For Violin Solo

For Violin Solo. Par BACH JOHANN SEBASTIAN. Monument der solistischen Violinmusik, Prüfstein für jeden Geiger mit Anspruch - diese Superlative werden den „Sei Solo', besser bekannt als „Sonaten und Partiten für Violine solo' von Johann Sebastian Bach, beigegeben. Bach schafft vielerlei Beziehungen auf vielerlei Ebenen, teils klar erkennbar, teils subtil: ein Kosmos der Formenvielfalt und des Violinspiels, von der einstimmigen Linie bis zum kontrapunktischen Satz. Dem nachzuspüren, Zusammenhänge zu erkennen vor dem Hintergrund der biographischen, musikhistorischen und kompositorischen Voraussetzungen, ist Zweck dieses Buches. Zugleich liefert Bernhard Moosbauer Hilfestellungen für eine fundierte, aus dem kompositorischen Verständnis der Soli gespeiste Interpretation für Violinisten gleich welcher Couleur. - Einführung in die Musikgeschichte und Struktur der berühmten Solowerke - Beschreibung und Einordnung aller Sätze in die Gesamtanlage - Für professionelle und nichtprofessionelle Geiger sowie für alle Musikinteressierten Bernhard Moosbauer studierte Schulmusik, Komposition, Musikwissenschaft und Barockvioline in Stuttgart, Tübingen und Straßburg. Er widmet sich hauptsächlich der Kammermusik des Barock und spielt außerdem in diversen Ensembles und Orchestern mit Originalinstrumenten im süddeutschen Raum. Seine Forschungsschwerpunkte sind die Instrumentalmusik des 17. und 18. Jahrhunderts und die Sinfonik der Wiener Klassiker. Er ist mit Editionen von Werken Corellis, Vivaldis, Bibers und Händels sowie mit Fachartikeln und Buchpublikationen hervorgetreten. Bei Bärenreiter erschien seine Monographie zu Vivaldis „Vier Jahreszeiten' (BVK 1583)./ Répertoire / Violon

Explore the world of jazz violin with one of America's finest jazz and swing violinists Jeremy Cohen. With this book/CD pack violinists can: practice soloing and improvising along with a recorded Hot-Club-style band · learn melodies and solos to 16 great jazz standards · build strength stamina focus and improvising skills by jamming with the band. Includes two audio CDs with variable-speed practice tracks and full-band accompaniment.

Par DUNCAN CRAIG. Ce livre présente 18 solos avec accompagnement de piano de la tradition au début de la note en forme d'américaine. Comprend de nombreux favoris bien connus : Come, Ye pécheurs, pauvres et difficulté - O tu fils de David - adieu, mes chers frères - tous grêle nom la puissance de Jésus - Jésus, je My Cross ont pris - Ye devraient sont lié À Canaan - frères, nous ont rencontré au culte - choses glorieuse de Thee sont parlées - Hark ! Le Jubilé est sonnant - Amazing Grace - sur orageux banques la Jordanie I Stand - mon berger fournira mon besoin - Come Ye pécheurs - Rock of Ages - quand je peux lire mon titre Clear - adieu, Vain World - Come, Font de chaque bénédiction - et ce que tu merveilleux amour est-ce ? 72 pages avec un in-folio de 40 pages commode pour le soliste. / Niveau : Débutant à Intermédiaire / Sacred - Solos / Recueil / Violon

Par USHER ABELL. Une collection battante de 11 grands pieds-enregistrement de solos de violon avec accompagnement au piano de jazz. Sélection comprennent du Darktown Strutter Ball - Balline le Jack - et les Blues de St. Louis. / Niveau : Intermédiaire / Jazz - Solos / Recueil / Violon

Violin Concerto No.1 for Violin solo and Harp Harpsichord and Strings by Poul Ruders (1981).

Leichte Fantasie für Violine solo. Par BERNDT RICHARD. / Répertoire / Violon Solo

Instrumental Play-Along-These outstanding packs feature solo arrangements of a dozen Beethoven pieces plus a great sounding play-along CD!

Three vamp parts are layered on each other in this innovative improvisation collection allowing soloists to join in as they please.Some vamps are simple others more challenging. Improvising becomes accessible with soloing guidelines and tips. 35 different styles are covered including jazz classical hip-hop rock country-western Asian African Celtic Latin Gregorian and more.Each page has sugested notes for soloing so your solo will always fit with the other players. These volumes are available for four instruments ? Violin Viola and Cello/String Bass ? so string players can improvise together.

The blues is an incredibly powerful form of music that creates an environment within which you the soloist can improvise easily and expressively. This one-of-a-kind book for violinists complete with supportive practice CD will provide you with technical musical and stylistic tips designed to activate your imagination. Fine-tune your right and left-hand touch and help you develop a uniquely individual sound within the stylistic tradition of the blues. The book includes 17 solos that demonstrate the unique styles of great blues fiddlers complete with informative biographies.

Concerto no. 23 (Viotti)-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti''s Concerto No. 23 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist''s repertoire. The Violin solo line of Concerto No. 23 makes use of extended techniques including harmonics bow techniques aritculations and hand positions. Catherine''s series First Solos extracted from the ClassicConcertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

Bériot's Concert No. 9 for Violin and Piano-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from B?riot''s Concerto No. 9 is clearly printed with a helpful key of unusual techniques. Charles Auguste de B?riot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist''s repertoire as well as many study books for the instrument. The Violin solo line of Concerto No. 9 makes use of extended techniques including harmonics bow techniques articulations and handpositions. Catherine''s series First Solos extracted from the Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

Concerto no. 1 (Kreutzer)-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Kreutzer's Concerto No. 1 is clearly printed with a helpful key of unusual techniques. Kreutzer (1766-1831) was a French violinist teacher conductor and composer. He composed a significant forty operas and nineteen Violin concertos. The Violin solo line of Concerto No. 1 makes use of extended techniques including harmonics bow techniques aritculations and double stops. Catherine's series  Premiers Solos Extraits De ConcertosClassiques provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

Beriots Concert No. 9-Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Bériot's Concerto No. 7 is clearly printed with a helpful key of unusual techniques. Charles Auguste de Bériot (1802-1870) was a Belgian violinist and composer. He composed a significant 10 concertos for the Violin which remain popular in the advanced violinist's repertoire as well as many study books for the instrument. The Violin solo line of Concerto No. 7 makes use of extended techniques including harmonics bow techniques aritculations and handpositions. Catherine's series First Solos Extracted From The Classic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

Violin 1-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Viola-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor