Format : Sheet music
40 chansons classiques, les danses et les airs de l'Italie arrangé pour piano et voix / Piano/Vocal/Guitare (PVG) / Partition
SKU: PR.UE038027
ISBN 9783702475710. UPC: 803452072829.
Brooker postulates that music of Italy primarily brings to mind the vocal offerings of its centuries of compositions. He also maintains that Italy has given us unparalleled masterpieces in violin making. Combining these two not incompatible concepts, he brings a solid selection of eleven distinctly Italian songs to his violin and piano arrangements, which allow performers of intermediate and better skills to SING through their instruments. Every one of these songs is as familiar as pasta, from 'O sole mio and La donna e mobile to Funiculli, Funicula and Gne Gne. Brooker's collection of Italian Classics is suitable for events from concert stage to gatherings with friends and family.
SKU: HL.50499587
UPC: 888680630379. 9.0x12.0x0.425 inches.
Contents: Anema e core * Arrivederci Roma * Carmela * Caruso * Casta diva * Che gelida manina * Con te partiro * Core 'ngrato * Coro a bocca chiusa (Madama Butterfly) * Di quella pira * E lucevan le stelle * Fenesta che lucive * Funiculi funicula *Inno di Mameli * La donna e mobile * Libiam ne' lieti calici * Marechiare * Mattinata * Mi chiamano Mimi * Nel blu, dipinto di blu * Nessun dorma * Non dimenticar * O mio babbino caro * Quando, quando, quando * Recondita armonia * Resta cu' mme *Roma nun fa' la stupida stasera * Santa Lucia * Santa Lucia luntana * Tammurriata nera * Una furtiva lagrima * Una voce poco fa * Un bel di vedremo * Va pensiero sull'ali dorate * Vierno * Vissi d'arte, vissi d'amore.Inhalt: Anema e core * Arrivederci Roma * Carmela * Caruso * Casta diva * Che gelida manina * Con te partiro * Core 'ngrato * Coro a bocca chiusa (Madama Butterfly) * Di quella pira * E lucevan le stelle * Fenesta che lucive * Funiculi funicula *Inno di Mameli * La donna e mobile * Libiam ne' lieti calici * Marechiare * Mattinata * Mi chiamano Mimi * Nel blu, dipinto di blu * Nessun dorma * Non dimenticar * O mio babbino caro * Quando, quando, quando * Recondita armonia * Resta cu' mme *Roma nun fa' la stupida stasera * Santa Lucia * Santa Lucia luntana * Tammurriata nera * Una furtiva lagrima * Una voce poco fa * Un bel di vedremo * Va pensiero sull'ali dorate * Vierno * Vissi d'arte, vissi d'amore.Contents: Anema e core * Arrivederci Roma * Carmela * Caruso * Casta diva * Che gelida manina * Con te partiro * Core 'ngrato * Coro a bocca chiusa (Madama Butterfly) * Di quella pira * E lucevan le stelle * Fenesta che lucive * Funiculi funicula * Inno di Mameli * La donna e mobile * Libiam ne' lieti calici * Marechiare * Mattinata * Mi chiamano Mimi * Nel blu, dipinto di blu * Nessun dorma * Non dimenticar * O mio babbino caro * Quando, quando, quando * Recondita armonia * Resta cu' mme * Roma nun fa' la stupida stasera * Santa Lucia * Santa Lucia luntana * Tammurriata nera * Una furtiva lagrima * Una voce poco fa * Un bel di vedremo * Va pensiero sull'ali dorate * Vierno *Vissi d'arte, vissi d'amore.
SKU: MB.30989
ISBN 9781513466705. 8.75x11.75 inches.
In this book, guitarist and music historian David Grimes presents 20 â??small sonatasâ? or sonatinas, complete with detailed performance notes and bio sketches of each of the contributing composers: Leonhard von Call, Matteo Carcassi, Ferdinando Carulli, Mauro Giuliani, Francesco Molino, and Antonio Nava. While flexible, the early 19th-century sonatina form usually consists of 2 - 4 contrasting movements, here in guitar-friendly keys, making these pieces ideal for performance by intermediate-level students. In all but the most challenging passages, Grimes has intentionally kept fingering to a minimum to allow students to form their own concept of this critical skill. Then, as many bass notes in these pieces are played on open strings, the player must develop a sense of when to selectively damp dissonant tones or observe a restâ?? exposing and overcoming yet another shortcoming in the education of many guitarists.  Most classic guitar teachers are familiar with the easy didactic studies by Carcassi, Carulli and Giuliani; Favorite Sonatinas offers more highly developed, but not yet virtuoso pieces by the same Italian triumvirateâ?? plus three more composers in a similar veinâ?? promoting confident, enjoyable sight-reading by guitarists of all levels. .
