Learn Guitar with this instructional DVD from the legendary American guitarist Jim Root.In The Sound And The Story Root breaks down some of the most popular songs from his time with the bands Slipknot and Stone Sour. He delivers lessons explaining legato neighbour notes string skipping sweep picking tapping triads and speed building.Including over four hours of footage with outtakes and more this DVD features:A biography of Root's story so far.A backstage gear tour of his custom Fender Guitars and Orange amps.An artist-approved Guitar tab booklet.Live concertfootage.Never-before-seen interviews with Corey Taylor.
SKU: BT.DHP-1175849-401
ISBN 9789043153881. International.
Are you an enthusiastic cinema-goer? Then many of the melodies and themes in this collection will be familiar to you: they are soundtracks to some of the great classics from the world of film. If you??ve had just a few years of study on the pianoyou??ll be able to enjoy these wonderful pieces.Ga je graag naar de bioscoop? Dan zullen de melodieën en thema??s uit deze selectie je zeker bekend voorkomen: ze zijn afkomstig uit de soundtracks van een aantal van de grootste filmklassiekers aller tijden. Wie slechts een paar jaar pianolessenheeft gevolgd, kan deze prachtige filmmuziek nu zelf spelen. De bewerkingen zijn van een gemiddelde moeilijkheidsgraad en blijven heel dicht bij de originele stukken, zodat je ze meteen herkent!Sie sind begeisterter Kinogänger? Dann werden Ihnen mit Sicherheit viele der in diesem Band versammelten Melodien und Themen bekannt vorkommen: Sie entstammen den Soundtracks zu einigen der grö?ten Filmklassiker aller Zeiten. Mit ein paar JahrenUnterrichts- bzw. Spielerfahrung auf dem Klavier können Sie diese wunderbaren Filmmusiken nun selbst nachspielen. Die Bearbeitungen sind im mittleren Schwierigkeitsgrad gehalten und orientieren sich klanglich eng an den Originalen, sodass Sie sorecht in Erinnerungen schwelgen können.Le cinéma vous passionne ? Vous reconnaîtrez alors sans doute la plupart des mélodies et thèmes regroupés dans ce recueil ; ils sont issus des bandes originales de quelques-uns des plus grands classiques du cinéma de tous les temps. Les arrangementsd??un niveau de difficulté élémentaire conservent la couleur initiale et ne manqueront pas de vous faire revivre vos souvenirs.
SKU: AP.43440
UPC: 038081489803. English.
Like the roots of an ancient tree, like the stories told throughout history . . . Hanukkah makes you feel something real in your heart. Younger groups will find this easy to learn, with a lively tempo and bouncy spirit. Invite a clarinet player to join in at your holiday concert (a part is included in the octavo).
SKU: BT.DHP-1135396-020
9x12 inches. English-Dutch.
This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents.Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre. Deze muzikale fantasie vertelt de geschiedenis van de Nederlandse vestingstad Elburg. Het werk begint met een middeleeuws sfeerbeeld vanuit het Agnietenklooster, het nonnenklooster dat in de eerste helft van de 15e eeuw werd gebouwd. We horen de kloosterklok samen met een opwaarts motief, dat ook later in het werk terugkomt. Vervolgens komt de rest van Elburg aan bod, inclusief de vesting - van waaruit de klokken van de Grote of Sint-Nicolaaskerk weergalmen. Dan klinken bij de Vischpoort de vrolijke geluiden van een dansgroep die daar een 16e-eeuwse Franse volksdans (branle des chevaux) uitvoert. Ook horen we oude karren over de kinderkopjes van de stad denderen. Dehandel maakt deze Hanzestad tot een levendige plaats. Het zich steeds herhalende opwaartse motief uit de inleiding krijgt hier een nadrukkelijker karakter en verbeeldt de handelsgeest van de stedelingen.Dan volgt het langzame middendeel, waarin de klok wordt teruggedraaid naar de tijd dat Elburg nog direct aan de Zuiderzee lag en te kampen had met overstromingen. Na de tweede Sint-Marcellusvloed (1362) en de watervloed van 1367 werd besloten dat de stad verplaatst zou worden. We horen het thema van de branle des chevaux in mineur, gevolgd door een doodsklok, die de verdronken inwoners van de voormalige stad herdenkt. Terug in onze eigen tijd verklankt een langzaam, expressief thema in barokke stijl de verstilde plekken in de stad, zoals het Feithenhof en het Weduwenhofje. Dan keert de levendigheid terug met motieven uit de inleiding, gevolgd door een aansprekend thema waarin het Elburg van nu met zijn vele toeristen doorklinkt. Plotseling is er dan nog even een echo uit het verleden: de dramatiek van de overstromingen en oorlogen die de stad ooit teisterden. Hieruit vloeit het grootse slotthema voort: de branle des chevaux is voor de laatste keer te horen vanuit het perspectief van de historische binnenstad.
