Firmly established as one of the most performed alto saxophone solos on contest and festival lists throughout the world.
SKU: M2.MOS-40033-70
ISBN 9790203742333.
Durch die Verbindung mit dem Baron van Swieten kam Mozart in intensiven Kontakt mit den Werken von Johann Sebastian Bach und Georg Friedrich Handel und dadurch zur Auseinandersetzung mit der Fugenkomposition als musikalische Form und stilistisches Ausdrucksmittel. Die Fuge KV 401 (der Schluss ist von Maximilian Stadler erganzt) ist original fur Klavier zu zwei Handen (wegen seiner enormen Schwierigkeit spater fur Klavier zu vier Handen eingerichtet). Adolf Hoffmann hat sie, analog Mozarts eigenem Beispiel (s.u.), fur Streichorchester instrumentiert. Ein strenges Werk, das Anklange an den Contrapunctus I in Bachs Kunst der Fuge aufweist. 1788 hat Mozart seine fur zwei Klaviere komponierte Fuge KV 426 fur Streichorchester eingerichtet (KV 546) und ihr ein Adagio vorangestellt, das zu seinen erschutterndsten Kompositionen zahlt. Die franzosische Punktierung der Anfangstakte deutet bereits die grosse seelische Spannung des Satzes an. Aus Mozarts letzten Lebensjahren stammt die Fantasie KV 606, ein Stuck fur ein Orgelwerk in einer Uhr, die strengen Satz und Sonatenform verschmilzt. Sie ist ebenfalls von Adolf Hoffmann fur Streicher instrumentiert.
SKU: M2.MOS-40033
ISBN 9790203740339.
SKU: HF.FH-3320
ISBN 9790203433200. 9 x 12 inches.
1. Ouverture; 2. Adagio e staccato; 3. Adagio e staccato; 4. Adagio e staccato; 5. Nr. 3 da capo; 6. Air; 7. Minuet; 8. Bourree; 9. Hornpipe; 10. Hornpipe ; 11. Allegro; 12. Alla Hornpipe; 13. Alla Hornpipe; 14. Rigaudon; 15. Rigaudon; 16. Lentement; 17. Bourree; 18. Menuet; 19. Menuet; 20. Menuet; 21. Menuett; 22. Minuett.
SKU: FZ.5844
ISBN 9790230658447. 22.00 x 31.00 cm inches.
These original publications of Loeillet, Fischer, Haendel and Croft are in facsimile on Fac-similes et Enseignement collection. Loeillet John : XII Solos six for a common flute and six for a german flute with a thorough bass. London, Walsh and Hare, c. 1729. Sonata IV : Largo, Poco Allegro, Adagio, Allegro, Presto. Fischer Johann : Musikalisch Divertissement bestehend in einigen Ouverturen und Suiten mit 2 Stimmen auff Violen/Haubois oder Fleutes douces zu gebrauchen. Dresden, J. Riedeln, 1699/1700. Suite en sol mineur, Ouverture, Air, Menuet, Menuet, Chique, Bourree, Menuet, Menuet. Handel Georg Friedrich : Sonates pour un traversiere, un violon ou hautbois con basso continuo. Amsterdam, Roger, 1727. Sonata XI : Larghetto, Allegro, Siciliana, Allegro. Croft William : Six sonates or solos three for a violin and three for the flute with a thorough bass. London, Walsh and Hare, 1700. Sonata I. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. This facsimile was realized by Susi Mohlmeier and Frederique Thouvenot for recorder. Facsimile of copies from: - British Library of London (England). - Herzog August Library of Wolfenbuttel (Germany). - National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FH.VC1
ISBN 978-1-55440-537-4.
This inaugural edition of the Cello Series offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring cellist. With an expansive representation of musical styles from all eras, this series addresses the need for a single collection of quality educational materials to foster musical development and instill appreciation of the richness and diversity of music written for cello. Supporting a balanced course of study, this series organizes repertoire into nine volumes from the Preparatory Level through Level 8. Each level offers music from a range of styles and compositional eras, including standard literature, new arrangements of familiar tunes, and music written for cellists, by cellists. These selections provide the flexibility to choose pedagogically appropriate material suited to each individual, and to motivate students to fully develop their musicianship and technique.Baroque and Classical Repertoire:Menuet and Trio, W.O 10, no. 3 - Beethoven, Ludwig van arr. Watson ForbesRondeau (from The Fairy Queen) - Purcell, Henry arr. Watson ForbesSarabande - Handel, George Frideric arr. Jason NobleAndante grazioso - Mozart, Wolfgang Amadeus arr. Jason GrayHornpipe a l'Inglese - Galliard, John Ernest arr. Christine DonkinVittoria, mio core! - Carissimi, Giacomo arr. Christine DonkinTraditional and Romantic Repertoire:Tambourin - Rameau, Jean-Philippe arr. Christine DonkinAll the Pretty Little Horses - American lullaby arr. Jason GrayBarbara Allen - British folk song arr. Forrest KinneySimple Gifts - Brackett, Joseph Jr. arr. Forrest KinneyMarch (from The Nutcracker) - Tchaikovsky, Pyotr Il'yich arr. Jason NobleLondonderry Air - Irish folk song arr. Forrest KinneyRepertoire Composed After ca 1930:A Little Child's Dance - Konicek, Zdenek...I Say Ca-rib-'be-an - Birston, HaroldSonata da camera - Matz, Rudolf- First Movement: Adagio- Fourth Movement: Allegro vivaceGrab the Slippery Toad! - Lumsden, Caroline and Ben AttwoodHungarian Stomp - Wedgwood, PamBudapesto - Cheney, CareyWild West - Blackwell, David and Kathy BlackwellLivi's Blues - Cheney, Elliott W.
