Graceful Ghost Rag

Adapted from the well-known piano composition Graceful Ghost Rag here is William Bolcom's own very elegant and effective version for symphonic band. Written in a moderate ragtime tempo this work utilizes a transparent scoring style along with soloistic passages contrasted with brief soli features for various sections of the ensemble. Unique and rewarding.

Arrangements of three of Bolcom's famous piano rags: Poltergeist Graceful Ghost and Incineratorag.

Written at the request of the Lawson Trio this gracefully structured work contrasts atmospheric lyrical writing with bursts of turbulent fast music including a rather rough and wild scherzo. The three inner movements are based on English folk songs (The Lover's Ghost Ratcliffe Highway and The Trees they Grow so High).

Presented by Vic Firth-The second edition of the best-selling original Groove Essentials features a DVD and companion book/CD package with 53 brand new grooves and over 100 variations for intermediate to advanced players. Students will learn the difference between ghost and grace notes (while being encouraged to experiment with both in all six groove “families”) as well as important “go-to” grooves like the Train and Bo-Diddley beats. For more advanced players and professionals GE 2.0 introduces the concepts of groove construction interpretation and manipulation- training drummers to think like musicians in order to maximize their full potential. The DVDfeatures more than 70 new songs covering 4/4 2/2 6/8 and 3/4 time signatures with three levels of difficulty for 5/4 7/8 and 9/8 meters. On the 3-hour 45-minute DVD Igoe discusses and demonstrates each groove in multiple tempos alone and with a band with many patterns shown on both acoustic and on Roland HD-1 and TD-9 electronic drumkits. The grooves span rock funk R&B/hip-hop jazz (sticks and brushes) world/specialty extreme tempos all-purpose hybrid rideless classic and odd-meters. The companion play-Along book and CD contain (available separately) over 90 tracks including every song from the DVD in their full-length versions minus the drums; allowing drummers to expand their skills by playing any of the grooves with a band and recording themselves on audio or video (optional) to help facilitate the learning process. These tracks also supply a variety of fill-in and soloing opportunities to challenge advanced players. In addition the book features Igoe's extended “global tours” that will test even the most seasoned professionals chops creativity and stamina and as a “first of its kind” bonus there is a full-length orchestral play-along track designed to provide a taste of playing in a full orchestra complete with multiple moving tempos dynamics and feels.

Martin Luther. Par SCHNEIDER ENJOTT. On the occasion of the quincentenary of Reformation Day in 2017, the composer Enjott Schneider thoroughly studied Martin Luther the individual and all his contradictions. The result is a brilliant, demanding organ symphony which is perfect for concerts on the subject of Reformation and Martin Luther. The composer describes the five movements of the symphony as follows: '1st movement: Wir glauben all an einen Gott with its quintuplet-like beginning is very Gregorian in style, outlining the range of Lutheran emotionalism between the Middle Ages and the modern era. The irrationality of 'faith' ultimately has priority over any thought and evidence. At the beginning of the movement, sounds of knocking on wood remind of the nailing of the Ninety-Five Theses to the doors of churches in Wittenberg. The chorale melody sometimes hides with an almost rough medieval saltarello, referring to Luther's robustness and vitality with which he knew to carry away even common people. 2nd movement: In 1530, the electoral prince of Saxony presented to Luther at Coburg Castle the golden signet ring with the 'Luther rose' which became the symbol of his theology of grace. A white heart with black cross is fixed on a five-petalled rose. To him, 'white' is the colour of angels and ghosts, 'black' stands for the pain of crucification: 'The just shall live by faith, but by faith in the Crucified.' But the fact that the rose and the heart are the dominating symbols shows how Catholic Marian piety remained an ingredient of Luther's spirituality throughout his life. In line with the dominant five-petal structure of the rose, this movement was composed, to a large extent, in accordance with the floating, lyrical rhythm in 5/8 time. 3rd movement: The omnipresence of death and dying – from the plague and war to the never-ending dangers of daily life – was an essential part of the world view of that time. Fears ensued that might heighten into the grotesque, e.g. in the pictures of Hieronymus Bosch. The 'Danse macabre' was a popular motif in those years. Luther's chorale 'Mitten wir im Leben sind / mit dem Tod umfangen' from 1524 ('Enchiridion' from Erfurt) is based on the Gregorian chant 'Media vita in morte sumus' created in France around 750 and, with its idea of transience, inspired a simplistic air. 4th movement: The famous confession delivered at the Diet of Worms in 1521, 'I stand here and can say no more. God help me. Amen', are not Luther's words but the version later used as text for a pamphlet. However, it represents quite plainly the straightforwardness and inevitability of his mission. Musically, it was made into a 'perpetuum mobile', i.e. a dogged, ostinato and never-ending musical air. 5th movement: The 'Mighty Fortress', on the other hand, is one of the great symbols of Martin Luther which, with its shining C major key, embodies the Protestant ideology and willful nature of the Reformation unlike any other song. Heinrich Heine called it the 'Marseille anthem of the Reformation', Friedrich Engels the 'Marseillaise of the Peasants' Wars'. This disputability is not thought through to the end but rather interrupted: With a jubilant 'birdcall version' of the melody, the finale shows a rather chamber-music-like side of the 'ideals of freedom of Christians'.'/ Répertoire / Orgue

Budget Books, the sensational value for money series presents Movie Songs, arranged for PVG. 74 Songs, including Crouching Tiger Hidden Dragon, The Little Mermaid, Magnolia, Moulin Rouge, Notting Hill, Raiders of the Lost Ark, Shakespeare in Love, Terms of Endearment.

Initial to Grade 2. Trinity?s new Acoustic Guitar syllabus reinvents the popular Plectrum Guitar syllabus, keeping it vital and relevant to today?s guitarist by giving teachers and learners the flexibility to develop fingerstyle and plectrum playing. A selection of the best-loved pieces from the previous syllabus has been retained at every grade for continuity. This book contains all the exam pieces for Initial to Grade 2, covering a wide range of styles at each grade ? folk, acoustic, rock and pop styles, jazz, blues, country ? allowing candidates to follow distinct stylistic pathways as they progress. All pieces are printed in both tablature and standard notation so are accessible for any learner.