Gloria (Instrumental Parts)

Brass and organ-The Latin text from the Ordinary of the Mass for mixed voices brass (4 trumpets 2 tenor trombones bass trombone tuba) percussion and organ An accompaniment for orchestra without organ is also available. Full scores vocal scores and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1.

Paperback-The Latin text from the Ordinary of the Mass for mixed voices brass (4 trumpets 2 tenor trombones bass trombone tuba) percussion and organ An accompaniment for orchestra without organ is also available. Full scores vocal scores and instrumental parts are available on hire. The first movement of Gloria is available separately under the title Gloria 1.

Michael W. Smith's Christmas classic pairs Angels We Have Heard on High with a wonderfully original treatment of the angels' message “Gloria in Excelsis Deo!” Beginning quietly with the “Gloria”lyrics this fully orchestrated choral setting grows into an exuberant anthem of joy and praise for the newborn king! Performance Time: Approx. 3:40.Available separately: SATB SAB ChoirTrax CD and Instrumental ePak (Score andParts for Flute Oboe Trumpet 1 2 & 3 Trombone 1 & 2 Violin 1 & 2 Viola Cello Bass)

Missa Brevis est une messe pour Orchestre d?Harmonie et Choeur composée à la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France à l?occasion des célébrations dumillénaire de la naissance du Pape Léon IX à Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie Gloria Credo Sanctus Benedictus et Agnus Dei) conviennent autant à la liturgie catholique qu?à la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale où les cuivres prennent en charge la partie vocale. En tel cas il est conseillé de placer les cuivres à l?écart de la formation (sur une estrade par exemple) de façon à reproduire l?idée dedeux groupes indépendants. Dans le cadre d?une interprétation avec un grand Choeur les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites à l?origine pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl?interprétation de cette messe l?un des choix proposés ci-dessus s?impose. Il existe néanmoins une alternative qui consiste à interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d?un point devue artistique (variante) que pratique dans le cas où le Choeur n?a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d?Harmonie) il peut varier l?instrumentation selon ses préférences. Àce moment-là il peut confier un rôle d?accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées :1. Choeur de Clarinettes (de la Clarinette Mib à la Clarinette Basse)2. Choeur de Clarinettes + Saxophones3. Cuivres (Bugles Cors Barytons / Euphoniums Basses)4. Cuivres (2 Trompettes / 2 Trombones)5. Instruments à anches doubles (Flûte et Contrebasse à cordes optionnelles)6. Tutti7. Tous les Bois8. Tous les CuivresDans le cadre d?une interprétation par un Brass Band accompagné d?un Choeur il est préférable de supprimer l?option 1 (Choeur + Cuivres + Orchestre d?Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour ch?ur disponibles séparément.

Michael W. Smith's Christmas classic pairs Angels We Have Heard on High with a wonderfully original treatment of the angels' message Gloria in Excelsis Deo! Beginning quietly with the Gloria lyrics this fully orchestrated choral setting grows into an exuberant anthem of joy and praise for the newborn king! Performance Time: Approx. 3:40.Available separately: SATB SAB ChoirTrax CD and Instrumental ePak (Score and Parts for Flute Oboe Trumpet 1 2 & 3 Trombone 1 & 2 Violin 1 & 2 Viola Cello Bass)

Will Todd's Jazz Missa Brevis gives new life to the sung Latin Mass texts in an accessible, short setting which embraces a variety of jazz styles, from the swinging jazz waltz Kyrie to the up-beat Latin-groove Gloria. The smooth jazz ballad Sanctus, 7/8 Benedictus and soulful Agnus Dei complete this inspiring Mass setting. Underpinned by Todd's characteristic jazz harmonies and melodic craftsmanship, it is suitable for performance both liturgically and as part of a concert by mixed choirs of all abilities. The work can be accompanied by piano alone (as written or extemporised), jazz trio (piano, bass and drums) or jazz ensemble (alto saxophone, 2 trumpets and jazz trio - parts available separately). / Choeur Mixte (SATB) Et Instruments Divers

A Communion Setting-Remember is for congregational and keyboard with optional choir and instrumental parts. Sarah Watt's bluesy style is immensely attractive and devotional with immediately singable melodies which congregations will pickup with enthusiasm. She has set all the commonly used texts including the Acclamations and there is a very striking Lord's Prayer.The free CD includes a demonstration of every movement together with a choirand instruments.While writing this Mass setting I found combining the traditional with a more modern style of composition an inspiring and spiritual experience. Remember is a mixture of musical and cultural influences and was written with congregations in mind. Most of the choral writing is in four parts for mixed voices though I did find the Gloria worked best in two: this could be for congregation and choir or for men andwomen. 'I hope congregations and choirs will enjoy worshipping using the setting as a whole or feel free to use individual sections on their own' writes Sarah.

Based on Gloria-The beginning and ending fanfare sets the tone for an exciting arrangement by Vicki Tucker Courtney of the well-known French carol Gloria. A syncopated accompaniment along with the vocal meter change from 4/4 to 6/8 in the choruscreates energy throughout the music. The original chorus transitions to the familiar chorus building to a triumphant ending. The available brass ensemble parts add power and finesse. Instrumentation includes: Score Trumpet 1 Trumpet 2 Trombone Bass Trombone.

Music Minus One Drummer-A band with a great female lead singer is a winner. This book showcases the styles of legends such as Etta James Aretha Franklin Linda Ronstadt Gloria Gaynor Blondie and others. Tunes are true to the original tempo key and parts. In songs where there are multiple guitar or keyboard parts we demonstrate how to pick out the most important ones. Each book is customized for the individual instrument with instruction on determining those parts. You will find the signature parts of each song notated along with helpful hints on everything from sounds to style. Each song has a complete chord chart with measure numbers so that we can help you find where the licks happen in context.This book/CD pack is perfect to use as an educational tool a play along product or a rehearsal partner. Songs: At Last · Chain of Fools · Dancing in the Streets · Heatwave · I Will Survive · One Way or Another · Respect · We Are Family · When Will I Be Loved? · You're No Good.

Instrumental Accompaniment Set-This octavo comes from the Mass No. 2 by Gyorgy Orban which was written for the Palestrina chorus of Budapest. This Gloria from the mass is for mixed voices (SATB) with keyboard accompaniment.

Veni Emmanuel - Il est né - Ding Dong! - Nu zijt wellekome - Gloria in excelsis - In dulci jubilo-A Christmas Collage is a selection of internationally known Christmas songs. The following songs are included either in their entirety or as extracts: Veni Emmanuel Il est né le divin enfant Ding Dong! Merrily on High Nu zijt wellekome Gloria in excelsis Deo and In dulci jubilo. The instrumentation is for three Bb clarinets and a bass clarinet.

Instrumentation : 5 solo parts, choir and orchestra Version : study score Contenu : Preface - Vorwort - I. Magnificat anima mea (Chor) - II. Et exultavit (Sopran II) - III. Quia respexit (Sopran I) - IV. Omnes generationes (Chor) - V. Quia fecit mihi magna (Bass) - VI. Et misericordia (Alt/Tenor) - VII. Fecit potentiam (Chor) - VIII. Deposuit potentes (Tenor) - IX. Esurientes (Alt) - X. Suscepit Israel (Sopran I/II/Alt) - XI. Sicut locutus est (Chor) - XII. Gloria (Chor) Nombre de pages : 96 Langue : Latin Collection : Eulenburg Miniature Scores Format : ETP small

‘Rhapsody for Tienhoven’ is a short concert for saxophone and fanfare band. The solo part in its instrumentation distinguishes itself from the other saxophone solos.The soloist should be able to play both the alto and soprano saxophone.The piece consists of four parts which almost blend into one another.A four-tone motif (which is played a number of times by the soloist at the beginning) has been taken as the point of departure for this composition.This motif has been worked out in different ways and can be heard in a swing rhythm in the final part.This piece exacts a high standard of the soloist’s technical skills.The ‘Rhapsody forTienhoven’ was originally written for the fanfare band ‘Soli Deo Gloria’ from Tienhoven. ‘Rhapsody for Tienhoven’ is een klein concert voor saxofoon en fanfare-orkest. De solopartij onderscheidt zich qua instrumentatie van andere saxofoon-solo’s. De solist(e) moet zowel altsaxofoon als sopraansaxofoon spelen.Het stuk bestaat uit vier deeltjes die vrijwel in elkaar overlopen.Een vier-tonig motief (wordt in het begin een aantal malen door de solist gespeeld) is het uitgangspunt van deze compositie. Dit motief wordt op verschillende manieren uitgewerkt en wordt in het slot gedeelte ten tonele gevoerd in een swingritme.Dit werk stelt hoge eisen aan de technische vaardigheden van de solist.