Flamenco Guitar

This book brings you closer to Flamenco, in a brief and summarized way. --Flamenco - a name --The early days --The place of birth --A life story --Flamenco singing: the craked voice --Dancing Flamenco --Flamenco Guitar --Descripton of every Flamenco variations 'PALOS' --Glossary UK product number 8461243778. / Guitare Classique / 109 pages / niveau : Débutant/Intermédiaire / Partition - Format: 7,5 X 5

Dans un programme artistique et extrêmement instructif, Guillermo Rios nous entraîne dans l'univers magique de la ' Libres de tuques '. L'absence d'un compteur d'impulsions dans ces formulaires en aucune façon les limites leur milieu musical potentiel pour servir à l'artiste les plus possibilités expressives. Malaguenas, Mineras, Rondenas, Granadinas, Tarantas sont tous discutés. Le split screen augmente claires vues des mains de deux Guillermo et comprend des représentations de ses propres arrangements exquis dans ces formes de belles flamenco. / Guitare Classique / 85 pages / niveau : Débutant/Intermédiaire / Dvd - Format: 7,5 X 5,25

The legendary flamenco guitarist and best-selling Mel Bay Publications author Juan Serrano is well-known for his sound recordings transcriptions of his music and technical methods for flamenco guitar. Now the music that formedhis technical repertory and was the musical foundation given to his by his father Antonio el del Lunar (guitarist for all the flamenco singers of his time including Pastora Pavon-Nina de los Peines) is at your fingertips in thisbook that contains completely unreleased flamenco puro that is the foundation of one of the world's leading guitarists. These falsetas or variations on flamenco forms (toques) are graded so they are valuable for beginners intermediate advanced and professional flamenco guitarists--or for classical guitarists that want to learn flamenco.

With Online Audio-This is a superb collection of 8 original flamenco concert Guitar solos and two exciting Guitar quartets. The selections feature Juan Serrano's usual technical brilliance and capture the vitality fire and haunting Moorishmoods characteristic of flamenco music. All solos are in notation and tablature. Selections include: Ensueno (Petenera for Four Guitars); Flamenco Dance (Sevillanas for Four Guitars); Canto Minero (Taranto); Mantillas deFeria; Capricho de Huelva (Fandangos); Alma (Bulerias in A minor); Andalucian Dance (Tanguillo); Blazing Guitar (Rumba); Memory of Love (Bolero); Ana Maria (Tientos). All of the solos are on the audio but the quartets are not.Includes access to online audio.

for Teaching and Private Study Content : Contents of the book: - Preface - The Author - Text Styles Used in This Book - About this CD - Posture - The Sound of the Flamenco Guitar - Gingerlabelling - Rasgueo - One-Finger-Rasgueo - 3-Finger-Rasgueo - 4-Finger-Rasgueo - Continuing Rasgueo - Pulgar - Pulgar and ima-Downstroke - Pulgar and Rasgueo - Remate - Pulgar-Downstroke - Ayudado - Golpe - Golpeador - i- and p-Downstroke with Golpe - m-Golpe with Downstroke - The Rumba-Stroke - Tresillos - a-m-i-p-Rasgueo - Guitarra Flamenca - Guitarreros - Guitarreros actual - La Cejilla - Guitarristas actual - Unas - Palmas - Compás - Modo Dórico - Glossary - Contents of Volume 2 - Adresses - . - Contents of the DVD: - Lesson 1: - Rasgueado - Punteado - Sencillos I (Tangos) - 3-Finger-Rasgueado - Estudio por Soleá - 4-Finger Rasgueado - Sencillos II (Tangos) - a-m-i-i-Rasgueo - Naino I (Tangos) - . - Lesson 2: - Pulgar - Naino II (Tangos) - Naino III (Tangos) - Naino IV (Tangos) - Remate - Mantón (Soleá) - Ayudado - Caí (Alegrías en Do) - Ayudado I - Ayudado II - Rumbita I (Rumba) - . - Lesson 3: - Golpe - a-Golpe - Mantón II (Soleá) - i- and p-Downstroke with Golpe - i-Downstroke with Golpe (Garrotín) - p-Downstroke with Golpe and p-Upstroke (Garrotín) - Naino V (Tangos) - m-Golpe - Quejío I (Taranto) - m-Golpe with Downstroke - The Rumba-Stroke - Rumba-Compás I - Rumba-Compás II - Rumba-Compás III - Rumba-Compás IV - Rumba-Compás V - Rumba-Compás VI - . - Lesson 4: - Tresillo I - Tresillo II - Tresillo III - Tresillo IV - Tangos-Compás with Tresillos - Soleá-Compás with Tresillos I - Soleá-Compás with Tresillos II - Soleá-Compás with Tresillos III - Soleá-Compás with Tresillos IV - Fandango de Huelva (Intro) - Fandango de Huelva (Copla) - Sevillanas (Intro) - Sevillanas - Paso Lento (Alegrías) - Mantón III (Soleá) - . - El Compas: - Menu - Alegrías - Soleares - Bulerías - Fandangos - Guajiras - Petenera - Siguiriyas

Transcriptions for guitar of 10 pieces from the album Toques Flamencos. In standard notation and tablature and complete with guidelines on technique and notation. Includes a CD.

Juan Martin's internationally-acclaimed series which reveals the art of playing the flamenco Guitar. A video series of six lessons is now presented on two DVDs with a total duration of three hours.Juan Martin explains and demonstrates the essential techniques and rhythmic forms of flamenco Guiar playing in six lessons designed for all players from beginning to advanced.The lessons show you in detail many varieties of basic rhythms which form the foundation of flamenco Guitar styles. They also give a wealth of traditional and modern flamenco solos accurately transcribed into music notation and easy-to-follow 'cifra' tablature all presented in a video series of sixlessons. In this way you learn not only how to play but also what to play as the lessons build into a substantial repertoire of flamenco music.Juan Martin is a Guitarist in the great tradition of flamenco. From early beginnings immersed in the flamenco culture of Andalucia he mastered the skills of accompanying flamenco singers and dancers before his emergence as an innovative soloist who is now an internationally-celebrated concert and recording artist with many albums to his credit.

Media Type : Book Level : Beginning-Intermediate Musical Genre : Flamenco Number of pages : 80 The rasgeuado technique is without a doubt the most impressive and characteristic element of the flamenco guitar. Author Ioannis Anastassakis has studied and researched the rasgueado technique of every significant flamenco guitarist in the world, and has compiled his work in this book in an easy and understandable notation form, with excellent explanations of each rasgueado technique. From this book, every flamenco and non-flamenco guitarist, from aficionado to professional, can learn everything about the rasgueado technique and its interpretation. Rumba rhythms and the golpe technique are also discussed. Notation and tablature.

The tutorial of flamenco song and dance and its accompaniment is the first written material that presents all the basic melodic lines for flamenco song as well as the traditional dance structures written in score in two-part form: voice and flamenco guitar (standard notation and tabulature). This third volume collects the families of ???Fandangos??? ???Cantes varios??? and ???Cantes de Ida y Vuelta???.