9790202042199. 12 x 9 inches.
SKU: VD.ED20216
ISBN 9790202042168. 12 x 9 inches.
SKU: VD.ED20213
ISBN 9790202042137. 12 x 9 inches.