Flor und Chor

in memoriam Anton Bruckner Score + Parties. Par DOSS THOMAS. Le couvent de Saint-Florian a été le lieu de travail du compositeur autrichien Anton Bruckner ; plusieurs de ses grandes symphonies y ont été composées. Ce couvent et sa superbe église sont situés au centre d’un paysage champêtre idyllique. St. Florian Chorall (“Choral de Saint-Florian”) est un hommage musical, modeste, à la mémoire du grand compositeur que fut Anton Bruckner, dont la musique a laissé une marque indélébile sur la vie musicale de Thomas Doss./ Répertoire / Ensemble à Vents et Percussion optionnelle

In memoriam Anton Bruckner-Le couvent de Saint-Florian a été le lieu de travail du compositeur autrichien Anton Bruckner qui y composa plusieurs de ses grandes symphonies. Ce couvent et sa superbe église sont situés au centre d?un paysage champêtre idyllique. St. Florian Choral (?Choral de Saint-Florian?) est un hommage à Anton Bruckner dont la musique a profondément marqué Thomas Doss.

In memoriam Anton Bruckner-Le couvent de Saint-Florian a été le lieu de travail du compositeur autrichien Anton Bruckner qui y composa plusieurs de ses grandes symphonies. Ce couvent et sa superbe église sont situés au centre d?un paysage champêtre idyllique. St. Florian Choral (?Choral de Saint-Florian?) est un hommage à Anton Bruckner dont la musique a profondément marqué Thomas Doss.

in memoriam Anton Bruckner-Le couvent de Saint-Florian a été le lieu de travail du compositeur autrichien Anton Bruckner qui y composa plusieurs de ses grandes symphonies. Ce couvent et sa superbe église sont situés au centre d?un paysage champêtre idyllique. St. Florian Choral (?Choral de Saint-Florian?) est un hommage à Anton Bruckner dont la musique a profondément marqué Thomas Doss.

Noted jazz pianist, composer, recording artist and educator Andy LaVerne has drawn from his decades of experience playing with master musicians from Getz to Lovano to create this comprehensive compendium of contemporary moving voicings. Quartal, quintal, drop 2, dominant 7b9/diminished, triadic, whole tone and chromatic performance proven voicings pioneered by McCoy Tyner, Chick Corea, Herbie Hancock, and Andy himself are presented and fleshed out in all twelve keys. This book picks up where others leave off, enabling you to replace static chords with voicings that move melodically, dramatically, and gracefully over the entire range of the keyboard. Firmly rooted in contemporary jazz theory, the emphasis is on practical performance applications. Andy ties it all together with illustrations of comping choruses for five standard jazz tunes. Chords in Motion satisfies a long awaited need in actual comping situations, and shows you how to move chords through varying harmonic rhythms. FINALLY ? a book that gives you moving voicings, and sets them in motion in all twelve keys. Chords in Motion is a valuable resource for all keyboardists, arrangers, and instrumentalists. Activate, animate, and energize your comping with this encyclopedic volume. 156 pages, spiral bound for easy opening. Andy carries the flame of jazz piano tradition and just great music. He always inspires me. Chick Corea This is a great book! I am going to sit down and play through this!! I am always telling my non-piano playing students how important it is to work with (and internalize) the sounds that we live with all our lives as Jazz musicians. Coltrane spent years sitting at the piano and so should all of us!!! John Patitucci Berklee College of Music One thing about Andy?he is complete as can be and has been consistently so for years in both his teaching materials and playing. He is completely knowledgeable in such a way that when I play with him, I know he KNOWS!! Plus he is one of the smoothest and polished of players around. Great book?encyclopedic in content. Dave Liebman Founder, Artistic Director, International Association of Schools of Jazz (IASJ) I've played and recorded with Andy LaVerne many times over the years and in many different settings and he's always come up with the hippest, most interesting chords in the most musical way! His way of playing and looking at chords inspires me as a drummer and his rhythm section partner to play things that are in turn inspiring to the rest of the band. This book, helps musicians, understand, in a clear thoughtful presentation, how to go about getting this together. Billy Drummond Jazz Drummer, Educator, Juilliard, NYU Chords in Motion is an outstanding and comprehensive guide by Andy LaVerne, whose encyclopedic knowledge, decades of experience and brilliance as a performer and educator make this an invaluable handbook of modern jazz piano harmony. Its user-friendly, intelligent design enables musicians to expand their harmonic palette and potentially transform their playing, writing and arranging. Chords in Motion is an invaluable contribution to jazz musicians! Lynne Arriale Jazz Pianist, Composer, Educator, Associate Professor of Jazz Piano, Director of Small Ensembles, University of North Florida Chords in Motion is exactly the book I'd expect from Andy LaVerne. It's clear, openhearted and inspiring, as has been every conversation I've had with Andy over the years. Long a fan of his playing, I have enjoyed this look behind the curtain at how Andy LaVerne formulated his signature style. One other thing -- any pianist, no matter his/her approach, will gain insight into what will surely be new and exciting musical directions. Pete Malinverni Jazz Pianist, Educator, Director of Jazz Studies, SUNY Purchase College Conservatory of Music What a great resource for expanding the harmonic palette! Chords in Motion is a must have for the aspiring young jazz pianist as well as the seasoned veteran. Another winner from Andy! Paul Schmeling Jazz Pianist, Educator, Chair Emeritus, Piano Department, Berklee College of Music In Chords in Motion, I recognize chords and sounds that have inspired me to compose and play: harmony from the music of Chick Corea, Herbie Hancock and McCoy Tyner. This book is well organized, and from the beginning gets you playing. Each chord structure is explained and developed. There is plenty to practice. I especially like the exercises using contrary motion, arpeggiation

Jazz Chorals-This slow samba by Brazilian singer/songwriter Djavan is artfully arranged for SATB with soprano solo and rhythm section by jazz educator/arranger Paris Rutherford.

Ce recueil est un 'florilège' de chansons 'éprouvées' qui sont devenues, en quelque sorte, des 'classiques' du répertoire choral. La plupart d'entre elles ont été composées ou harmonisées par César Geoffray. Les autres sont dues à Marcel Corneloup, Jean Bouvard, Guy Plettener, A. Perez-Moya, Philippe Caillard, Robert Houette, Heinz Lau, Kremer... Un grand classique de toutes les chorales. / Choeur Mixte / 84 pages / Partition

Cantiones profanae Instrument : soloists (STBar), mixed choir (SATB), children's choir and orchestra Type : choral score Nombre de Pages : 72 Carl Orff's masterpiece composed in 1936 undoubtedly is one of the best-known musical creations throughout the world. By popular request, we now publish a comprehensive choral score uniting all choral parts in one volume of excellent quality and print. This choral score complements the hitherto available choral parts (ED 4920-01 and -02) presenting female and male voices in separate editions, as well as the piano score ED 2877. The new choral score makes rehearsing and studying this extraordinary work much easier for every singer and music lover. Content : Fortuna Imperatrix Mundi: 1. O Fortuna - 2. Fortune plango vulnera - I Primo vere: 3. Veris leta facies - 4. Omnia sol temperat - 5. Ecce gratum - Uf dem anger: 6. Tanz - 7. Floret silva - 8. Chramer, gip die varwe mir - 9. Reie - Swaz hie gat umbe - Chume, chum, geselle min - Swaz hie gat umbe - 10. Were diu werlt alle min - II In Taberna: 11. Estuans interius - 12. Olim lacus colueram - 13. Ego sum abbas - 14. In taberna quando sumus - III Cour d'amours: 15. Amor volat undique - 16. Dies, nox et omnia - 17. Stetit puella - 18. Circa mea pectora - 19. Si puer cum puellula - 20. Veni, veni, venias - 21. In trutina - 22. Tempus et iocundum - 34. Dulcissime - Blanziflor et Helena: 24. Ave formosissima - Fortuna Imperatrix Mundi: 25. O Fortuna

New songs by today's greatest bands and artists, specially arranged in the same way as the original recording. Includes complete lyrics, chord symbols and Guitar chord boxes, as well as exclusive photos and playing guides. / Chant Et Guitare

Ceux qui recherchent un répertoire simple mais bon, capable de donner de la joie aux petits groupes comme aux masses chorales y trouveront des musiques sûres qui 'résistent' au temps. / Choeur Mixte / 80 pages / Partition

Dieses Kindermusical versteht sich als ökologisches Lehrstück. James Krüss dichtete den Text nach seinem gleichnamigen Buch und Christian Bruhn, der Komponist von Hey, hey Wicki und Heidi, vertonte ihn als Musical für Kinder und Jugendliche.Florian fliegt auf seiner Wolke über das Land und sieht von oben nicht nur Wiesen, Felder und fröhliche Menschen, sondern erfährt auch, wie Leichtsinn, Dummheit und Gewinnsucht in Umweltzerstörung und Krieg enden können. So wie es im echten Leben noch keine Lösung für all diese Probleme gibt, endet auch das Musical offen mit einer Art Appell: ?Menschen müssen bleiben, doch wir hoffen, dass ihr Treiben in der Zukunft besser sei!'.Die Kinder treten in verschiedenen ein- bis zweistimmigen Chören auf. So können viele Kinder (mit verschiedenen Kostümen) oder sogar mehrere Schulklassen an dem Projekt teilnehmen. Solisten, stumme Rollen und Erzähler(in) vervollständigen die Besetzung. Dieses Musical kann ganz ohne Instrumente aufgeführt werden. Die Musik kommt von der beiliegenden Playback-CD, zu der gesungen wird. Geübt wird mit dem Klavierauszug oder der mitgelieferten Vollversion. Die Erstausgabe aus dem Jahr 1986 steht weiterhin als Ensemblefassung zur Verfügung (Partitur ED 7403). Sie unterscheidet sich geringfügig von der vorliegenden Fassung. / Choeur