Folk for Clarinet

Harold Dexter. Includes works by Mozart Offenbach and Schubert plus traditional folk tunes. Piano accompaniment plus separate clarinet part.

Instrumental Play-Along-Clarinet players will love the 15 folk favourites in this collection provided complete with backing tracks on CD: A-Tisket A-Tasket â?¢ Bury Me Not on the Lone Prairie â?¢ (Oh My Darling) Clementine â?¢ Frere Jacques (Are You Sleeping?) â?¢ The Galway Piper â?¢ Greensleeves â?¢ Home on the Range and more.

This book contains both exercises and songs for performance. Intonation, articulation, phrasing, and rhythm are strengthened in the exercises, and the conditioning is extended so that the playing of the songs and the recital pieces will be a pleasure for players as well as for listeners. The first and second parts are of the same degree of difficulty, so that the parts can be exchanged in the repeats. The songs include: Lieder, folk songs, chorales, choral songs, canons, song, Christmas carols, birthday songs, etc. The different recital pieces are intended as preparation for the great world of music literature. Tempos and dynamics can be adjusted according to the student's ability. Titles and lyrics are in German. / Clarinette

This book contains both exercises and songs for performance. Intonation, articulation, phrasing, and rhythm are strengthened in the exercises, and the conditioning is extended so that the playing of the songs and the recital pieces will be a pleasure for players as well as for listeners. The first and second parts are of the same degree of difficulty, so that the parts can be exchanged in the repeats. The songs include: Lieder, folk songs, chorales, choral songs, canons, song, Christmas carols, birthday songs, etc. The different recital pieces are intended as preparation for the great world of music literature. Tempos and dynamics can be adjusted according to the student's ability. Titles and lyrics are in German. / Clarinette

12 Easy Pieces for Bb Clarinet and Piano. This edition presents you with an array of musical highlights from various countries. It offers easy-to-play yet musically challenging arrangements for clarinet and piano, and enables you to learn the pieces systematically and at three different tempi with professional accompaniments. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you?ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live. The CD tracks are also available in downloadable MP3 format.

Par DAVIES JOHN. The 15 little pieces in the Really Easy C Clarinet Book have been written and selected with beginners in mind, but within the technical limitations this imposes there is plenty of scope for musical interest. The pieces are arranged progressively, so as well as musical satisfaction there's the pleasure of step-by-step improvement. The piano accompaniments have been kept as simple as possible.  / Instrumental Music, Methods

Eleven songs arranged for clarinet and piano. They are an ideal introduction to ensemble playing as it is essential for the two players to listen intently to both parts in order to shade and vary their playing accordingly. The pieces are arranged roughly in order of the clarinet part's technical difficulty. The piano part has been simplified in places to help young players.

Fifteen of the most popular classical pieces for clarinet in easy melody line arrangements by Daniel Scott, with specially recorded backing tracks. Junior Guest Spot is ideal for beginners and young performers, using short easy arrangements in simple keys. The accompanying CD contains full performance versions, and backing only versions so you can play the solo line. The series can be used for ensemble purpose, simply combine the titles, all are in matching keys. / Clarinette

The title of Paul Mealor's Spectred Light refers to the ghostly lights sometimes seen at night or twilight over rivers or lakes.Tales of the ‘Spectred Lights’ can be found in numerous folk tales around the world and it is often depicted as a malicious character in these stories. In Welsh folklore it is said that the light is 'fairy fire' held in the hand of a ‘pwca’ - a small goblin-like fairy that leads lone travelers off the beaten path at night. As the traveller follows the pwca through the marsh the fire is extinguished leaving the man lost.This short work for Flute Clarinet and Piano is an attempt to depict through sound thisstrange phenomenon. The piece flickers into life and though a series of asymmetric variations leads the listener into a maze of aural colours. As the music reaches breaking point it disappears upwards and dissolves into metal wind-chimes. Out of this a short respite is heard before the music finally hurtles into its finale a blaze of virtuosity.Spectred Light was commissioned by and dedicated to virtuoso clarinetist Esther Lamneck.

Any of these pieces would be an exciting and popular choice for the concert programme. Both clarinet parts are of moderate difficulty and the pieces are presented with easier arrangements at the beginning progressing to those that are a little more challenging.Today's klezmer comprises a wide range of styles extending from traditional ensembles to 'crossover' with jazz pop and rock. This collection of ten arrangements from the clarinettist and composer Helmut Hödl contains popular melodies as well as lesser-known folk songs. Two additional compositions from Helmut Hödl himself complete the collection. All share a common basis of deeply expressive themes wherelaughter and sadness are reminiscent of language and song.

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano