Harrison Mark Piano Styles Of 23 Pop Masters + Cd - Piano Solo

Piano Blues vous apprendra les techniques de base indispensables pour vous initier au blues. Des accompagnements jusqu'aux solos, vous apprendrez la théorie, les plans et même les astuces qu'emploient les pros du blues. Pour parfaire vos acquis, il y a même sept morceaux complets et originaux dans différents styles. Ecoutez le CD et asseyez-vous au piano ! Sommaire : Gammes et accords - Plans main gauche - Lignes de walking bass - Accompagnements - Finals et turnarounds - Techniques main droite - Solos fondés sur les gammes blues - Plans de résolution... / Piano

The Complete Guide with Audio!-Mark Harrison's Modern Pop Keyboard has been created to teach the basic skills required to play Keyboard in a modern pop style - from comping to soloing from grand to Piano synth pads you'll learn the theory the tools and the techniques used by the pros. This book covers: scales and chords harmony and voicings comping styles rhythmic concepts Piano and synth techniques and more. The online audio demonstrates most of the music examples in the book. Modern Pop Keyboard now includes Playback a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keysand pan left or right.

A Guide for Complementing Melodies on the Keyboard. The topic of applying harmony to melodies can be intimidating to the beginning keyboard player, but it doesn't have to be! Pianist, composer/arranger, educator, and author Mark Harrison takes you through all the necessary steps for building harmonies to accompany any melody, whether they come from hit tunes or your own original material. Topics covered include: basic harmonization with triads · harmonization with 7th chords · working with major, minor, and modal tonalities · expanding and enhancing arrangements · and more. All of these concepts are demonstrated with over 90 accompanying audio tracks, featuring solo piano, full band, and melody with drums, that span a wide variety of styles! Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

On Track-13 specially commissioned pieces which aim to breathe new life into a largely neglected component of the GCSE/Key Stage 4 Music syllabus Ensemble Performance.On Track comes complete with a CD-Rom containing all theparts for all the pieces and transpositions for any instrument and these parts come with a licence for printing as many copies as needed directly from the CD-Rom. A separate 'audio' CD also contains recordings of every piece.The book contains scores for each piece and extended notes by the composers to aid in the preparation of the music; there are 5 pieces for fixed ensembles and 8 pieces for flexible ensembles.The editor of the compilation Sadie Harrison comments: 'Playing in an ensemble with one's peers is perhaps the most rewarding and satisfying thing to do as a young performer and it is crucial to nurture this element ofGCSE courses to reflect this. On Track is a fantastic collection of many different styles approaches and sounds. There is something in here for everybody at whatever level and on whatever instrument. This is what GCSE Musicteachers are crying out for and finally here is something that really hits the mark.' Harrison's comments are echoed by recent examiners' reports from EdExcel one of the largest examiners of GCSE music. Theydescribe how the music they heard in examinations demonstrated 'an extreme range of standards and revealed evidence of the very wide range of instruments in use'. The AQA (Assessment and Qualification Alliance) Examiners' reportin 2004 warns schools against allowing their students to present solo music with a piano accompaniment played by a teacher or with a CD accompaniment for the ensemble performance component. It continues saying that 'it is of utmost importance that the chosen ensemble allows the candidate to show rapport with the other player(s). This is a significant requirement with which many [examination] centres did NOT