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Improvising Jazz Piano
$29.99
- See more - Buy online
Lead time before shipment :
24 hours - In Stock
Format : Sheet music + CD
Written by John Mehegan. For piano. Includes instructional book and examples CD. With standard notation, chord names, instructional text and introductory text. Jazz and instructional. 104 pages. 9x12 inches. Published by Music Sales.
Instrumentation :
Piano solo
Publisher :
Music Sales
Level :
Sheet music extract
Improvising Jazz Piano
$ 29.99
Sheet music extract
Improvising Jazz Piano
$ 29.99
Song List
:
The Harmonic Vocabulary
The Seventh Chord System
Intervals
The Seventh Chord Symbols
Altered Triads
Altered Seventh Chords
Inversions
Jazz Rhythm
Ragtime/Stride Piano
Swing Piano
Bop Piano
Early Contemporary Jazz Piano
Contemporary Jazz Piano
The Improvised Line
Modes
Modal Improvisation
Modal Improvisation - Part 2
The Non-Modal Tones
Early Contemporary Left Hand Voicings
Contemporary Left Hand Voicings
Seller information:
Sheetmusicplus
Place :
USA
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World wide shipping (
except EU countries!
, As of July 1, 2021 Sheet Music Plus does not ship physical goods to EU countries)
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From the World's most popular improv method. Every note is written exactly as played by Jamey Aebersold with chord symbols, passing chords, pedal markings, etc. FIRST OF IT'S KIND. Total of 40 minutes of efficient,musical piano accompaniment written for two hands.
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Jazz Piano Studies 2
Piano solo
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Starting Improvise Jazz Piano
Piano solo
Boosey and Hawkes
Jazz est originaire des Etats-Unis où la musique de l'Afro-américains, qui ont...
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Jazz est originaire des Etats-Unis où la musique de l'Afro-américains, qui ont été prises d'Afrique de l'Ouest comme esclaves dans les XVIIIe et XIXe siècles, combinée avec les traditions européennes telles que la musique d'église et fanfares. La musique est dominée par des rythmes fortes et improvisations - constituant comme vous allez le long !Ce livre est pour les étudiants de tout âge qui veulent en apprendre davantage sur l'improvisation jazz au piano. Il se compose de dix unités, chacune caractérisée par une sensation rythmique différente communément trouvée dans le jazz d'aujourd'hui. Le travail se développe à partir d'une improvisation de trois note dans l'unité 1, pour une pleine seize bar morceau dans trois différentes clés et le matériel doit être apaisés progressivement. Chaque unité contient des exercices et des idées conduisant à une pièce principale, ainsi que des suggestions d'activités de groupe supplémentaire.Le livre devrait être utilisé avec l'aide d'un enseignant, si possible, même si l'enseignant n'a ne peut-être pas eu beaucoup d'expérience de l'improvisation - enseignant et l'élève peuvent apprendre ensemble. Pour les jeunes joueurs, le second... / Piano
52.10 EUR - Sold by LMI-partitions
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Piano solo
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Intermediate
Amsco Wise Publications
Piano / Amsco Wise
32.60 EUR - Sold by Note4Piano
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Jazzin' The Blues (COROZINE VINCE)
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist t...
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Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano
28.80 EUR - Sold by LMI-partitions
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Improvising Jazz Piano: Piano: Instrumental Tutor
Piano solo
Music Sales
Improvising Jazz Piano. A brilliant and instructive treatise on the principles o...
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Improvising Jazz Piano. A brilliant and instructive treatise on the principles of jazz piano improvisation. Deals with all aspects, including a survey of piano styles from 1900 (stride piano) to the present day (contemporary jazz piano). A book which will prove of immense value to both professional pianists and serious students of jazz piano.
27.99 GBP - Sold by Musicroom UK
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Essential Jazz Lines : In The Style Of Bill Evans (CHRISTIANSEN COREY)
Piano solo
[Sheet music + CD]
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Intermediate
Mel Bay
Par CHRISTIANSEN COREY. Bill Evans (1929-1980) is one of the highest regarded ja...
