Handel's setting of the text I Know That My Redeemer Liveth is from his great Oratorio Messiah arranged in E for solo voice and Piano.
SKU: BT.DHP-0950646-030
Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel’s music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Händel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeër gebaseerde heldenepos werd door Händel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De première van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Händels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der berühmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Händel. Dieses Werk - das im gefälligen, üppig barocken Stil, der für Händels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenössische niederländische Komponist Jan de Haan für Blechbläserquartett und Orgel. Tochter Zion ( Toi la gloire) est le plus célèbre chœur de l’oratorio Judas Macchabée de Georg Friedrich Haendel (1685-1759). La création de cette œuvre patriotique a eu lieu sous la direction du compositeur. Écrite dans le style baroque, elle déploie toute la richesse et la subtilité de la musique d’Haendel. Judas Macchabée est couronné de succès.
SKU: HL.44002419
UPC: 073999024197. 6.75x10.5 inches.
Tochter Zion, also known as See the Conquering Hero Comes, is the most famous chorus from the oratorio Judas Maccabaeus (1746) by the composer George Frideric Handel (1685-1759). The heroic epic based on the Biblical story about commander-in-chief Judas Maccabaeus, was used by Handel to celebrate the English victory over the rebellious Scottish. The first performance of this patriotic work - written in the pleasing, rich baroque style that Handel's music is known for - was conducted by himself; the success was huge. The chorus See the Conquering Hero Comes was added later, in 1748, drawn from another oratorio (Joshua).Tochter Zion, ook bekend als See the Conquering Hero Comes, is het beroemdste koor uit het oratorium Judas Maccabaeus (1746) van de componist Georg Friedrich Handel (1685-1759). Het op het Bijbelse verhaal overlegeraanvoerder Judas de Maccabeeer gebaseerde heldenepos werd door Handel gebruikt om de overwinning van de Engelsen op de in opstand gekomen Schotten te vieren. De premiere van dit patriottische werk - geschreven in de aangename,rijke barokstijl waar Handels muziek om bekendstaat - werd door hemzelf gedirigeerd, het succes was enorm. In 1748 is het koor See the Conquering Hero Comes toegevoegd, dat afkomstig was uit een ander oratorium (Josua).Tochter Zion, auch als See the Conquering Hero Comes bekannt, ist der beruhmteste Choral aus dem Oratorium Judas Maccabaeus von Georg Friedrich Handel. Dieses Werk - das im gefalligen, uppig barocken Stil, der fur Handels Musik typisch ist, geschrieben wurde - arrangierte der zeitgenossische niederlandische Komponist Jan de Haan fur Blechblaserquartett und Orgel. Tochter Zion (A Toi la gloire) est le plus celebre chœur de l'oratorio Judas Macchabee de Georg Friedrich Haendel (1685-1759). La creation de cette œuvre patriotique a eu lieu sous la direction du compositeur. Ecrite dans le style baroque, elle deploie toute la richesse et la subtilite de la musique d'Haendel. Judas Macchabee est couronne de succes.
SKU: BT.DHP-0950646-216
SKU: BT.DHP-0950646-015
SKU: BT.DHP-1043545-030
Let Me Weep (‘Lascia ch’io pianga’) is an aria from Handel’s opera ‘Rinaldo’. According to reports he composed the music for the complete opera in just 14 days, using many melodies from earlier works. The melody of this wonderful aria is known all over the world and this arrangement by Jacob de Haan retains all the passion of the original. Lascia ch’io pianga (Let Me Weep) is een aria uit de opera Rinaldo. Aaron Hill schreef het scenario, waarna Giacomo Rossi de poëtische teksten schreef. Georg Friedrich Händel voorzag deze later van muziek. Hij zou demuziek in veertien dagen hebben gecomponeerd en veel melodieën uit eerdere werken hebben gebruikt. In 1711 werd Rinaldo voor het eerst uitgevoerd. De melodie van deze prachtige aria is wereldwijd bekend en komt uitstekendtot haar recht in dit arrangement van Jacob de Haan.Let Me Weep - im Original Laschia ch’io pianga - stammt aus der Oper Rinaldo, deren Musik Georg Friedrich Händel angeblich in weniger als vierzehn Tagen geschrieben hat! Er verwendete für diese märchenhafte Oper viele Melodien aus älteren Werken. Die Melodie dieser prächtigen Arie ist weltweit bekannt und beliebt - so ist mit Jacob de Haans hervorragender Bearbeitung für Brass Band ein Publikumserfolg garantiert! Lascia ch’io pianga est un air extrait de Rinaldo, premier opéra londonien de Georg Friedrich Haendel sur un livret de Giacomo Rossi d’après un scénario d’Aaron Hill. Quinze jours de travail suffirent Haendel pour achever la partition. Le résultat est en réalité une vaste adaptation de plusieurs œuvres antérieures. Rinaldo a été créé Londres en 1711. Les décors féeriques et chevaleresques étaient éblouissants pour l’époque, et c’est sans doute pour cela que l’œuvre fut plébiscitée par le public.Dans le merveilleux jardin du palais enchanté d’Armide (l’alliée d’Argante, le rival de Rinaldo), Almirène (la promise de Rinaldo) pleure sa captivité dansson air Lascia ch’io pianga, l’un des plus beaux qu’Haendel ait écrits. Cette sublime mélodie, célèbre dans le monde entier, a été arrangée avec finesse et justesse par Jacob de Haan.
