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| Georg Friedrich Händel:
Praise! Praise!: SATB:
Vocal Score
Choral SATB [Vocal Score]
Alfred Publishing
Thrill to the majesty of this brilliant chorus from George Frideric Handel's ora...(+)
Thrill to the majesty of this brilliant chorus from George Frideric Handel's oratorio Solomon. The skillfully adapted accompaniment is accessible yet richly supportive. The contrasting fluid B section may be performed by solo voices. Your choir will sound its best with this masterful general praise anthem also suitable for Pentecost Christ the King Sunday and World Communion.
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| Georg Friedrich Händel:
Praise the Lord (from
Judas Maccabeus): SAB:
Vocal Score
Choral 3-part
SAB [Vocal Score]
Shawnee Press
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Mac...(+)
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Maccabaeus is a standard in most choral libraries. Now he gives us another performance option with his two-part version. This majestic andtriumphant song of adoration is now accessible to all choirs for any number of festive occasions. Available separately: SATB TTBB SAB 2-part.
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| Georg Friedrich Händel:
Praise the Lord (from
Judas Maccabeus): 2-Part
Choir:
Choral 2-part
Shawnee Press
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Mac...(+)
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Maccabaeus is a standard in most choral libraries. Now he gives us another performance option with his two-part version. This majestic andtriumphant song of adoration is now accessible to all choirs for any number of festive occasions. Available separately: SATB TTBB SAB 2-part.
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| Georg Friedrich Händel:
Praise the Lord (from
Judas Maccabeus): SATB:
Vocal
Choral SATB [Vocal Score]
Shawnee Press
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Mac...(+)
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Maccabaeus is a standard in most choral libraries. Now he gives us another performance option with his two-part version. This majestic andtriumphant song of adoration is now accessible to all choirs for any number of festive occasions. Available separately: SATB TTBB SAB 2-part.
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| Georg Friedrich Händel:
Praise the Lord (from
Judas Maccabeus): TTBB:
Vocal
Choral TTBB [Vocal Score]
Shawnee Press
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Mac...(+)
Hal Hopson's adaptation of “Praise the Lord” from Handel's Judas Maccabaeus is a standard in most choral libraries. Now he gives us another performance option with his two-part version. This majestic andtriumphant song of adoration is now accessible to all choirs for any number of festive occasions. Available separately: SATB TTBB SAB 2-part.
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| Georg Friedrich Händel:
Praise The Lord With Harp
And Tongue: SATB: Single
Sheet
Choral SATB [Sheet music]
Novello & Co Ltd.
'Praise The Lord With Harp And Tongue' set for double choir with piano accompani...(+)
'Praise The Lord With Harp And Tongue' set for double choir with piano accompaniment.
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| Georg Friedrich Händel:
Praise The Lord: Soprano:
Vocal Work
Voice solo
Paterson's Publications
7.50 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
Praise Lord Consent:
TTBB: Vocal Score
Choral TTBB
J. Curwen and Sons
3.99 GBP - Sold by Musicroom UK |
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| Georg Friedrich Händel:
Praise The Lord: SATB:
Vocal Score
Choral SATB
SATB, Organ [Vocal Score] - Intermediate
Shawnee Press
From Judas Maccabeus-From 'Judas Maccabeus'. For SATB chorus and accompaniment. ...(+)
From Judas Maccabeus-From 'Judas Maccabeus'. For SATB chorus and accompaniment. Arranged by Hal H. Hopson.
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| Georg Friedrich Händel:
O come let us sing HWV
253 - Chandos Anthem
No.8: Voice:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano [Sheet music]
Barenreiter
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My s...(+)
O come let us sing HWV 253 Chandos Anthem No.8Handel’s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the “Chandos Anthems” from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London – a standard procedure for this composer who reusedparticularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for “O come let us sing unto the Lord”.The anthems present the Urtext from the “Halle Handel Edition” and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.- Full score & parts (BA4293) and vocal score (BA4293-90) available for sale
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| Georg Friedrich Händel:
O Praise The Lord (Beeks)
Novello & Co Ltd.
Handel George Frideric O Praise The Lord (Beeks) Cham Ensemble Parts
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| Georg Friedrich Händel:
O Praise The Lord With
One Consent HWV 254:
Mixed Choir:
Klavierauszug - Soli (STTB),
Gemischter Chor (SA²TB) und
Klavier [Sheet music]
Barenreiter
Handel?s three anthems (My song shall be alway HWV 252 O come let us sing HWV 2...(+)
Handel?s three anthems (My song shall be alway HWV 252 O come let us sing HWV 253 O praise the Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the ? Chandos Anthems? from the owner of the estate the First Duke of Chandos .The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London a standard procedure for this composer who reused particularly successful pieces as starting points for his later works. The scoring for solo voices chorus oboe strings and continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for ?O come let us sing unto the Lord?.The anthems present the Urtext from the ?Halle Handel Edition? and include uncomplicated and easy-to-play piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.?The clarity found in these Bärenreiter scores and the excellent keyboard reductions make them very attractive for performers.?(Church Music Quarterly Sept. 2008)
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| Georg Friedrich Händel:
O Praise The Lord With
One Consent HWV 254:
SATB: Score
Soli (STTB), Gemischter Chor (SATB),
Orchester [Sheet music]
Barenreiter
Handel?s three anthems (My Song Shall Be Alway HWV 252 O Come Let Us Sing HWV 2...(+)
Handel?s three anthems (My Song Shall Be Alway HWV 252 O Come Let Us Sing HWV 253 O Praise The Lord HWV 254) were composed in 1717 and 1718 for Cannons a country estate near to London. They take their nickname the ?Chandos Anthems? from the owner of the estate the First Duke of Chandos.The three pieces are noteworthy for their festive character and their varied orchestral accompaniment. Handel borrows older material from his Italian period and his earlier works for the Chapel Royal in London a standard procedure for this composer who reused particularly successful pieces as starting points for his later works. The scoringfor solo Voices Chorus Oboe Strings and Continuo was tailored to the musical resources of the small country estate. Two additional recorders are needed for ?O Come Let Us Sing Unto The Lord?.The anthems present the Urtext from the ?Halle Handel Edition? and include uncomplicated and easy-to-play Piano reductions. In addition to the original English words the full scores and vocal scores also include a singing translation in German.
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| Georg Friedrich Händel:
Utrecht Te Deum HWV 278:
Mixed Choir: Part
Soli (SSAATB), Choeur Mixte (SSAATTB)
Et Orchestre
Barenreiter
Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Pa...(+)
Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Paul’s Cathedral on 7 July 1713 during the celebrations for the Treaty of Utrecht. It is among his first compositions for the Anglican Church and accordingly he set the words of the Te Deum an ancient ecclesiastical hymn of obscure origins in English translation (‘We praise thee O God’). The score though richly orchestrated as befitted the occasion dispenses with timpani which like the harpsichord were probably omitted from the première owing to shortage of space. - Urtext of the Halle Handel Edition - Full score and performance material(BA4246) and vocal score (BA424690) available for sale
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| Georg Friedrich Händel:
Funeral March-The Dead
March In Saul: Organ:
Organ [Sheet music]
Novello & Co Ltd.
The Funeral March is composed in C and proceeds at a grand and stately pace. Th...(+)
The Funeral March is composed in C and proceeds at a grand and stately pace. The Flute duet provides an excellent contrast to the majesty of the piece.Handel’s great oratorio of 1739 Saul was conceived on a grand scale to tell the Old Testament story of King Saul David the slayer of Goliath and Saul’s son Jonathan. By the end both Saul and Jonathan have been killed and this moving funeral march marks that sombre moment in the oratorio. Saul is considered one of Handel's greatest works with particular praise for the Choral writing and for this funeral march.
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| Georg Friedrich Händel:
Utrecht Te Deum HWV 278:
Mixed Choir: Parts
Soli (SSAATB), Choeur Mixte (SSAATTB)
Et Orchestre
Barenreiter
Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Pa...(+)
Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Paul’s Cathedral on 7 July 1713 during the celebrations for the Treaty of Utrecht. It is among his first compositions for the Anglican Church and accordingly he set the words of the Te Deum an ancient ecclesiastical hymn of obscure origins in English translation (‘We praise thee O God’). The score though richly orchestrated as befitted the occasion dispenses with timpani which like the harpsichord were probably omitted from the première owing to shortage of space. - Urtext of the Halle Handel Edition - Full score and performance material(BA4246) and vocal score (BA424690) available for sale
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| Georg Friedrich Händel:
Up Calvary's Mountain:
Mixed Choir a Cappella:
Vocal
Choral SATB [Vocal Score]
Fred Bock Music Company
Handel's famous Sarabande serves as the opening theme to this stirring Lenten an...(+)
Handel's famous Sarabande serves as the opening theme to this stirring Lenten anthem. The text comes from Avis Christiansen and matches the tune well. The switch to D major permits a newly composed melody to emerge one of assurance. Returning to Handel's strain the piece ends in strength and praise.
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| Georg Friedrich Händel:
Utrecht Te Deum HWV 278:
Mixed Choir: Part
Soli (SSAATB), Choeur Mixte (SSAATTB)
Et Orchestre
Barenreiter
Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Pa...(+)
Handel’s Utrecht Te Deum (HWV 278) received its first performance in St Paul’s Cathedral on 7 July 1713 during the celebrations for the Treaty of Utrecht. It is among his first compositions for the Anglican Church and accordingly he set the words of the Te Deum an ancient ecclesiastical hymn of obscure origins in English translation (‘We praise thee O God’). The score though richly orchestrated as befitted the occasion dispenses with timpani which like the harpsichord were probably omitted from the première owing to shortage of space. - Urtext of the Halle Handel Edition - Full score and performance material(BA4246) and vocal score (BA424690) available for sale
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