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Par CHRISTIANSEN COREY. Bill Evans (1929-1980) is one of the highest regarded jazz pianists in the history of jazz. His harmonic and rhythmic language in combination with superb taste and technical perfection places him in a category by himself. His style of harmonization and improvisation has been an inspiration to countless pianists as well as other instrumentalists in the field of jazz. This book of original musical studies and analyses by Corey Christiansen and Per Danielsson is designed to help you develop your own personal improvising style. It presents numerous musical lines with chord symbols in the style of Bill Evans, grouped by the harmony they can be used against. The accompanying play-along CD provides a rhythm section backup for each of the exercises. To help the player master all keys, each section also has a play-along on the CD that modulates around the circle of fourths. Some of the techniques used in the style of Bill Evans are discussed and examples shown, helping musicians analyze each of the ideas presented, further insuring mastery of these ideas. When assimilated into the student's musical vocabulary, these ideas will help students create their own original jazz solos. Also available in Japanese from ATN, Inc. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Piano
23.60 EUR - Sold by LMI-partitions
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Jamey Aebersold: Jazz Piano Voicings From Volume 54 Maiden Voyage: Piano:
Piano solo
[Sheet music]
Jamey Aebersold Jazz
See why Jamey’s concise and logical Piano comping has set a standard for s...
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See why Jamey’s concise and logical Piano comping has set a standard for swinging accompaniment accessible to all musicians. Comping/chords to the changes of Impressions Satin Doll Maiden Voyage Footprints Doxy Summertime and many more!! Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of theexciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools. Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment! Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books. Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.
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Jamey Aebersold: Jazz Piano Voicings From Volume 50: Piano: Instrumental Album
Piano solo
Jamey Aebersold Jazz
Incredible professional comping over the changes of landmark Miles Davis composi...
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Incredible professional comping over the changes of landmark Miles Davis compositions by a noted master including: So What (slow) So What (fast) All Blues Blue In Green Nardis Eighty One Freddie Freeloader and more!!Why you should consider this and other Aebersold piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what’s he doing there?' Now you’ll know! Here as never before is an opportunity to see REAL jazz piano voicings and comping over REAL songs in REAL live musical settings. These historic books contain NOTE-FOR-NOTE transcriptions exactly as recorded of the exciting piano accompaniment from the World FamousAebersold Play-A-Long series. Not just for pianists there are many ways for ALL MUSICIANS to use these wonderful musical tools.Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally TURN HIM OFF (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you’ll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they’ve heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.
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Jamey Aebersold: Transcribed Comping From Vol.41: Piano: Instrumental Album
Piano solo
Jamey Aebersold Jazz
Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring ...
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Note-for-note Piano transcription book from Vol. 41 'Body And Soul' - featuring Dan Haerle. A rich sampling of Dan’s marvelous comping over selected choruses of 10 timeless standards. Includes: Misty What’s New Teach Me Tonight Body And Soul Alone Together That’s All Time After Time and more!Why you should consider this and other Aebersold Piano voicing transcription books: Ever listen to a great jazz pianist and wonder 'what's he doing there?' Now you'll know! Here as never before is an opportunity to see real jazz Piano voicings and comping over real songs in real live musical settings. These historic books contain note-for-note transcriptions exactly as recorded of the exciting piano accompaniment from the World Famous Aebersold Play-A-Long series. Not just for pianists there are many ways for all musicians to use these wonderful musical tools: Pianists: First listen closely to the pianist on the respective Play-A-Long recording (sold separately). Next reading from the book play along with him imitating his style. Finally turn him off (using the special stereo separation on all of our CDs) and play along by yourself with the bass and drums. With the techniques learned you'll soon be improvising your own accompaniment!Non-Pianists: Horn players arrangers and vocalists can use these books like dictionaries to look up favorite voicings they've heard on a particular Play-A-Long track. Written clearly for two hands even the most novice pianist can play many sections of these books.Teachers/Educators: Give your combo piano students instant jazz voicings and harmonies over a variety of Standards and styles. As personal tools they will enhance your own understanding of voicings and voice movement and provide you with better skills for accompanying your students.
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Haas, Oswin : Pianopoly Vol.1
Piano solo
[Sheet music + CD]
OHMusic - Pianopoly
La Méthode de piano multi-approches, pour enfants à partir de 8 ans et adultes...
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La Méthode de piano multi-approches, pour enfants à partir de 8 ans et adultes. Convient pour des cours individuels. En 2 Volumes. / Partition CD / Spirale /
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Haas, Oswin : Pianopoly Vol.2
1 Piano, 4 hands
[Sheet music + CD]
OHMusic - Pianopoly
La Méthode de piano multi-approches, pour enfants à partir de 8 ans et adultes...
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La Méthode de piano multi-approches, pour enfants à partir de 8 ans et adultes. Convient pour des cours individuels. En 2 Volumes. / Méthodes
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Jazz Piano
Piano solo
Schott
Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards...
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Le nouveau livre 'Piano Jazz ' Volume 1 de l'auteur anglais - vente Tim Richards s'appuie sur les bases de 'Piano Blues ' . Il présente les principes de l'harmonie du jazz et de l'improvisation depuis le début avant et conduit le pianiste avancé dans les différents types d'accords typiques de jazz , en commençant par les triades majeures et mineures à septième et neuvièmes accords par tous les styles de jazz des années quarante années utilisées à ce jour . Si vous jouez dans un groupe , donner des leçons de piano ou tout simplement jouer à la maison - vous êtes avec ' Jazz Piano ' avez beaucoup de plaisir !Tim Richards combiné vingt-huit de ses propres morceaux avec des arrangements spéciaux tels que des normes de jazz bien connus comme 'Feuilles d'automne' , ' Fly Me To The Moon ', ' In A Sentimental Mood ', ' l'homme montagne ' , 'On Green Dolphin Street ', ' Song For mon Père ',' Straight No Chaser 'et' Take The A - train ' . Deux chansons transcrites par Thelonious Monk et Horace Silver fournissent une source inépuisable de techniques de jazz authentiques vous pouvez travailler à travers la reconstitution .Dans tous les chapitres , l'aide et des conseils importants sur l'improvisation sont donnés . Vous obtiendrez beaucoup de suggestions sur la façon dont vous pouvez construire individuellement sur le matériel d'étude présenté et trouver votre propre vocabulaire de jazz personnelle :- Rapports de cordes et des échelles- Modes- Broken Chords et échelles motif- Echelles pentatoniques et blues- Marche des lignes de basse- Rythmes latins et des lignes de basse- Improvisatoin horizontale et verticale- Composés II-V I- Substitution de Tritone- Voicings à deux mains- Des exercices techniques et doigté- Styles d'accompagnement- Formation de l'oreille- Propositions pour écouterLe CD contient des enregistrements de toutes les pièces , la plupart avec basse et batterie accompagnement . Ils peuvent être utilisés comme un Play-Along - un moyen important d'apprendre le jazz sans beaucoup de détours . / Piano
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Jazz Album - 12 Solos in the Styles of Jazz Greats (STEFANUK MISHA)
Piano solo
[Sheet music + CD]
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Intermediate/advanced
Mel Bay
Par STEFANUK MISHA. Après les livres Best-seller, cordes de Piano Jazz, Jazz Pi...
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Par STEFANUK MISHA. Après les livres Best-seller, cordes de Piano Jazz, Jazz Piano échelles et Piano Jazz pour le jeune débutant, présentés ici sont 12 pièces écrites dans les styles de célèbres pianistes de jazz du passé. Scott Joplin et Jelly Roll Morton à Oscar Peterson et Bill Evans, cette collection est dirigée vers les pianistes classiques niveau avancé qui veulent pimenter leur répertoire avec les sons de Art Tatum ou Erroll Garner, sans avoir à improviser. Chaque composition commence par une courte biographie du pianiste vedette et est accompagnée d'un CD avec trio complète d'enregistrement. / Niveau : Intermédiaire à Avancé / Jazz - Solos / Recueil / Piano
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Hayashi E. - Etudes For Jazz Piano - Conversation Of The Hands
Piano solo
Jamey Aebersold Jazz
A must have for all pianists seeking a creative approach to developing left and ...
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A must have for all pianists seeking a creative approach to developing left and right hand coordination. The exercises and solos (based on the chord changes to well-known standards) are rhythmic, colorful, and fun to play. The chapters cover six specific areas of left hand development and left/right hand integration, with practical application from standard jazz tunes in the form of musical solo piano pieces. This book will definitely be an essential part of your practice routine. Besides improving your hand coordination, it will challenge you to think differently about it. All of the concepts are easily applicable to the real world. Highly endorsed! Pianist Emiko Hayashi has written a very comprehensive, challenging yet very accessible method book. With exercises designed for left hand alone and exercises designed to develop interplay between the hands, I wholeheartedly recommend this book. I\'ve already started practicing! - Kenny Barron In Etudes for Jazz Piano Emiko Hayashi illuminates a challenge that faces scores of jazz pianists at all levels; that of integrating the left hand in improvisation in a meaningful way, not only as an accompanist, but as an integral part of the whole. By taking various jazz standards and creating etudes specifically for the left hand as well as for developing coordination and the conversational aspects between the left and right hands, Ms. Hayashi illustrates many possibilities for expanding one�s technical and expressive range. I would think this set of etudes would be extremely useful to jazz pianists at any stage of development since the obvious outcome of the study will improve one�s ability to play melodically and expressively throughout the keyboard, without regard to the traditional roles of the left and right hands. - Todd Coolman It is understood that all musicians must play piano. Emiko\'s book fills a void for non-pianists addressing specific technical problems which will help towards being able to use the piano to improve and enlarge one\'s playing and composing, no matter what instrument you play. This is a hands-on book directed towards immediate results. - David Liebman
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Laverne A. - Chords In Motion - Piano
Piano solo
Jamey Aebersold Jazz
Noted jazz pianist, composer, recording artist and educator Andy LaVerne has dra...
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Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation
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Exploring Jazz Vol.2
Piano solo
[Sheet music + CD]
Schott
Décerné le prix prestigieux de la Association sur les Industries de la musique...
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Décerné le prix prestigieux de la Association sur les Industries de la musique en 2006 pour la meilleure Publication Pop, Tim Richards Exploring Jazz Piano a été la suite tant attendue de son célèbre improvisant Blues Piano, également publié par Schott. Le niveau global est somewha / Piano
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Jazz Piano Ad-Lib Phrases (IWASE AKIMITSU)
Piano solo
-
Intermediate
Mel Bay
Par IWASE AKIMITSU. Le contenu de ce manuel est des exercices d'entraînement et...
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Par IWASE AKIMITSU. Le contenu de ce manuel est des exercices d'entraînement et des exemples pratiques. Les sections de formation comprennent diverses combinaisons et patrons qui aideront dans l'élaboration d'une approche de jazz ressemblant. Ces exercices peuvent être considérés comme matériau de base pour développer vos propres phrases ad-lib. Comme pour les exemples pratiques, les phrases incluses ici ne sont pas prises littéralement de toute particulière pianiste de jazz, mais plutôt incarnent des patrons bien connus typiques du bebop et ères post-bebop. Destinée aux étudiants intermédiaires de développer leur potentiel de solos d'ad-lib, mais elle est aussi bien pour les débutants à former leurs doigts et les oreilles pour l'avenir. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Piano
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Tim Richards: Improvising Blues Piano: Piano: Instrumental Tutor
Piano solo
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Intermediate
Schott
The basic principles of blues piano explained for the intermediate-level pianist...
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The basic principles of blues piano explained for the intermediate-level pianist-The forerunner to the awarded-winning Exploring Jazz Piano books Improvising Blues Piano examines the harmonic rhythmic and melodic aspects of the blues assuming a basic competence of around grade 3.All styles are covered from the 1920s to the present from the early boogie pioneers via swing gospel jump-jive New Orleans Chicago and Kansas City schools to the more sophisticated jazz and funky blues of the current scene. Over 60 pieces including many original compositions by the author together with new arrangements of well-known standarts such as 'Ain't No Sunshine' 'Blueberry Hill' 'Blue Monk' 'Got My Mojo workin' 'Honky Tonk Train Blues' 'How Long Blues' 'Just aCloser Walk with Thee' 'Pine Top's Boogie Woogie' 'St Louis Blues' etc.? Authentic left-hand patterns and bass lines? Professional chord voicings blues scales licks and riffs? Co-ordination exercises for both hands? Suggested listeningEach chapter is graded within itself providing some challenging pieces towards the end. Improvising is encouraged at all stages with assignments giving ideas and guidance.The accompanying CD contains all the pieces including some play-along tracks performed by Tim Richards.A very useful and comprehensive survey of different blues styles. Tim's clear demonstrations on the accompanying CD make this the essential book for all aspiring blues pianists (Jools Holland)This book leaves any possible competition standing at the post. (Brian Priestley Jazzwise Magazine)I highly recommend the book. It's the best I've seen yet... Helpful features include a grat Cd by the London-based Richards who is a top-notch performer recording artist and educator. It's almost like having your own personal instructor. (Blues Review USA)The presentation is immaculate the method is logical and friendly. This book feels good... (MOJO)A brilliant new publication from Schott. Each chapter extends the player's harmonic knowledge and gives clear instructions how to progress... You learn not just how to play the blues but also its history and major exponents.
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Tim Richards: Exploring Jazz Piano 1: Piano: Instrumental Tutor
Piano solo
[Sheet music + CD]
Schott
Awarded the prestigious Music Industries Association Award in 2006 for Best Pop ...
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Awarded the prestigious Music Industries Association Award in 2006 for Best Pop Publication Tim Richards' Exploring Jazz Piano was the long-awaited follow-up to his acclaimed Improvising Blues Piano also published by Schott. The overall level is somewhat higher and would suit pianists of Grade 4 standard and above. The book comes in two volumes comprising no less than 56 original pieces by the author together with special arrangements of 24 standards ranging from Autumn Leaves and Summertime to Straight No Chaser and Coltrane's Impressions.The two volumes also contain over 800 musical examples a veritable treasury of styles and techniques for the aspiring jazzpianist and refers to the work of Erroll Garner Art Tatum Duke Ellington Thelonious Monk Bud Powell Horace Silver Hampton Hawes Red Garland Wynton Kelly Bill Evans George Shearing Oscar Peterson Chick Corea McCoy Tyner and many others. Each volume has its own CD containing between them performances of all 80 pieces played by Tim alone or with his current trio of Dominic Howles (bass) and Matt Home (drums). Play-along tracks are also included in which the piano is panned to one speaker providing rhythm section accompaniment if desired by turning the amplifier's balance control. Copious examples of improvisation are accompanied by numerous assignments with guidance to hand on every page. The package is beautifully illustrated with many full-page photographs of piano masters past and present informative mini biographies and a comprehensive suggested listening section. The practical covered spiral binding protects the books as well as enabling them to lie flat on the music stand.Exploring Jazz Piano fills a vacuum in jazz piano instruction its comprehensive syllabus taking the reader from first principles in Vol. 1 to professional level in Vol. 2. Any student of jazz piano piano teacher or performing musician dipping into either volume will be rewarded with a wealth of ideas and practical information to keep them occupied for many
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Jazzabilities Book 1: Piano: Instrumental Tutor
Piano solo
[Sheet music + CD]
Willis Music
This series explores the exciting and ever-changing world of Jazz showcasing th...
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This series explores the exciting and ever-changing world of Jazz showcasing the wide range of styles and techniques that characterise this often complex and perplexing music!Designed to be used in tandem with the Jazz Connection series Jazzabilities boasts a logical set of studies and exercises designed to help you get your hands around the Jazz Piano styles of today. Rather than intimidating you with unnecessary theory these simple exercises will help you grasp the nuances of Jazz in easy bite-sized portions. The audio CD not only supports every example there's also a host of tracks constructed to get you improvising providing valuable earlyexperience in the fun and excitement of creating your own solos!
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Jamey Aebersold: Jazz Piano Voicing Vol.1: Piano: Instrumental Tutor
Piano solo
Jamey Aebersold Jazz
Complete Piano transcription book from Vol. 1 'How To Play and Improvise' - feat...
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Complete Piano transcription book from Vol. 1 'How To Play and Improvise' - featuring Jamey Aebersold from the World???s most popular improv method. Every note is written exactly as played by Jamey Aebersold with chord symbols passing chords pedal markings etc. Total of 40 minutes of efficient musical piano accompaniment written for two hands.
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