SKU: HL.50564177
UPC: 073999328134.
Inch....this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken inch. (Oliver James,Contact Magazine) A novel and comprehensive approach to transferring from the C to F instrument. 430 music examples include folk and national songs (some in two parts), country dance tunes and excerpts from the standard treble repertoire ofBach, Barsanti, Corelli, Handel, Telemann, etc. An outstanding feature of the book has proved to be Brian Bonsor's brilliantly simple but highly effective practice circles and recognition squares designed to give, in only a few minutes, concentrated practice on the more usual leaps to and from each new note and instant recognition of random notes. Quickly emulating the outstanding success of the descant tutors, these books are very popular even with those who normally use tutors other than the Enjoy the Recorder series.
SKU: BT.DMP108100
SKU: BT.DMP110127
SKU: HL.49018973
ISBN 9790001171182. UPC: 888680986537. 9.25x12.0x0.041 inches.
SKU: HL.49018985
ISBN 9790001171380.
SKU: PR.114405760
ISBN 9781491135372. UPC: 680160009381.
SKU: BO.B.3664
Cuarteto San Petersburgo (The Saint Petersburg Quartet) was written between January and March 2011. It owes its name to the fact that Saint Petersburg has been a very significant city for me. I was invited there in 1988 to take part in a big contemporary music festival, but my uninterrupted bond with the city started on 2002, thanks to the negotiations of my friend and pupil Albert Barbeta. Since then, I have constantly travelled there in order to record a considerable part of my repertoire: seventeen pieces. In addition to the concerts we went to, I took the opportunity during my trips to visit the well-known conservatoire where so many great personalities from the world of music composition once taught, and the place that launched the most important violin school in the whole of Russia: the school of Leopoldo Auer. Spending a long time in Auer's classroom writing my concert for violin and orchestra was an unforgettable experience for me. His large portrait motivated me even further.Cuarteto San Petersburgo evokes many of the most cherished and moving moments that I have had in this city. It is structured in four movements. The first one, Allegretto-Allegro, opens with an introduction that sets forth the two main themes, amid a soft and elastic atmosphere. The Allegro starts vigorously and in it we find changes in the tempo and moments of mystery, as well as certain seclusion, returning then to the emphatic theme where the counterpoint finds its place. The movement ends placidly.The Scherzo-marcato that follows is marked by a persistent rhythm of triplets that carries on from beginning to end. The tempo does not change, but brief and decided themes are introduced, as well as passages of counterpoint. Brief and dissonant chords are heard throughout the movement, which ends vigorously.The third movement, Ut, is a very special one. For a while already I had been playing with the idea of writing a movement that was to have the tonality C as a leitmotiv. This one is made up by two slow and static parts. In the first one, the first violin plays pizzicatti-glissandi. In the second, the first violin and particularly the violoncello settle on C while the other two instruments produce descending chromatic harmonies.Finally, the Introduccion-Presto (the Introduction-Presto). It starts with some bucolic passages which remind us of the introduction to the first movement. A fast and energetic Presto suddenly erupts. A kind of moto perpetuo which alternates with two expressive passages and, towards the end, a viola and violoncello tremolo, all of great mystery and expectation, make way for a resounding finale marcato.
SKU: ET.QC17
ISBN 9790207024671.
The Quatuor No. 1 op. 60, of limited duration, as well as the short piece Alligun, are perhaps the inspirational source that motivated me, late in life, to undertake the composition of an important string quartet, requiring that I once again confront the perennial challenge of that instrumental setting. The 25 minute work consists of four very diverse and contrasting movements. The first – Lento - Allegro - opens with a slow and mysterious introduction followed by a joyful rhythmic episode, while the second – Scherzando molto vivo – is simply virtuosic game-playing, with the four bows flying around freely. The third – Adagio – is very dramatic, slowly evolving into a mood of meditation and tenderness. The last movement – Allegrissimo – is an homage to contrapuntal style and requires great virtuosity on the part of the performers. The first performance was given March 6 2012 by the string quartet, Sine Nomine (the dedicacee), at the Théâtre de l’Octogone in Pully (Lausanne), Switzerland. Julien-François Zbinden, august 2011, Lausanne, Switzerland.
SKU: M7.KECF-158
ISBN 9790502361587. German English.
The Serenade KV 203 was written 1774 probably as a so called Finalmusik for the end of termat Salzburg University ansd was later dedicated to Archbishop Colloredo for his name day. The present Arrangement for solo violin, 2 violins and Cello is an ideal introduction to Mozart's Music for Young string Players. The work can as well be played with soloists as with an orchestra; the 2nd part is also printed for viola.
