Am Grabe

SKU: CA.3115600

ISBN 9790007186777. Language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale.

SKU: CA.3115603

ISBN 9790007186784. Language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600.

SKU: CA.3115605

ISBN 9790007186791. Language: German/English.

Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score available separately - see item CA.3115600.

SKU: HL.49001154

ISBN 9790001010405.

SKU: BT.EMBZ14763

English-German-Hungarian.

Supplement Volume 14 of the New Liszt Edition contains mostly unpublished early versions of piano works from the last two decades of the composer s life. The bulk of the volume comprises pieces from Volume 3 of Années de pelerinage and the Weihnachtsbaum cycle. Of the latter, two complete early versions are extant. One of these consists of pieces which are shorter and more condensed than the final version. For performer and listener alike, it is an exciting experience to become familiar with this set of pieces in its early form.Among the individual pieces in this volume, the autograph version of the beautifully evocative Schlummerlied im Grabe is also published here forthe first time. Finally, Liszt s characteristically economical attitude to composing can be studied in the original form of what can be considered as the common starting point for La lugubre gondola I and II. The latest volume of the New Liszt Edition also contains a detailed preface in German, English, and Hungarian, including new results of research, five manuscript facsimiles, and critical notes. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition s contents are identical to those of the hardcover edition, except for the omission of the critical notes.

Dieser neue praktischen Zielen gerecht werdende Band basiert auf der neuen Liszt Ausgabe, erscheint allerdings ohne den Kritischen Bericht. Der neueste Band der Neuen Liszt-Gesamtausgabe umfasst ein detailliertes, neue Forschungsergebnisse enthaltendes Vorwort in deutscher, englischer und ungarischer Sprache.

Der vorliegende Band enthält die größtenteils unveröffentlichten Fru hfassungen von in den letzten zwei Jahrzehnten des Lebens des Komponisten entstandenen Klavierwerken. Das Ru ckgrat des Bandes bilden die Stu cke des III. Bandes der Pilgerjahre und aus Weihnachtsbaum. Von Letzterem sind zwei vollständige Fru hfassungen erhalten geblieben. Eine von ihnen besteht aus ku rzeren, kompakteren Stu cken als die endgu ltige Form. Fu r die Vortragenden und die ZuhörerInnen ist es ebenfalls ein spannendes Erlebnis, die Reihe in dieser fru heren Form kennenzulernen.