Jazz Blues Styles

An easy introduction to styles, effects and techniques not normally found in classical music. Stephanie Wagner's guide to jazz flute is full of practical examples as well as duets in every style. CD recording of all of the pieces also included. / Flûte

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Vous souhaitez améliorer votre technique d'improvisation 'Jazzin' The Blues contient des démonstrations faites par le guitariste de renom Bill Boazman (alias Sonny Black) et son groupe, de chansons de jazz-blues pour vous montrer comment les jouer. Vous pouvez faire des boeufs avec un groupe live complet tout en améliorant votre technique de blues. Ce DVD est fait pour le musicien de blues désirant étendre son vocabulaire afin d'utiliser des sons plus jazzy dans son blues. Il contient la tonalité, les accords passants, les principales formules mélodiques et gammes, des démonstrations complètes en gros plan, ainsi que sept morceaux d'accompagnement qui vous permettent de vous entraîner avec un groupe complet.En plus de cela, deux CDs audio contiennent douze chansons originales dans les styles de T-Bone Walker, Wes Montgomery, Ronnie Earl et Magic Sam entre autres. Chaque chanson est indexée comme deux morceaux : une démonstration complète avec un solo guitare suivi du morceau d'accompagnement qui vous permet de jouer les solos vous-même.Jazzin' The Blues est une méthode d'apprentissage excellente, un outil utile et une façon parfaite de jouer avec votre propre groupe ! / Guitare

From Hal Leonard's acclaimed Essential Elements series for Jazz Ensemble here is an economical collection of 15 complete arrangements in a variety of styles. As a bonus feature each arrangement includes exercises for melody rhythm and improvisation. A valuable teaching tool in addition to filling your programming needs!Includes: All of Me Ballad for a Blue Horn Basin Street Blues Blues for a New Day Bubbert Goes Retro Bubbert'sGroove Ja-Da Mister Cool On Broadway Perfidia Satin Doll So What Song for San Miguel Sunday Afternoon and Take the “A” Train.

Solo Pieces For Electric Guitar. Par FINN JON. Une grande partie de la guitare électrique de d'aujourd'hui se concentre sur jouer dans un groupe. Nous apprenons les accords, the licks, les solos et parfois quelques paroles. Rarement recevons-nous une chance de jouer une chanson par nous-mêmes, du début à la fin sans compagnons de bande ou de chanter. Ce nouveau livre de Berklee faculté et célèbre artiste Jon Finn est une collection de pièces dans une variété de styles musicaux, écrite pour guitare solo non accompagné. Techniques couverts comprennent pick-et-doigts (qui rappelle Chet Atkins), classique (adapté à l'electric guitar), jazz, blues, pop, à deux mains taraudage (comme Jennifer Batten ou Stanley Jordan) et plus encore. La musique est transcrit avec précision et minutieusement pour faire correspondre les enregistrements inclus. Le livre comprend également des images et des informations détaillées sur la joue chaque morceau, tant d'un point de vue technique et artistique. Si vous voulez élargir vos horizons musicaux tout en établissant des répertoire que vous pouvez effectuer vous-même, ce livre est pour vous. / Niveau : Intermédiaire à Avancé / All Styles - Solos / Recueil / Guitare Electrique

Par WEDGWOOD PAM. Syncope cool, riffs funky et lisses, élégants tunes - de dynamique de nostalgique, série de Pam Wedgwood a tout. Jazzine plus sur est une collection vibrante de pièces originales dans un éventail de styles contemporains, taillé sur mesure pour les débutants (grade 2-0). Alors, faire une pause dans les classiques et obtenir dans groove comme vous de croisière de blues, Rock, jazz./ Recueil / Piano

Here is a fresh take on the bebop blues classic by Charlie Parker. The chart starts out in a funk style and then alternates with swing sections. Soloists have a chance to improvise in both styles.

The basic principles of blues piano explained for the intermediate-level pianist-The forerunner to the awarded-winning Exploring Jazz Piano books Improvising Blues Piano examines the harmonic rhythmic and melodic aspects of the blues assuming a basic competence of around grade 3.All styles are covered from the 1920s to the present from the early boogie pioneers via swing gospel jump-jive New Orleans Chicago and Kansas City schools to the more sophisticated jazz and funky blues of the current scene. Over 60 pieces including many original compositions by the author together with new arrangements of well-known standarts such as 'Ain't No Sunshine' 'Blueberry Hill' 'Blue Monk' 'Got My Mojo workin' 'Honky Tonk Train Blues' 'How Long Blues' 'Just aCloser Walk with Thee' 'Pine Top's Boogie Woogie' 'St Louis Blues' etc.? Authentic left-hand patterns and bass lines? Professional chord voicings blues scales licks and riffs? Co-ordination exercises for both hands? Suggested listeningEach chapter is graded within itself providing some challenging pieces towards the end. Improvising is encouraged at all stages with assignments giving ideas and guidance.The accompanying CD contains all the pieces including some play-along tracks performed by Tim Richards.A very useful and comprehensive survey of different blues styles. Tim's clear demonstrations on the accompanying CD make this the essential book for all aspiring blues pianists (Jools Holland)This book leaves any possible competition standing at the post. (Brian Priestley Jazzwise Magazine)I highly recommend the book. It's the best I've seen yet... Helpful features include a grat Cd by the London-based Richards who is a top-notch performer recording artist and educator. It's almost like having your own personal instructor. (Blues Review USA)The presentation is immaculate the method is logical and friendly. This book feels good... (MOJO)A brilliant new publication from Schott. Each chapter extends the player's harmonic knowledge and gives clear instructions how to progress... You learn not just how to play the blues but also its history and major exponents.

Classés pièces pour instruments à vent deux styles contemporain populaire comme le jazz, blues, rock ' ne roll et reggae. Adapté pour les joueurs intermédiaires, chaque partie est d'une norme égale. Comprend les symboles de la corde d'accompagnement de clavier ou de la guitare et des suggestions pour obtenir un soutien rythmique facultatif. Microjazz est la célèbre série de monde de pièces basés sur la technique classique, encore à l'aide des styles contemporains populaires comme le jazz, blues, rock ' ne roll et funk. Microjazz vous aide à développer la musicalité et la technique à travers les sons familiers et les styles de musique populaire. C'est cette combinaison unique de genres modernes avec la technique traditionnelle qui a fait Microjazz un succès international avec les enseignants et les joueurs et de la série éducative plus largement utilisée jamais publiée. Nouvelle technologie apporte Microjazz vivante et ajoute une dimension interactive passionnante à la pratique et la performance. Basé sur la technique classique, Microjazz est grande à introduire le rythme et de développer les compétences de coordination... / 2 Clarinettes

Pamela Wedgwood's Jazzin' About Styles is a brilliant new introduction to jazz rock and pop styles for pianists at elementry level. The 16 toe-tappin' pieces range from Dixie and ragtime through swing blues and rock 'n' roll to pop ballads disco and even heavy metal. Each piece includes hints to help you get to grips with the style.

Cool syncopation funky riffs and smooth stylish tunes. A vibrant collecton of original pieces in a range of contemporary styles so take a break from the classics and get into the groove as you cruise from blues to rock to jazz.