SKU: BT.DHP-1043545-130
SKU: BR.DV-7969-02
World premiere: Netzeband, July 12, 1997
ISBN 9790200471618. 7.5 x 10.5 inches.
Duration: full evening Text by the composer using a text by Walter Jens Place and time: Chamber of the King Philip V. of Spain, Middle of the 18th Century Characters: Farinelli (Countertenor/alto) - King Philip V. of Spain (baritone) - Nicola Porpora (baritone) - The Kings Personal Physician, also Barber (tenor) - The Kings Confessor, also Impresario and Priest (bass) - Maria (Bellino), later Anna Maria Strada (soprano) - Georg Friedrich Handel (baritone) - Jenny, Jim, John, English Opera Troupe (soprano, tenor, baritone) - The young Carlo Broschi (boy treble) The dramaturgical constellation of the subject forced me to use multifaceted and stylistic means. I have used melodic segments from the Farinelli arias that are still extant today, as well as other Baroque vocal and formal elements, models inspired by the Singspiel and the musical, and even a rap piece over a techno rhythm. The musical center of the opera consists of song and the human voice. Farinelli is a bel canto opera. (Siegfried Matthus) Carlo Broschi, known as Farinelli, was the brightest star among the castrato tenors of the 18th century. Handels enemies brought him to London so that he could outshine Handels singers. Here, Matthus depicts Farinelli at the Spanish court, ruled by the pathologically melancholy King Philip V. In a review of his life, we relive important stages in the career of the singer, who lived outside of the norm and found his home in the fascinating twilight world between art and artificiality.World premiere: Netzeband, July 12, 1997.
SKU: HL.267695
The magnificent interweaving of harmonies and dialogue-like Voices in Handel s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born, British Baroque composer George Frideric Handel originally composed this piece in 1741, for the English-language oratorio Messiah, which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio, which addresses Isaiah's specific prophecy about the virgin birth of a Messiah, For Unto Us A Child Is Born tells the news of Christmas, the birth of a son, in Isaiah s words as found in the Scripture (Isaiah 9:6). The delicate, familiar theme is introduced by the Sopranos and taken up by their counter-voices, the Tenors, later the same dialog is given over to the Altos and Basses. The tutti culminates in Wonderful, Counselor, The Mighty God, The Everlasting Father and The Prince of Peace.
SKU: HL.44006692
UPC: 884088142025. 9x12 inches. English-German-French-Dutch.
Händel's opera Scipio was written in 1725 and performed the following year in the King's Theatre, London. After Händel's death his operas fell into obscurity until the 1960s, when they experienced a major revival. This famous march from Scipio has however remained popular since its first performance and has been the Regimental Slow March of the British Grenadier Guards since the 18th century. The march is fairly simple and gives young bands the opportunity to play a well-known baroque melody which should be well within their technical ability.
SKU: HL.44006724
UPC: 884088142353. 9x12 inches. English-German-French-Dutch.
This piece needs no introduction; it remains one of the best-known classics of all time. Enthuse your performers and audiences alike with this fantastic arrangement from Handel's masterwork.
SKU: BA.BA04201-86
ISBN 9790006444878. 32.5 x 25.5 cm inches. Key: B-flat major.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA04203-74
ISBN 9790006445011. 32.5 x 25.5 cm inches. Key: G major.
SKU: BA.BA04203-86
ISBN 9790006445042. 32.5 x 25.5 cm inches. Key: G major.