SKU: BT.DHP-1135396-120
SKU: BA.BA11230
ISBN 9790006561049. 24 x 30.5 cm inches. Preface: Ripoll, Miguel Bernal / Doderer, Gerhard.
Joan Cabanilles was cathedral organist in Valencia and the towering figure in Spanish organ music of the late 17th century. His brilliant and diverse musical language, rooted in the traditional sounds of Spain, has not managed to reach a large audience outside the Iberian peninsula, although he is often called “a musician of European stature”. The aim of this three-volume Urtext edition is to grant access to his most appealing works. To this end, all available sources in the libraries of Astorga, Barcelona, San Lorenzo de el Escoreal, Felanitx/Mallorca, Jaca and Montserrat have been examined and newly evaluated.If Cabanilles’s oeuvre consists primarily of tientos, organ hymns and versets, the third and final volume contains three versos, three pasacalles, two galliards, two toccatas and such special forms as Paseos de tercer tono, Diferencias de Folías and a Jácara.„This is an excellent resource for organists interested in exploring this satisfying repertoire.“ (Brian E. Harlow, Journal of the Association of Anglican Musicians 1/2018)
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: CF.CM9703
ISBN 9781491160107. UPC: 680160918706. Key: D major. English. Traditional Scottish-Irish blessing.
Blessing of Light is an excerpt from a Scottish-Irish benediction of anonymous authorship, which may have originated from old Celtic traditions. The rich, poetic language encourages hospitality for both friends and strangers and a charge to cultivate the inner spirit as a beacon of light for others. This SAB-setting offers additional options for soprano or alto divisi and comfortable ranges for men. Drawing primarily from the soundscape of a gently sweeping Mixolydian mode, this piece is designed to remind the listener of the distant past and its connection to our present. Modes have been utilized in many cultures at least since the earliest days of recorded history. Ancient Greek musical modes were revived and explored during the Middle Ages, and are sometimes considered the fathers of the scales we use today in what is often labeled tonal music, or music rooted in Western European musical practices. Blessing of Light is an accessible introduction to modal harmony for mixed choirs. Modes are characterized by combinations of half or whole steps that form a unique scale. The Mixolydian scale in this piece, for example, is identical to the major scale with the exception of a lowered (or flatted) 7th scale degree. For ease of use in sight-reading, key signatures are indicated by the melodic tonal center with the chromatically altered lowered 7th. When introducing this piece, it may be beneficial for the conductor to begin with warm-ups or vocalizes utilizing the scales below.Blessing of Light is an excerpt from a Scottish-Irish benediction of anonymous authorship, which may have originated from old Celtic traditions. The rich, poetic language encourages hospitality for both friends and strangers and a charge to cultivate the inner spirit as a beacon of light for others. This SAB-setting offers additional options for soprano or alto divisi and comfortable ranges for men.Drawing primarily from the soundscape of a gently sweeping Mixolydian mode, this piece is designed to remind the listener of the distant past and its connection to our present. Modes have been utilized in many cultures at least since the earliest days of recorded history. Ancient Greek musical modes were revived and explored during the Middle Ages, and are sometimes considered the fathers of the scales we use today in what is often labeled “tonal music,” or music rooted in Western European musical practices.Blessing of Light is an accessible introduction to modal harmony for mixed choirs. Modes are characterized by combinations of half or whole steps that form a unique scale. The Mixolydian scale in this piece, for example, is identical to the major scale with the exception of a lowered (or flatted) 7th scale degree. For ease of use in sight-reading, key signatures are indicated by the melodic tonal center with the chromatically altered lowered 7th. When introducing this piece, it may be beneficial for the conductor to begin with warm-ups or vocalizes utilizing the scales below.
SKU: CF.SPS71
ISBN 9781491143544. UPC: 680160901043. Key: G minor.
