Harry Connick, Jr.: It Had To Be You

(from Sleepless in Seattle) Discovery Level 2-It's the perfect buddy song! Recorded by Harry Connick Jr. and featured in the classic film Sleepless in Seattle this arrangement is a fabulous showcase for treble choirs of all ages! With an easy swing and charming lyrics youcan't miss! Available separately: 2-Part VoiceTrax CD. Duration: ca. 2:30.

Originally made famous by Duke Ellington this jazz standard has been sung by everyone from Frank Sinatra to Harry Connick Jr. Enjoy this swinging setting from Mark Brymer. Available separately: SATB SAB SSA ShowTrax CD. Rhythm parts available digitally (gtr b dm). Duration: ca. 2:45.

Originally made famous by Duke Ellington this jazz standard has been sung by everyone from Frank Sinatra to Harry Connick Jr. Enjoy this swinging setting from Mark Brymer. Available: SATB SAB SSA Instrumental Pak ShowTrax CD. Performance Time: Approx. 2:45.

(from Sleepless in Seattle)-Recorded by Harry Connick Jr. and featured in the film Sleepless in Seattle singers and listeners will love the easy swing feel and just the right touch of nostalgia. A great piano accompaniment supports the vocals for a fantastic showcase for school and community choirs!

Discovery Level 1-Originally recorded by Andy Williams and most recently by Harry Connick Jr. this Christmas standard exemplifies all the excitement and joy of the season. This light-hearted setting will be easy to learn and a definite audiencepleaser! Available separately: 3-Part Mixed 2-Part VoiceTrax CD. Duration: ca. 1:45.

The American Song Book contains beautiful reproductions of original sheet music of the Tin Pan Alley Era. This book places these songs in historical context and provides fascinating and amusing backgrounds to the songs. Based on original archival research. The American Song Book Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music including covers of songs that constitute the enduring standards of Irving Berlin Jerome Kern the Gershwins and other lyricists and composers of what has been called the 'Golden Age' of American popular music. These songs havedone what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year generation after generation by jazz artists such as Charlie Parker and Art Tatum Ella Fitzgerald and Louis Armstrong. In the 1950s Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet Doris Day Willie Nelson and Linda Ronstadt. In more recent years these songs have been reinterpreted by Rod Stewart Harry Connick Jr. Carly Simon Lady GaGa K.D. Laing Paul McCartney and most recently Bob Dylan. As such these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley the emergence of American musical comedy on Broadway and the 'talkie' revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters performers and impresarios such as Florenz Ziegfeld. In addition they analyze the lyrical and musical artistry of each song and relate anecdotes sometimes amusing sometimes poignant about how the songs were created. The American

Drum Play Along-Performed by Hal Smith drumsAccompaniment: Tim Laughlin's New Orleans All-StarsMany people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well asJoseph ?King? Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The wholeMarsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of manystreet parades and steamboat gigs and asked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of thiscity which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuringcomplete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow tempo versions of most up-tempo pieces for practice purposes.

Contenu : Almost Blue [Krall, Diana] Crawling Up A Hill [Melua, Katie] Frontin' [Cullum, Jamie] Hallelujah, I Love Him So [Cassidy, Eva] I Threw It All Away [Dankworth, Jacqui] I'm Beginning To See The Light [Teal, Clare] In The Dark [Holland, Jools] [Jones, Norah] In The Morning [Jones, Norah] Narrow Daylight [Krall, Diana] Perfect 4/4 [Paulusma, Polly] Pointless Nostalgic [Cullum, Jamie] Put Your Head On My Shoulder [Buble, Michael] Turn Out The Stars [Monheit, Jane] What A Little Moonlight Can Do [Tyrell, Steve] What The World Needs Now Is Love [Kent, Stacey] You Don't Know Me [Connick Jr., Harry] You're Mine You [Cole, Natalie]

Performed by Tim Laughlin clarinet Accompaniment: Tim Laughlin's New Orleans All-Stars. Many people consider New Orleans the birthplace of jazz. After all Louis Armstrong was born and played there as well as Joseph King Oliver the Dodds Brothers Sidney Bechet and a roster of players to fill not one but many all-star bands. Louis Prima was a child of the Crescent City as is Harry Connick and Wynton Marsalis. The whole Marsalis clan was raised there and are all acknowledged jazz masters so its reputation as the seminal jazz town has long been acknowledged. We assembled a band of New Orleans' best players for our times veterans all of many street parades and steamboat gigs andasked them to put together a typical program of New Orleans Classics. Under the direction of Tim Laughlin clarinetist supreme and led by Connie Jones Jr. one of the great hornmen of this city which boasts so many great players they put together an album of must-hear must-have songs that every traditional jazz player cherishes. Hear them now in these perfect renditions. Then join the band on your own instrument be it clarinet trumpet trombone tenor piano bass or drums as they swing through the French Quarter of New Orleans. Includes newly engraved solo charts printed on acid-free ivory paper; and two compact discs featuring complete versions of each tune plus a recording of the accompaniments minus the soloist. Also includes slow-tempo versions of most up-tempo pieces for practice purposes.

Compilation. Arrangements faciles pour piano de 10 morceaux de jazz. / Niveau : Assez Facile / Rép International / Recueil / Piano