Just Latin : Progressive Piano Solos from Grades III to V

Le plomb est une série intégrée pour saxophone alto, clarinette, flûte, piano, saxophone ténor, trompette et violon. Dans chaque édition, toutes les chansons sont dans la même clé au concert pitch, permettant aux différents instruments à jouer ensemble. Symboles de corde sont inclus au concert pitch pour utilisation par piano ou de la guitare. ' Prendre le plomb Latin ' comporte des arrangements idiomatiques classiques latins offrant le plaisir de répertoire que jeunes instrumentistes adoreront jouer. Les étudiants ont le choix de jouer avec CD, Piano ou guitare et toutes les pièces sont entièrement intégrés avec des arrangements pour les autres instruments de la série, ce qui en fait la ressource idéale pour les groupes scolaires et les petits ensembles. Utilisé comme un livre solo ces pièces encouragera la progression technique et la confiance en jouant. Pièces idéales pour la performance, ou juste pour le plaisir. Table des matières : Chattanooga Choo Choo Ch'Boogie - I've Got A Gal À Kalamazoo - In The Mood - je ne veux pas dire une chose (si elle Ain't Got que Swing) - Jersey Bounce - Pennsylvani.../ Recueil / Trompette et Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead Latin' features idiomatic arrangements of Latin classics offering fun repertoire that young instrumentalists will love to play. Students have a choice of playing along with CD, Piano or Guitar and all pieces are fully integrated with arrangements for other instruments in the series, making this the ideal resource for school bands and small ensembles. Used as a solo book these pieces will encourage technical progression and confidence in playing. Ideal pieces for performance, or just for fun. Contents: Bailamos; Cherry Pink And Apple Blossom White; Guantanamera; La Bamba; La Isla Bonita; Livin' La Vida Loca; Oye Mi Canto (Hear My Voice); Soul Limbo

Pour les pianistes, faire de la musique peut souvent être un plaisir solitaire. Duets Fournir un excellent moyen pour le pianiste de profiter des avantages d'ensemble - en jouant avec d'autres musiciens - et la chance de partager le plaisir de faire de la musique.Cet ensemble d'oeuvres originales rassemble une grande variété de styles, des valses et des berceuses, au jazz, latino et folklore. Les pièces sont en ordre de difficulté progressive, et peut être joué par l'enseignant et l'élève ensemble, ou de fournir un défi pour les deux joueurs de même capacité. / Piano A Quatre Mains

100 Ultimate Jazz Riffs for Guitar by Andrew D. Gordon and Jo De Sa consists of as the title suggests 100 Jazz riffs based on chord progressions used in jazz such as the II-V-I II-VI-II-V etc. Most jazz as well as pop standards such as Misty Satin Doll Blue Moon This Masquerade and Europa use these types of chord progressions. There are five separate sections: Jazz Swing Jazz Ballad Jazz Funk Jazz Waltz and Latin Jazz. At the end of the book there is the chord progression for the popular jazz standard Blue Moon showing you how to use various examples from over 100 riffs to create an improvised solo over the chordprogression. By demonstrating this technique you can pick most jazz standards and create your own improvisational ideas using the book.The accompanying CD is recorded with the guitar as the melody instrument along with the piano bass and drums. All of the examples are recorded with the guitar playing with the rhythm section at the normal tempo followed by just the rhythm section playing the normal tempo so that the soloist can practice along. The more difficult examples have been recorded with the rhythm section playing at a slowed down tempo.

The Old Chevalier (2005) - A Gothic Tale for Tenor Trombone and Ensemble. Piano reduction/Solo Trombone part: WH30940 Version for Bass Trombone: WH30942 Programme note The Old Chevalier for Trombone and Ensemble is the second of a series of seven compositions named after Karen Blixen's collection of short stories Seven Gothic Tales. My musical gothic tales are written for very different ensembles - THE SUPPER AT ELSINORE is a saxophone quartet - but they all share musical material in a criss-cross of contextual references reminiscent of Blixen's narrativecomplexity: Themes and motivsfrom one piece appears in others in new and surprising shapes and combinations. Karen Blixens The Old Chevalier begins with an old man talking to a youth about obl igation and passion. The old man tells a story about a beautiful woman who wanted tomake her husband jealous and cheated on him with a young man who admired him. Afterdiscovering the truth the young man meets a prostitute on her very first job. The girl is an innocent trading favors for shelter. The young man falls in love but she remains obliviousto his passion. She leaves after their encounter without emotional involvement. Many years later the young man - the old man telling the tale - recognizes the girl in a beautifulskull he's holding in his hand. The Old Chevalier isn't 'about' anything. The music is inspired by the artistic content of Blixen's short story - it's emotionalism dramatic construction atmosphere period and setting - but unfolds in time and musical space in ways that are completelyindependent of the story's narrative progression... except one might say that the trombone makes love to the piano and at the very end - just like the old man in the story is left contemplating its remains. The piece is written for the trombonist Jens Vind.

Par GORDON ANDREW D.. With the continued worldwide success of the book series Ultra Smooth Jazz Grooves that I co-authored with sax player Frank Villafranca based on compositions that we wrote for our band The Super Groovers, I have now authored this series of Smooth Jazz books for the following instruments: Piano/Keyboards, Guitar/Bass, Flute, Clarinet, Violin, Tenor and Alto Saxes, Trumpet and Trombone. Smooth Jazz covers a wide variety of different styles and I have combined elements of Jazz, Rock, Pop, Blues, Latin, GospeL Funk and R