Nordanvind is a tour de force symphonic rhapsody that is built on three Scandinavian folk songs. Composer Carl Strommen has composed these Viking-influenced melodies into a concert setting that brings out all of the history of the Scandinavian people. The piece is at times bold and aggressive, at other times beautiful. Carl employs all of the instrumental colors of the concert band to create a new work for more advanced ensembles.Modern Scandinavians are descendants of the Vikings, an adventuresome people who were known for their love of the sea, their naval prowess, and as fierce fighters . The Scandinavian Vikings were warriors from Denmark, Norway, and Sweden who traded, raided and settled in various parts of Europe, Russia, the North Atlantic islands, and the northeastern coast of North America .Starting around 1850, over one million Swedes left their homeland for the United States in search of religious freedom and open farm land . Augustana College was founded in 1860 by graduates of Swedish universities and is located on the Mississippi River in Rock Island, Illinois . Home of the “Vikings,” Augustana College is the oldest Swedish- American institution of higher learning in the United States . This powerful and lively piece takes inspiration from Swedish history and from Swedish folk songs and hymns .Havsdrake (Dragon of the Sea)The Nordanvind or “North Wind” blows a cold wind during a journey of a group of courageous Viking rowers . The “Dragon-ship” or long ships designed for raiding and war was a sophisticated, fast ship able to navigate in very shallow water . To musically portray these magnificent seafaring vessels, the director is encouraged to use an Ocean Drum (or a rain stick) during the introduction . Wind players may consider blowing air through their instruments to suggest the North wind . Adding men’s voices to accompany the haunting low brass and percussive “rower” sounds can be helpful in creating the dark and ominous portrayal of Viking adventurers .Slangpolska efter Byss - KalleIn Sweden, a “polska” is a partner dance where the dancers spin each other (släng in Swedish “to sling or toss”) . Slangpolska efter Byss - Kalle is attributed to Byss-Kalle, who was a notable Swedish folk musician, specifically a nyckelharpa player . Slangpolska efter Byss - Kalle is a traditional “polska” dance song most often played on the Nyckelharpa or keyed fiddle and is commonly heard in pubs and at festive events throughout Sweden . Approximately 10,000 nyckelharpa players live in Sweden today, and the Swedish and the American Nyckelharpa Associations are dedicated to this Swedish National instrument . The director is encouraged to share video and audio examples of the nyckelharpa playing the original Slangpolska efter Byss - Kalle .Tryggare Kan Ingen Vara (Children of the Heavenly Father)Tryggare Kan Ingen Vara Is a traditional Swedish melody, possibly of German roots, and was believed to be arranged as a hymn by the Swedish hymn writer, Karolina Wilhelmina Sandell-Berg (1832–1903) . As a daughter of a Swedish Lutheran minister, she began writing poems as a teenager and is said to have written over 1,700 different texts . There are two different accounts as to the inspiration for this hymn . The first story is that Lina (as she was called) wrote the hymn to honor her father and to say thank you to him for raising her and protecting her . A second belief is of her witnessing the tragic death of her father . She and her father were on a boat, when a wave threw her father overboard . It was said that the profound effect of watching her father drown is what caused Lina to write the text to this hymn . Although this is a treasured song to people of Swedish descent everywhere, it speaks to all people about a father tending and nourishing his children, and protecting them from evil .SPS71FThe Augustana College Concert BandFounded in 1874, the Augustana Band program is one of the oldest continuously active collegiate band programs in the country . The Concert Band is one of two bands on campus and was formed more than thirty years ago . The Concert Band attracts students of every skill level and from a wide variety of majors . Students in the ensemble play a large part in choosing their music for performance, which include works from the standard repertoire, orchestral transcriptions, and the latest compositions from leading composers .Rick Jaeschke began his musical career as a clarinet player in the 1st US Army Band . He received a Bachelor of Music degree from Susquehanna University, a Masters of Music from James Madison University, and a doctorate from Columbia University in New York . He was also fortunate to study conducting with Donald Hunsburger and with Frederick Fennell .Dr . Jaeschke taught band and choir at Great Mills High School in Southern Maryland, and for fifteen years, he was the district Music Supervisor in Armonk, New York, where he taught high school concert and jazz bands, beginning band, and music technology . During that time, the music program flourished, and the high school band consistently received Gold Medals in the New York State Festivals, as well as in national, and international festivals . As a clarinet and saxophone player, Dr . Jaeschke performed in the New York metropolitan area with the Rockland Symphony Orchestra, the Putnam Symphony Orchestra, Fine Arts Symphony Orchestra, and served as the concert master for the Hudson Valley Wind Symphony .For several years, Dr . Jaeschke served as the Fine Arts Coordinator for the District 204 schools in Naperville, IL, a district selected as One of the Best 100 Schools in America for Music . Currently, Dr . Jaeschke is an Associate Professor at Augustana College where he teaches music and music education courses, and directs the Concert Band . He has served on various educational boards, is a National edTPA scorer, and has presented at state, national and international music conferences . He lives with his family in Bettendorf Iowa, and enjoys any opportunity to explore the open water in his sea kayak .
