Lo, How a Rose

Congregational with optional choral harmony this Mass set by Peter Rose to the new English translation has recently been approved by the Bishops' Conference of Scotland and the ICEL Washington. The Mass and its accompanying Hymn (The Peace of God) were written in honour of the sixth century Irish missionary St.Cairell who founded the sacred site of Cille Choirill in the Braes of Lochaber in the West Highlands of Scotland.There are also two other editions of this music:(i) Choir Only Edition (Mass with Hymn: RCM113)and(ii) Congregation Melody Edition (Mass only: RCM111)Should you require any further information regardingthe licensing procedures and permission for photocopying the words or music for liturgical use please contact: info@roseconlonmusic.co.uk (01397712882)

The third of a set of four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the University of St Andrews Chapel Choir, University of Aberdeen Chamber Choir and the Edinburgh University Chamber Choir, conducted by Michael Bawtree on October 28th, 29th and amp - 31st 2010. / SATB

Four madrigals on rose texts, 'Now Sleeps the Crimson Petal', for SATB (with divisi). Commissioned by John Armitage Memorial and first performed by the joint choirs of the University of St Andrews Chapel Choir, University of Aberdeen Chamber Choir and the Edinburgh University Chamber Choir, conducted by Michael Bawtree onOctober 28th, 29th and 31st 2010. / SATB

There is no rose of such virtue is an anonymous mediaeval text, already well known through beautiful settings by Britten (in his Ceremony of Carols), John Joubert and others. The poem is 'macaronic' (it presents a verse in English, followed by a varying Latin refrain). This new version follows the illustrious examples above by remaining strophic and presenting broadly the same music in a succession of slightly different guises. The first verse is a straightforward four-part setting, the second gives the melody to the tenors and surrounds them with hushed, wordless writing for the other parts, and the third explores a freely canonic relationship between the tenor and soprano lines before carrying the previous verse-endings to a higher, more exalted pitch and mood. The fourth verse then expands its texture in a free climactic passage evoking the songs of praise sung by the angels. This subsides towards the final verse, where the texture of the music attenuates again to four parts, and canonic writing (based on the first four notes of the original melody) permeates all of them. This slightly extended statement leads to a hushed final cadence. Francis Pott (b. 1957) began musical life as a chorister at New College, Oxford. He held open music scholarships at Winchester College and at Magdalene College, Cambridge, where he studied composition with Robin Holloway and Hugh Wood while pursuing piano studies privately in London with the distinguished British artist, Hamish Milne. Throughout the 1990s Francis was John Bennett Lecturer in Music at St Hilda's College, Oxford, and a lay clerk in the Choir of Winchester Cathedral. In 2001 he became Head of London College of Music, University of West London, later leading research across the University's Faculty of Arts and acceding in 2007 to its first Chair in Composition. Francis Pott has become recognised particularly for his sacred choral and organ music. This has been performed in concert and on radio in over three dozen countries worldwide, published by four major UK houses and released extensively on CD. Winner of four national composition awards, in 1997 he received first prize in the piano solo section of the S. S. Prokofiev Composing Competition, Moscow. In 2006 and 2011 he was a nominated finalist in the BASCA/BBC Annual Composer Awards. In summer 2012 he was winner of the international composing competition of the Cheltenham Festival, which sought new piano variations on the arioso song Bist du bei mir, well known in the arrangement by J. S. Bach. Francis lives with his wife and two children on the outskirts of Winchester. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. / Choeur Mixte (SATB)

GREGOIRE NOUVEL ALBUM ' LES ROSES DE MON SILENCE '. Après plus d'un million et demi d'albums vendus et sa récente participation au projet Thérèse (disque de platine en quelques semaines), Grégoire revient avec un nouvel album résolument pop. De l'intimiste à l'orchestral, Grégoire y garde la magie des mots simples qui touchent au coeur, pour le plus grand bonheur de ses fans. Retrouvez toutes les chansons de l'album en transcriptions piano, voix et diagrammes d'accords guitare / Piano/Vocal/Guitare (PVG)

Apprenez 5 titres des Guns'N'Roses avec Danny Gill. 2 DVD soit plus de 4 heures de cours. / Guitare / niveau : Débutant/Intermédiaire / Dvd

Par KURT ROSENWINKEL. Enregistrements impressionnantes et performances live hypnotisant ont scellé réputation du guitariste jazz Kurt Rosenwinkel comme l'un des acteurs plus novatrices et des compositeurs sur la scène actuelle. La nouvelle publication de Mel Bay est une transcription de l'enregistrement live très célèbre côte est Love Affair. Cet ouvrage offre des transcriptions de solos de Kurt de tous les airs de huit de l'album. Chaque solo est analysé et les informations présentées pour aider le joueur à comprendre ce que Kurt fait dans chaque pièce. Le livre est présenté dans la tablature et notation standard. Pour le joueur de guitare avancé. / Niveau : Avancé / Jazz - Solos / Tablatures / Guitare Tablatures

from Les Chansons des Roses-In addition to his vast output of German poetry Rainer Maria Rilke (1875-1926) composed nearly 400 poems in French. His poems on roses struck me as especially charming filled with gorgeous lyricism deftly crafted and elegant in their imagery. These exquisite poems are primarily light joyous and playful and the musical settings are designed to enhance these characteristics and capture the delicate beauty and sensuousness of the poetry. Distinct melodic and harmonic materials recur throughout the cycle especially between Rilke''s poignant 'Contre qui rose' (set as a wistful nocturne) and his moving 'La rose complète.' The final piece 'Dirait-on ' is composed as a tuneful chanson populaire or folksong that weaves together two melodic ideas first heard in fragmentary form in preceding movements. 'Les Chansons des Roses' was premiered and recorded in 1993 by Portland Oregon ''s celebrated chamber choir Choral Cross-Ties conducted by Bruce Browne. The complete cycle has been widely performed since then and also recorded by the Los Angeles Master Chorale Los Angeles Chamber Singers Nordic Chamber Choir and tonight's performers the Donald Brinegar Singers. (Morten Lauridsen)

Edition c. La popularité de la musique celtique a explosé au cours des dix dernières années en raison de la recrudescence des instruments folk, danse celtique et la culture irlandaise globale. Cette étonnante collection réunit plus de 400 chansons d'Irlande, Ecosse et du pays de Galles - complet, avec des paroles gaéliques, le cas échéant - et un guide de prononciation. Titres comprennent: à travers l'ouest de l'océan o avec mon amour, j'irai o autel Isle o ' la mer o Auld Lang Syne o Avondale o The Band Played On o o Barbara Allen bénédiction de la route o o The Blue Bells of Scotland The Lass Bonniest o o A Bunch of thym The Chanty que captif le o de la sorcière Colomb était un irlandais o o Danny Boy de Duffy bourdes o Erin ! OH Erin ! o o de sillage du père Murphy o Finnegan Galway Piper o la fille j'ai laissé derrière moi o a quelqu'un ici vu Kelly o je sais où je suis Irish Rover Goin ' o o Loch Lomond o o Molly Malone My Bonnie trouve au-dessus de l'océan o mon o Rose irlandais sauvage les rives du Amerikay o The Sons of Liberty o qui est un o berceuse irlandais lorsque irlandais Ey... / Instruments En C / 256 pages / Partition

In addition to his vast output of German poetry Rainer Maria Rilke (1875-1926) composed nearly 400 poems in French. His poems on roses struck me as especially charming filled with gorgeous lyricism deftly crafted and elegant intheir imagery. These exquisite poems are primarily light joyous and playful and the musical settings are designed to enhance these characteristics and capture the delicate beauty and sensuousness of the poetry. Distinct melodicand harmonic materials recur throughout the cycle especially between Rilke's poignant “Contre qui rose” (set as a wistful nocturne) and his moving “La rose complète.” The final piece “Dirait-on ” is composed as a tuneful chanson populaire or folksong that weaves together two melodic ideas first heard in fragmentary form in preceding movements.--Morten Lauridsen

Three French Canadian folk songs make a superb set for any concert program. This selection shares the spring pastime of a young girl collecting the first white rosebuds of the season. Provided in the original French all three songs enable an exploration in French-speaking Canada. J'AI CUELLI LA BELLE ROSE PETIT ROCHER and EN ROULANT MA BOULE ROULANT.

A collection of 25 traditional melodies written in standard music notation as well as autoharp tablature. Accompaniment chords are indicated. The melody-playing techniques used are explained here in detail. A professional performance audio which provides more than an hour of listening pleasure to all of the tunes, including "Wild Mountain Thyme," "My Luv is Like a Red," "Red Rose," "White Cockade," "Corn Rigs," "Auld Lang Syne" and more. Includes access to online audio.