SKU: PR.111402650
UPC: 680160643516. Text: Lorna Goodison. Lorna Goodison.
Angel of Dreamers is a song cycle for bass-baritone (or mezzo-soprano) singer, trombone, and either string orchestra, string quintet, or piano. It is based on the extraordinary poetry of the Jamaican-American poet, Lorna Goodison, whom I have had the great pleasure of getting to know in the course of writing this piece. The work was commissioned by a friend from my undergraduate college years at The Eastman School of Music, Maury Okun, trombonist and director of the Detroit Chamber Winds And Strings. The work was premiered in 2011 by bass-baritone Daniel Washington, trombonist and U. of Michigan faculty member David Jackson, and the string section of the Detroit Chamber Winds and Strings. Daniel and David gave the second performance of the work with Lorna Goodison and Maury Okun in attendance at The Juilliard School the following year. I was approached by Maury Okun and David Jackson to write this piece as a tribute to Maury's father who had recently passed away. They also introduced me to their colleague and friend Lorna Goodison, suggesting her poetry. Reading several volumes of her work, I was absolutely captivated by the vivid imagery and beautiful messages of her words. I chose five of the poems, forming a cycle about life and death and home and parents. Lorna is originally from Jamaica, and the rich, vivid imagery, language and story lines of her poems beautifully reflect her roots. The work, in the tradition of Brahms' songs for voice, viola, and piano, features a singer with an obligato lyric instrumental line, which, in my piece, is the trombone, an instrument that blends so beautifully with the sound of a bass singer. The first song, O Love You So Fear the Dark is hopeful and uplifting, describing enduring love throughout the twists and turns of our lives. The music is strong and declamatory, but also tender. The second song, God A Me actually portrays a fish in Jamaica which is almost amphibious, flying up out of the water onto the land, and somehow, magically, returning to the water! For me this poem depicts the enjoyment of seeing parts of life that are fun and enjoyable and almost magical! The third song, All Souls Day depicts a holiday, somewhat magical, but also full of life and energy. The final two songs are a tribute to our parents -- My Mother's Sea Chanty, recalling a dream of seeing one's mother, with lyrics of tender love and remembrance, and finally, This is my Father's Country which is a tribute to the life of a loving father, recalling his spirit, his love of the music Harry Belafonte, and his enduring spirit. Angel of Dreamers was a special piece for me to write: for and with friends, old and new, collaborating with a poet whose beautiful, meaningful, and touching words were so inspiring, performed by fantastic musicians who poured themselves into the music, and commissioned by a dear friend from years gone by. THIS is why we write and perform music!.
SKU: HL.51481487
UPC: 840126989342. 8.25x11.75x0.079 inches.
It is a great pleasure to present, with Thanatopsis, maestro Kissin's opus 4, an expressive setting of the ground-breaking poem from the quill of William Cullen Bryant. Published in in the form known today in 1821, it is an early example of American romantic poetry of the 19th century. Bryant is today reckoned among the group of “Fireside Poets” or “Schoolroom Poets,” names that allude to the places where their poems were usually recited. His poems – first and foremost Thanatopsis (“A Consideration of Death”) as his most famous – are rooted in the English tradition, but at the same time show Bryant's openness to a genuine American language and lifeworld. Evgeny Kissin's setting is a large vocal scene intensely informed by recitative, which congenially allows the prevailing mood of the text to resound. Our edition additionally includes German and French translations of the poem and an informative afterword about Bryant's life and work and the genesis of Thanatopsis.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: CL.012-4640-00
It’s virtually impossible to visit Ireland without feeling an instant appreciation for the scenic countryside, the endearing charm of its many citizens, and for the deep-rooted history of the country’s many crowning achievements. Solo trumpet/cornet (cued for euphonium) packaged with a brief, but optional, vocal solo highlights the beginning and ending of this beautiful piece. The middle section is pure Irish charm with a light and lively theme performed over the drones of bagpipes along with the rudimental sounds of drummers drumming. Simply stunning!